Carl Philipp Emanuel Bach: Passion according to St. Matthew - Sheet music | Carus-Verlag

Carl Philipp Emanuel Bach Passion according to St. Matthew

Incorporating Music by Johann Sebastian Bach BR-CPEB Dp 4.1, 1769

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Vol. IV, 4 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute The series of C.P.E. Bach’s 21 Hamburg Passions begins with an exceptional work. No other Passion of Bach’s is as unusually ambitious as his first work in this genre; and none of his other Passions has such a high proportion of original compositions by C.P.E. Bach himself; only the chorales and a few turba choruses were written by his father. The only Passion by Bach’s son, his setting of the Matthew Passion of 1769 is a full-length work.
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full score, Foreword in English Carus 33.503/00, ISMN 979-0-007-14307-7 260 pages, clothbound
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vocal score, Foreword in German and English Carus 33.503/03, ISMN 979-0-007-14237-7 136 pages, paperback
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31,00 € / copy
choral score Carus 33.503/05, ISMN 979-0-007-21243-8 24 pages, DIN A4, without cover Minimum order quantity: 20 copies
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from 20 copies 11,60 € / copy
from 40 copies 10,44 € / copy
from 60 copies 9,28 € / copy
set of parts, complete orchestral parts Carus 33.503/19, ISMN 979-0-007-14238-4 23 x 32 cm, without cover
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  • 1 x set of parts, harmony parts, flute 1, flute 2, oboe 1, oboe 2, bassoon 1, bassoon 2, horn 1, horn 2, timpani (33.503/09)
    each: 58,00 €
    5 x individual part, violin 1 (33.503/11)
    each: 21,30 €
    4 x individual part, violin 2 (33.503/12)
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    3 x individual part, viola (33.503/13)
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    4 x individual part, basso continuo (33.503/14)
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    1 x individual part, organ (33.503/49)
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individual part, organ Carus 33.503/49, ISMN 979-0-007-21249-0 76 pages, 23 x 32 cm, without cover
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Additional product information
  • Carl Philipp Emanuel Bach (1714–1788) was an extremely prolific composer who enjoyed a high reputation during his lifetime with the result that his music became known far and wide. The early works were influenced by the Berlin School. In his later works, however, this composer developed a thoroughly individual style, independent of contemporary fashions, which is to be found especially in the sacred vocal works written during his years as Director of Music in Hamburg (1768–1788). Personal details

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