Johann Adolf Hasse: Laudate pueri

Johann Adolf Hasse

Laudate pueri

Vesperpsalm

1737-1756 (?)

Description

Venezian version The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arranged works which were originally written for the Ospedale.. Now that the Dresden version has already been published in the Hasse-Werk-Ausgabe, the original composition is printed here for the first time.

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full score

40.700/00
72 pages, DIN A4, paperback
EUR31,00 / copies
available

vocal score

40.700/03
36 pages, 19 x 27 cm, paperback
EUR11,95 / copies
available

choral score

40.700/05
8 pages, DIN A4, without cover
EUR3,20 / copies
available
Available from 20 copies
from 20 copies 3,20 EUR
from 40 copies 2,88 EUR
from 60 copies 2,56 EUR

set of parts, complete orchestral parts

40.700/19
23 x 32 cm, without cover
EUR65,00 / copies
available
  • consisting of
    3 x individual part, violin (40.700/11)
    each: 6,95 €
    3 x individual part, violin 2 (40.700/12)
    each: 6,95 €
    2 x individual part, viola (40.700/13)
    each: 6,95 €
    3 x individual part, violoncello/double bass (40.700/14)
    each: 6,95 €

Product information

Editor

Wolfgang Hochstein Personal details

Continuo realisation by

Wolfgang Hochstein Personal details

Continuo realisation by

Wolfgang Hochstein Personal details

Composer

Johann Adolf Hasse Personal details

Reviews

[...] Die Ausgabe ist wie bei Carus gewohnt gewissenhaft, die Auskünfte im Vorwort auch für die Aufführungspraxis hilfreich.

Württembergische Blätter für Kirchenmusik, 4/2010

 

[...] Die Besetzung von Psalm 112 verzichtet auf Männerstimmen, wobei der vokale Part virtuos gehandhabt wird. Instrumental spürt man in den Ritornellen und Streicherfiguren den Einfluss Antonio Vivaldis, den auch Zelenka, Hasses berühmter Kollege am Dresdner Hof, aufgegriffen hat. Die Behandlung kontrapunktischer Techniken ist ebenso meisterhaft wie die gelegentlich chromatisch gewürzte Harmonik bei diesem sehr lohnenden Werk.

Kirchenmusikalische Mitteilungen der Erzdiözese Freiburg, Nov. 2010

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