Aus: Die Feen, 3. Akt, 1. Szene. Die Fee Ada hat nach dem Verstoß Prinz Arindals aus dem Feenreich den Beschluss gefasst, ihren geliebten Mann zu suchen. Dafür gibt sie sogar ihre Unsterblichkeit preis. Bald findet sie Arindal und unterzieht ihn einer Prüfung, die dieser jedoch nicht besteht. Ada wird daraufhin unter Blitz und Donner für hundert Jahre in Stein verwandelt. Unterdessen hat Morald über die Feinde gesiegt und wird statt des rechtmäßigen Thronerbes Arinald nun König von Tramond. Nur schweren Herzens nimmt Morald die Würde an, da er sieht, dass Arinald dem Wahnsinn verfallen ist. In einem großen Ensemble zu Beginn des 3. Aktes beten alle für die Genesung Arinalds. Originalbesetzung: Soli SSTBarB + Coro SATB)
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Composer
Richard Wagner
| 1813-1883Born in 1813 in Leipzig, Richard Wagner grew up in a family very fond of theatre and he himself fell under its spell early. After failure in school and a mainly self-taught musical training (earliest compositions ~ 1830, Symphony in C 1832) 1833 initial employment as choir director in Wurzburg (completion of his first entire opera Die Feen). Start of years as a journeyman: Konigsberg, Riga, Paris, then as a court music director in Dresden, as a fugitive revolutionary in Zurich and finally as a protege of King Ludwig II. in Munich and Bayreuth, death in Venice in 1883. Personal details
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Songwriter / Librettist
Richard Wagner
| 1813-1883Born in 1813 in Leipzig, Richard Wagner grew up in a family very fond of theatre and he himself fell under its spell early. After failure in school and a mainly self-taught musical training (earliest compositions ~ 1830, Symphony in C 1832) 1833 initial employment as choir director in Wurzburg (completion of his first entire opera Die Feen). Start of years as a journeyman: Konigsberg, Riga, Paris, then as a court music director in Dresden, as a fugitive revolutionary in Zurich and finally as a protege of King Ludwig II. in Munich and Bayreuth, death in Venice in 1883. Personal details
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Vocal score arranger
Johannes Knecht
| 1965
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Arranger
Johannes Knecht
| 1965
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