Noël Nouvelet. Weihnachten mit dem Ulmer Spatzen Chor
The Ulmer Spatzen Choir, under the direction of Hans de Gilde, is one of the most well-known children’s choirs in Germany. The girls’ choir, a part of the Spatzen Choir, presents a selection of favorite pieces from the choral collection Weihnachtslieder für Sopran- und Altstimmen (Carus 2.135) which is being published at the same time. Here well-known and lesser-known works are paired, classical pieces stand side by side with gospel, or the unusual appears next to pieces with catchy melodies.
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(20)
- Magnificat
- Angels Carol
- Als ich bei meinen Schafen wacht
- Il est né le divin enfant
- Brich an, du schönes Morgenlicht
- Mariä Wiegenlied
- Noël Nouvelet
- Inmitten der Nacht
- Away in a manger
- Es ist ein Ros entsprungen
- La Vierge à la Crèche
- O Saviour, tear open the heavens. Vocal transcription by Clytus Gottwald
- O magnum mysterium
- Santa Maria Strela do dia
- Still, still, still
- This little Babe
- Midwinter
- Ding dong! merrily on high
- Leise rieselt der Schnee
- Go, tell it on the mountain
Practise
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Practice aids
- Magnificat (practice aids)
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Practice aids voice part soprano
- Magnificat (practice aids)
- Magnificat (practice aids)
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Practice aids voice part alto
- Magnificat (practice aids)
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Practice aids male voice
- Magnificat (practice aids)
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Contents
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Ensemble
Ulmer Spatzen Chor
The Ulmer Spatzen Choir was founded in 1958 and has been conducted by Hans de Gilde since 1998. At present there a 225 children and youths divided into two semi-choirs: the children’s choir and the special projects choir, “Les Passerelles.” Numerous prizes and awards attest to the high level of the choir, as in the solo and group categories of the regional, state, and nationwide choral competition “Jugend musiziert.” In 2002 the choir was the winner of the 6th German choral competition in Osnabrück. It earned a second prize at the 8th choral competition in Dortmund in the girls’ choir category, as well as a third prize in the children’s choir category at the same competition. Personal details
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Conductor
Hans de Gilde
| 1957
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Soloist - piano
Barbara Comes
Reviews
Die singenden Mädels unter Hans de Gildes Leitung präsentieren sich mit ihren hohen Stimmen stilistisch vielseitig. Der Chorklang ist homogen, leicht, beweglich – und stets kitschfrei.
Johannes Adam, Badische Zeitung, 14. Dezember 2013
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