Joseph Haydn: Große Orgelsolomesse in Es - Sheet music | Carus-Verlag

Joseph Haydn Große Orgelsolomesse in Es

Missa in honorem Beatissimae Virginis Mariae Hob. XXII:4

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Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn’s tenure as Music Director for the Court of Esterházy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work.
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full score Carus 40.603/00, ISMN 979-0-007-09088-3 144 pages, paperback
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51,95 € / copy
vocal score Carus 40.603/03, ISMN 979-0-007-08026-6 64 pages, paperback
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21,50 € / copy
choral score Carus 40.603/05, ISMN 979-0-007-10603-4 24 pages, DIN A4, without cover Minimum order quantity: 20 copies
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from 20 copies 8,20 € / copy
from 40 copies 7,38 € / copy
from 60 copies 6,56 € / copy
study score Carus 40.603/07, ISMN 979-0-007-09285-6 144 pages, DIN A5, paperback
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23,50 € / copy
set of parts, complete orchestral parts Carus 40.603/19, ISMN 979-0-007-13320-7 23 x 32 cm, without cover
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176,00 € / copy
  • 1 x set of parts, harmony parts, English horn 1, English horn 2, horn 1, horn 2, clarino 1, clarino 2, timpani (40.603/09)
    each: 27,00 €
    6 x individual part, violin 1 (40.603/11)
    each: 9,10 €
    5 x individual part, violin 2 (40.603/12)
    each: 9,10 €
    4 x individual part, violoncello/double bass (40.603/13)
    each: 9,10 €
    1 x individual part, organ (40.603/49)
    each: 22,40 €
individual part, organ Carus 40.603/49, ISMN 979-0-007-21937-6 28 pages, 23 x 32 cm, without cover
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22,40 € / copy
full score digital (download), pdf file Carus 40.603/00-010-000, ISMN 979-0-007-26052-1 144 pages
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46,80 € / copy
  • As Kapellmeister to Prince Esterházy, Haydn composed numerous instrumental works and various operas, as well as making important contributions to the genre of church music, including fourteen Latin masses, of which only twelve are authentic or complete; these are complemented by motets and offertories, two important Te Deum settings, two Salve Reginas, a Stabat Mater, and the different versions of the Sieben Worte des Erlösers am Kreuze. The masses were composed continually between 1749 and 1802, except for the years 1783–1795, and therefore constitute the genre with which Haydn was occupied over the longest period of time. The six (authentic or complete) masses composed before 1782 are stylistically very different, and as well as short Missae breves there are more extended masses with rich orchestral scoring; by contrast the six so-called late masses, written from 1796 onwards, form a comparatively homogeneous group of more extensive works scored for large forces. With his two great oratorios Die Schöpfung (The Creation) (1798) and Die Jahreszeiten (The Seasons) (1801) Haydn established the tradition of the German oratorio for middle-class music making. Personal details

Reviews

Haydns soganannte Große Orgelsolomesse in Es-Dur zählt zu jenen Werken des Komponisten, die schon früh eine ausgesprochen weite Verbreitung fanden. [...] Besten Dank und Gratulation zur neuen Ausgabe.

Johannes Ebenbauer
Singende Kirche Heft 1, 2008

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