Georg Philipp Telemann My longing is unbounded

Kantate zu Mariae Reinigung TVWV 1:784

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The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann’s setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words “Selig sind die Toten, die in dem Herrn sterben” (Revelation 14:13) – Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services.
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full score, First edition Carus 39.108/00, ISMN 979-0-007-05540-0 48 pages, DIN A4, paperback
available
16,00 € / copy
choral score Carus 39.108/05, ISMN 979-0-007-05541-7 16 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 5,80 € / copy
from 40 copies 5,22 € / copy
from 60 copies 4,64 € / copy
set of parts, complete orchestral parts Carus 39.108/19, ISMN 979-0-007-21541-5 DIN A4, without cover
available
65,00 € / copy
  • 1 x full score, First edition (39.108/00)
    each: 16,00 €
    3 x individual part, violin 1 (39.108/11)
    each: 5,60 €
    3 x individual part, violin 2 (39.108/12)
    each: 5,60 €
    2 x individual part, viola (39.108/13)
    each: 5,60 €
    3 x individual part, violoncello/double bass (39.108/14)
    each: 5,60 €
full score digital (download), pdf file Carus 39.108/00-010-000, ISMN 979-0-007-25933-4 48 pages, DIN A4
available
14,40 € / copy
Additional product information
  • Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details

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