Claudio Monteverdi: Lauda Jerusalem. Transposed version - Sheet music | Carus-Verlag

Claudio Monteverdi Lauda Jerusalem. Transposed version

from: Vespro della Beata Vergine. Vespers 1610

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In many performances of Monteverdi’s magnificent Vespers of the Blessed Virgin the “Lauda Jerusalem” and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately.
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full score Carus 27.801/50, ISMN 979-0-007-17067-7 12 pages, 23 x 32 cm, without cover
available
11,50 € / copy
vocal score Carus 27.801/53, ISMN 979-0-007-17071-4 12 pages, DIN A4, without cover
available
8,20 € / copy
choral score Carus 27.801/55, ISMN 979-0-007-17072-1 12 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 5,50 € / copy
from 40 copies 4,95 € / copy
from 60 copies 4,40 € / copy
set of parts, complete orchestral parts Carus 27.801/58, ISMN 979-0-007-17128-5 23 x 32 cm, without cover
available
33,00 € / copy
  • 2 x individual part, instrument 1 (27.801/61)
    each: 3,60 €
    1 x individual part, instrument 2 (27.801/62)
    each: 3,60 €
    1 x individual part, instrument 3 (27.801/63)
    each: 3,60 €
    2 x individual part, instrument 4 (27.801/64)
    each: 3,60 €
    1 x individual part, instrument 5 (27.801/65)
    each: 3,60 €
    1 x individual part, instrument 6 (27.801/66)
    each: 3,60 €
    1 x individual part, instrument 7 (27.801/67)
    each: 3,60 €
    1 x individual part, organ (27.801/69)
    each: 6,20 €
individual part, organ Carus 27.801/69, ISMN 979-0-007-20278-1 4 pages, 23 x 32 cm, without cover
available
6,20 € / copy
Additional product information
  • During his youth in Cremona, Monteverdi received his first musical training from Marc'Antonio Ingegneri, the maestro di cappella at the Cathedral. After making his name with his first publications, including his First Book of Madrigals, he moved to the Gonzaga court in Mantua in 1590: he remained in the service of the family for twenty-two years, first as singer and violist, and later as maestro di cappella. There he composed further books of madrigals and, with L'Orfeo in 1607, one of the earliest operas in the history of music. The Vespers of the Blessed Virgin were also written in Mantua in 1610. In 1613 became Monteverdi maestro di cappella at St Mark's in Venice. He spent thirty musically fruitful years in this post. He composed sacred works, but remained interested in secular music and published his most extensive secular collections with books six to eight of his Madrigals. After the opening of the Venice opera house in 1637, the first public opera house ever , he returned to composing opera once more: both of his late operas, Il ritorno d'Ulisse in Patria and L'incoronazione di Poppea received their first performances here. Personal details
  • Uwe Wolf studied musicology, history, and historical ancillary science at Tübingen and Göttingen. After receiving his doctorate in 1991 he was a research assistant at the Johann-Sebastian-Bach-Institut in Göttingen. From 2004 he worked at the Bach-Archiv Leipzig. There he directed a both research departments, was substantially responsible for the redisigning of the Bach Museum, and he developed the digital Online-Projekt Bach. Since October 2011 he has been the Chief Editor at Carus-Verlag, Stuttgart. He has taught at various universities and also belongs to the editorial boards of several complete editions. Personal details

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