Georg Philipp Telemann: Shout, O shout to the Lord - Sheet music | Carus-Verlag

Georg Philipp Telemann Shout, O shout to the Lord

TVWV 7:20

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“… a piece of full-blooded music, lightly scored but with much variety within each movement, and strongly contrasting themes. The coloratura passages demand a light, agile bass and an equally virtuosic trumpeter.”
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full score, First edition Carus 39.106/00, ISMN 979-0-007-05528-8 24 pages, DIN A4, paperback
available
15,00 € / copy
set of parts, complete orchestral parts Carus 39.106/19, ISMN 979-0-007-13925-4 DIN A4, without cover
available
32,00 € / copy
  • 1 x full score, First edition (39.106/00)
    each: 15,00 €
    3 x individual part, violin (39.106/11)
    each: 3,70 €
    3 x individual part, viola (39.106/12)
    each: 3,70 €
    3 x individual part, violoncello/double bass (39.106/13)
    each: 3,70 €
    1 x individual part, trumpet (39.106/31)
    each: 3,60 €
full score digital (download), pdf file Carus 39.106/00-010-000, ISMN 979-0-007-25931-0 24 pages, DIN A4
available
13,50 € / copy
Additional product information
  • Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details

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