Charles Gounod Messe brève no. 7 aux chapelles
CG 72b, 1890
- Scoring:
- Soli TB(SA), Coro SATB, Org
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- Language:
- Latin
- Duration:
- 14 min
- Difficulty level:
- 1 2 3 4 5
- Key:
- C major
Gounods Messe brève No. 7 was originally published in 1877 in a version for two equal voices with organ, then in 1890 it reappeared with the words Aux chapelles added to the title, arranged for soli, four-part mixed choir and organ. Gounod does not set the Credo, that movement is to be sung congregationally. Gounod’s characteristic of his declamatory style of matching motifs closely to the rhythm of the words, and of following the natural speech rhythms through recitation on one note is evident straight away in the Kyrie.
The full score contains at the same time the organ part.
- Messe brève no. 7. Kyrie
- Gloria in excelsis Deo
- Domine Fili unigenite
- Quoniam tu solus Sanctus
- Sanctus
- O salutaris hostia
- Agnus Dei
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carus music, the Choir Coach Üben mit carus music
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Practice aids voice part soprano
- Messe brève no. 7. Kyrie (Choir Coach)
- Messe brève no. 7. Kyrie (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Domine Fili unigenite (Choir Coach)
- Domine Fili unigenite (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- O salutaris hostia (Choir Coach)
- O salutaris hostia (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
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Practice aids voice part alto
- Messe brève no. 7. Kyrie (Choir Coach)
- Messe brève no. 7. Kyrie (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Domine Fili unigenite (Choir Coach)
- Domine Fili unigenite (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- O salutaris hostia (Choir Coach)
- O salutaris hostia (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
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Practice aids voice part tenore
- Messe brève no. 7. Kyrie (Choir Coach)
- Messe brève no. 7. Kyrie (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Domine Fili unigenite (Choir Coach)
- Domine Fili unigenite (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- O salutaris hostia (Choir Coach)
- O salutaris hostia (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
-
Practice aids voice part basso
- Messe brève no. 7. Kyrie (Choir Coach)
- Messe brève no. 7. Kyrie (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Domine Fili unigenite (Choir Coach)
- Domine Fili unigenite (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach, Slow mode)
- Sanctus (Choir Coach)
- Sanctus (Choir Coach, Slow mode)
- O salutaris hostia (Choir Coach)
- O salutaris hostia (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach)
- Agnus Dei (Choir Coach, Slow mode)
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text (without music) for download, html file, Singing text, originalhtml file, Singing text, original (Sample)
1
Kyrie eleison. Christe eleison. Kyrie eleison.2
Gloria in excelsis Deo.
Et in terra pax hominibus bonae voluntatis.
Laudamus te, benedicimus te, adoramus te, glorificamus te.
Gratias agimus tibi propter magnam gloriam tuam.
Domine Deus, Rex caelestis, Deus Pater omnipotens.3
Domine Fili unigenite, Jesu Christe.
Domine Deus, Agnus Dei, Filius Patris.
Qui tollis peccata mundi, miserere nobis.
Qui tollis peccata mundi, suscipe deprecationem nostram.
Qui sedes ad dexteram Patris, miserere nobis.4
Quoniam tu solus Sanctus, tu solus Dominus,
tu solus Altissimus, Jesu Christe.
Cum Sancto Spiritu, in gloria Dei Patris. Amen.5
Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth.
... -
text (without music) for download, html file, Singing text, english translationhtml file, Singing text, english translation (Sample)
1
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.2
Glory be to God on high
and on earth peace to men of good will.
We praise thee; we bless thee;
we adore thee; we glorify thee.
We give thee thanks for thy great glory.3
Lord God, heavenly King, God the almighty Father.
O Lord, the only-begotten Son, Jesus Christ,
O Lord God, Lamb of God, Son of the Father.
Thou who takest away the sins of the world,
have mercy upon us.
Thou who takest away the sins of the world,
receive our prayer.
Thou that sittest at the right hand of the Father,
have mercy upon us.4
For thou alone art the Holy One,
thou alone art the Lord,... -
text (without music) for download, html file, Singing text, German translationhtml file, Singing text, German translation (Sample)
1
Herr, erbarme dich unser.
Christus, erbarme dich unser.
Herr, erbarme dich unser.2
Ehre sei Gott in der Höhe und Friede auf Erden
den Menschen, die guten Willens sind.
Wir loben dich, wir preisen dich,
wir beten dich an, wir rühmen dich.
Wir danken dir, denn groß ist deine Herrlichkeit.
Herr und Gott, König des Himmels,
Gott, allmächtiger Vater.3
Herr Jesus Christus, eingeborener Sohn,
Herr und Gott, Lamm Gottes, Sohn des Vaters.
Du nimmst hinweg die Sünden der Welt,
erbarme dich unser. Du nimmst hinweg die Sünden der Welt,
nimm an unser Gebet.
Du sitzest zur Rechten des Vaters:
erbarme dich unser....
Contents
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Composer
Charles Gounod
| 1818-1893Charles Gounod is known today especially as the composer of the operas Faust (1859) and Roméo et Juliette (1867), and of the very popular Méditation sur le 1er prélude de piano de J. S. Bach (1852), arranged in 1859 as an Ave Maria. The fact that Gounod is regarded primarily as an important opera composer does not do justice to his extensive œuvre, which encompasses all genres. His creative output is dominated by his church music, which overshadows that of all other 19th-century composers. Personal details
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