Wilhelm Friedemann Bach: Praise God, the Lord Sabaoth - Sheet music | Carus-Verlag

Wilhelm Friedemann Bach Praise God, the Lord Sabaoth

BR-WFB F 24

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The present work, like much of W.F. Bach's church music output, is not an original composition but an adaptation of an existing work. The original source for this work ist the chorus "Heilig, heilig ist Gott". It is not known for waht occasion the work was adapted to a new text.
Purchase
full score, First edition Carus 32.101/00, ISMN 979-0-007-05138-9 32 pages, DIN A4, paperback
available
16,50 € / copy
choral score Carus 32.101/05, ISMN 979-0-007-05139-6 8 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 4,20 € / copy
from 40 copies 3,78 € / copy
from 60 copies 3,36 € / copy
set of parts, complete orchestral parts Carus 32.101/19, ISMN 979-0-007-21166-0 DIN A4, without cover
available
49,00 € / copy
  • 1 x full score, First edition (32.101/00)
    each: 16,50 €
    1 x set of parts, harmony parts, trumpet 1, trumpet 2, timpani (32.101/09)
    each: 6,00 €
    4 x individual part, violin 1 (32.101/11)
    each: 2,30 €
    4 x individual part, violin 2 (32.101/12)
    each: 2,30 €
    3 x individual part, viola (32.101/13)
    each: 2,30 €
    4 x individual part, violoncello/double bass (32.101/14)
    each: 2,30 €
Additional product information
  • Wilhelm Friedemann Bach, the oldest son of Johann Sebastian, enjoyed the reputation of an outstanding, but at the same time one of the most independent-minded composers of his age. His work represents the ambitious attempt to absorb the legacy of his father and to develop the taste of his own generation further. Lofty artistic ambitions are to be found in almost all of W. F. Bach's works – from the early piano pieces via the cantatas of his middle period to the late sonatas and fantasias. Wilhelm Friedemann Bach wrote keyboard and chamber music, concertos and sacred cantatas. On a high level of technical ability he created a fascinating synthesis of baroque complexities and the emotionally charged galant style. While his instrumental works were written for the most part in Dresden (1733–1746) and Berlin (1774–1784) and are in the style of splendid courtly music, the vocal works date from his time as organist and director of music at the Marktkirche in Halle (1746–1764); they are distinguished by their expressive boldness and virtuosity. Personal details
  • The publisher, church musician and teacher Günter Graulich is one of the major personalities in German publishing of the post-war period. With his wife Waltraud he founded Carus-Verlag Stuttgart in 1972, which he built up from a 2-person family firm to a medium-sized business with around 60 employees. A trained church musician and Kantor for many years at the Matthäuskirche Stuttgart, he also directed the Motettenchor Stuttgart for 50 years. With his choir he made LP and CD recordings, and undertook numerous concert tours to other European countries and America. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

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