Wolfgang Amadeus Mozart Regina coeli in C major

Marienantiphon KV 108 (74d), 1771

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Wolfgang Amadeus Mozarts "Regina coeli" ist die erste seiner drei Vertonungen der marianischen Antiphon für die Vesper in der Osterzeit.
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full score Carus 40.047/00, ISMN 979-0-007-08796-8 40 pages, DIN A4, paperback
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21,50 € / copy
vocal score Carus 40.047/03, ISMN 979-0-007-08706-7 28 pages, paperback
available
10,30 € / copy
choral score Carus 40.047/05, ISMN 979-0-007-05876-0 8 pages, DIN A4, without cover Minimum order quantity: 20 copies
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from 20 copies 3,80 € / copy
from 40 copies 3,42 € / copy
from 60 copies 3,04 € / copy
set of parts, complete orchestral parts Carus 40.047/19, ISMN 979-0-007-13444-0 23 x 32 cm, without cover
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79,00 € / copy
  • 1 x set of parts, harmony parts, flute 1, flute 2, oboe 1, oboe 2, horn 1, horn 2, clarino 1, clarino 2, timpani (40.047/09)
    each: 14,50 €
    5 x individual part, violin 1 (40.047/11)
    each: 3,80 €
    5 x individual part, violin 2 (40.047/12)
    each: 3,80 €
    4 x individual part, viola (40.047/13)
    each: 3,80 €
    4 x individual part, violoncello/double bass (40.047/14)
    each: 3,80 €
    1 x individual part, organ (40.047/49)
    each: 11,50 €
individual part, organ Carus 40.047/49, ISMN 979-0-007-05882-1 12 pages, 23 x 32 cm, without cover
available
11,50 € / copy
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  • As the son of the deputy Kapellmeister to the Salzburg Prince-Archbishop, Mozart was constantly surrounded by church music in his youth. On his travels Mozart became familiar with Italian church music, and later in Vienna he studied the works of Bach and Handel. After moving to Vienna he was faced with the new challenges of composing opera and piano concertos, and significantly the “C Minor Mass” KV 427, the greatest sacred work of the first Vienna years, remained unfinished. The last period of his life again shows a change of direction to church music: Mozart successfully applied to succeed the terminally ill Leopold Hoffmann as Kapellmeister at St Stephen's Cathedral, but he was unable to take up the position as he died before Hoffmann. A gem such as the “Ave verum” KV 618 and the incomplete Requiem KV 626 give us an idea of what Mozart might have achieved as a composer of sacred music if he had taken up this important position. Personal details

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