Rheinberger’s Mass in A major is a truly beautiful work for upper voice choirs. The organ accompaniment supports the voices and expands the three-part texture to four parts. The charm and at the same time the challenge lies in the lyrically tender character of the composition. Even the chromatic lines, seventh and ninth chords, and many modulations can be mastered effortlessly if all the choral singers practise their parts so they can sing them blindfold, and can devote themselves fully to the overal choral sound. The vocal parts in the organ version match those in the orchestral version; both can therefore be practised with the app.
Simply practice. Anytime. Everywhere.
Whether at home on your tablet or PC or on the road on your smartphone: with carus music, the Choir Coach, you always have your choral works with you to practice! With the carus music choir app, you can listen to your score together with a first-class recording on any device and easily practice your own choir part with a coach. With carus music, your concert preparation is easy, efficient and fun to master!
Performers: Vocalensemble Rastatt – Thomas Berning (organo) – Holger Speck
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- Kyrie
- Credo
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Digital text (without sheet music) incl. printing licence, html file, singing text, english translationhtml file, singing text, english translation (Sample)1. KyrieLord, have mercy on us.
2. Gloria
Christ, have mercy on us.
Lord, have mercy on us.Glory be to God on high
3. Credo
and on earth peace to men of good will.
We praise thee; we bless thee; we adore thee; we glorify thee.
We give thee thanks for thy great glory.
Lord God, heavenly King, God the almighty Father.
O Lord, the only-begotten Son, Jesus Christ,
O Lord God, Lamb of God, Son of the Father.
Thou who takest away the sins of the world, have mercy upon us.
Thou who takest away the sins of the world, receive our prayer.
Thou that sittest at the right hand of God the Father, have mercy upon us.
For thou alone art the Holy One, thou alone art the Lord,
thou alone art the Most High, Jesus Christ.
With the Holy Ghost in the glory of God the Father. Amen.I believe in one God, the Father almighty,
Maker of heaven and earth
and of all things visible and invisible.
And in one Lord Jesus Christ,
the only-begotten Son of God,
begotten of his Father before all ages.
God of God, light of light, true God of true God,
begotten, not made, being of one substance with the Father,
by whom all things were made....
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Digital text (without sheet music) incl. printing licence, html file, singing text, german translationhtml file, singing text, german translation (Sample)1. Kyrie
Herr, erbarme dich unser.
2. Gloria
Christus, erbarme dich unser.
Herr, erbarme dich unser.Ehre sei Gott in der Höhe
3. Credo
und Friede auf Erden den Menschen, die guten Willens sind.
Wir loben dich, wir preisen dich, wir beten dich an, wir rühmen dich.
Wir danken dir, denn groß ist deine Herrlichkeit.
Herr und Gott, König des Himmels, Gott, allmächtiger Vater.
Herr Jesus Christus, eingeborener Sohn,
Herr und Gott, Lamm Gottes, Sohn des Vaters.
Du nimmst hinweg die Sünden der Welt, erbarme dich unser;
Du nimmst hinweg die Sünden der Welt, nimm an unser Gebet.
Du sitzest zur Rechten des Vaters: erbarme dich unser.
Denn du allein bist der Heilige, du allein der Herr,
du allein der Höchste, Jesus Christus.
Mit dem Heiligen Geist, zur Ehre Gottes, des Vaters. Amen.Ich glaube an den einen Gott, den allmächtigen Vater,
der alles geschaffen hat, Himmel und Erde,
die sichtbare und die unsichtbare Welt.
Und an den einen Herrn Jesus Christus,
Gottes eingeborenen Sohn,
aus dem Vater geboren vor aller Zeit:
Gott von Gott, Licht vom Licht, wahrer Gott vom wahren Gott,...
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Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)1. Kyrie
Kyrie eleison,
2. Gloria
Christe eleison,
Kyrie eleison.Gloria in excelsis Deo.
3. Credo
Et in terra pax hominibus bonae voluntatis.
Laudamus te, benedicimus te, adoramus te, glorificamus te,
gratias agimus tibi propter magnam gloriam tuam.
Domine Deus, rex coelestis, Deus Pater omnipotens.
Domine Fili unigenite, Jesu Christe.
Domine Deus, Agnus Dei, Filius Patris,
qui tollis peccata mundi, miserere nobis.
Qui tollis peccata mundi, suscipe deprecationem nostram.
Qui sedes ad dexteram Patris, miserere nobis.
Quoniam tu solus Sanctus, tu solus Dominus,
tu solus Altissimus, Jesu Christe,
cum sancto spiritu in gloria Dei Patris. Amen.Credo in unum Deum, Patrem omnipotentem,
factorem coeli et terrae,
visibilium omnium et invisibilium.
Et in unum Dominum Jesum Christum,
Filium Dei unigenitum,
et ex Patre natum ante omnia saecula.
Deum de Deo, lumen de lumine, Deum verum de Deo vero,
genitum, non factum, consubstantialem Patri:
per quem omnia facta sunt.
Et incarnatus est de spiritu sancto ex Maria Virgine
et homo factus est.
Crucifixus etiam pro nobis:
sub Pontio...
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Digital text (without sheet music) incl. printing licence, html file, Introductory text, englishhtml file, Introductory text, english (Sample)Abridged text from the CD Carus 83.467
Barbara Mohn
Translation: Earl RosenbaumWhen Josef Gabriel Rheinberger, Professor of composition at the Royal School of Music in Munich, was appointed Court Conductor for church music by the Bavarian King Ludwig II he took on one of the central positions, most rich in tradition in Catholic church music – it was once held by Orlando di Lasso. Rheinberger was responsible for directing church music at the All Saints Church in Munich on Sundays and feast days, from December through May. This meant that on normal Sundays a mass and two motets (for the Graduale and the Offertorium) were performed. For these performances he had a mixed choir of about 40 well-trained singers at his disposal. Rheinberger took great pleasure in his new duties. According to his wife Fanny, more than once he told her “he would not yearn for any other position in his lifetime.” He personally copied out numerous autographs from the 16th–18th centuries in order to expand the repertoire of the Court Choir and he dedicated himself with new enthusiasm to the composition of church music.
Since the days of his childhood Rheinberger regarded sacred music as his special love. His musical career began at the age of
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Digital text (without sheet music) incl. printing licence, html file, Introductory text, germanhtml file, Introductory text, german (Sample)Gekürzter Booklet-Text der CD Carus 83.467
Barbara Mohn
Als Josef Gabriel Rheinberger, Professor für Komposition an der Königlichen Musikschule in München, 1877 vom bayerischen König Ludwig II. zum Hofkapellmeister für Kirchenmusik ernannt wurde, übernahm er eines der zentralen und traditionsreichsten Ämter innerhalb der katholischen Kirchenmusik im Deutschen Reich – ein Amt, das einst ein Orlando di Lasso innegehabt hatte. Rheinberger oblag die Leitung der Kirchenmusik an der Allerheiligen-Hofkapelle in München an allen Sonn- und Festtagen von Dezember bis Mai. Dies bedeutete an gewöhnlichen Sonntagen die Aufführung einer Messe und zweier Motetten (zum Graduale und Offertorium) mit einem Chor von rund 40 gut ausgebildeten Sängerinnen und Sängern. Rheinberger fand an seinen neuen Aufgaben großen Gefallen; seiner Frau Fanny zufolge sagte er mehr als einmal, „er würde sich in seinem Leben nach keiner anderen Stelle sehnen.“ Eigenhändig schrieb er zahlreiche Musikhandschriften des 16. bis 18. Jahrhunderts ab, um das Repertoire der Hofkapelle zu erweitern, und widmete sich selbst mit neuer Begeisterung der Komposition von Kirchenmusik.
Rheinbergers
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Additional product information
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Composer
Josef Gabriel Rheinberger
| 1839-1901During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details
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Choir
Vocalensemble Rastatt
Alongside its dedication to a core repertoire of composers such as Monteverdi, Schütz, Bach, Mozart, Haydn, Schumann, and Brahms, the Vocalensemble Rastatt & Les Favorites frequently explore new terrain with premiere performances. On the heels of its successes in national and international choir competitions, the ensemble has taken part in numerous internationally acclaimed CD recordings as well as radio, and television productions for SWR, Radio France, Deutschlandradio Kultur, and Deutschlandfunk. The Vocalensemble Rastatt & Les Favorites have performed in the Festspielhaus Baden-Baden, the Musikfest Bremen, the Kölner Philharmonie, the SWR RheinVokal Festival, the Europäisches Musikfest Stuttgart, the Schwetzinger Festspiele, the Deutschlandradio Kultur Wartburgkonzerte, the Internationale Musiktage im Dom zu Speyer, the Philharmonie in Mulhouse, and the Centre de Musique “Les Dominicains” in Guebwiller, France, among other venues. The flexible choir does not shy away from excursions into the world of opera, having performed Donizetti’s Lucia di Lammermoor and Bellini’s Norma with Edita Gruberova, and Mozart’s Don Giovanni and Così fan tutte with Rolando Villazón. Together with Klaus Maria Brandauer and the Chamber Orchestra of Europe, the choir also performed Mendelssohn’s Sommernachtstraum at the Musikfest Bremen. The ensemble is sponsored by the German state of Baden-Württemberg in co-operation with its “Kunst 2020” program, as well as by its home city of Rastatt. Personal details
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Conductor
Holger Speck
Holger Speck enjoys an international reputation as a charismatic conductor who succeeds both in realizing stylistic characteristics in an innovative manner and in conveying emotional content. Fanfare magazine from the USA attests to his “undeniable authority.” With his distinctive sense of sound and compelling, lively and authentic interpretations, he shapes the image of his own ensembles as well as the choirs and orchestras with which he works as a guest conductor. The president of the German Bundestag Dr. Wolfgang Schäuble engaged him and his Vocalensemble Rastatt for a concert during the G20 summit. Speck established the Grammy-nominated Vocalensemble Rastatt and the Baroque orchestra Les Favorites internationally with exciting concert programs and outstanding CD recordings on the Carus label containing music by Buxtehude, Telemann, Handel and Brahms, among others. For Deutsche Grammophon productions, he was responsible for the choral sections of the Mozart operas “Die Entführung aus dem Serail,” “Le nozze di Figaro,” “Così fan tutte,” and “Don Giovanni.” Holger Speck teaches at the University of Music in Karlsruhe; in addition to being the artistic director of Vocalensemble Rastatt & Les Favorites, he works as a guest conductor with the NDR Vokalensemble, the Freiburg Baroque Orchestra, the Akademie für Alte Musik Berlin, and the choir and orchestra of the Slovenian Philharmonic Orchestra in Ljubljana, among others. The ballet director John Neumeier engaged Speck to conduct his last major creation “Dona nobis pacem” with Bach’s Mass in B minor at the Hamburg State Opera and the Festspielhaus Baden-Baden. . Personal details
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