Antonio Vivaldi: Gloria in D major - CD, Choir Coach, multimedia | Carus-Verlag

Antonio Vivaldi Gloria in D major

RV 589, 1713/1717

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It’s one thing above all, a magnificent choral work! Of course there are also solo movements, but the choir has the lion’s share of the musical action and has not only a lot to sing, but very varied movements of this most impressive setting of the Gloria. That’s why it’s always worth being well prepared for rehearsals.  

The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a separate Audio CD or MP3 and download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:

  • Original recording
  • Coach: each part is accompanied by the piano, with the original recording sounding in the background
  • Coach in slow mode: the tempo of the coach slows down to 70% of the original version – through this reduction passages can be learned more effectively.

Performers: Vilve Hepner, Kaia Urb (soprano), Anna Zander (alto), Mati Turi (tenore) – Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra – Tõnu Kaljuste

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Listen (12)
  • Laudamus te
  • Domine Deus
  • Qui sedes
  • Gloria in excelsis Deo
  • Et in terra pax
  • Propter magnam
  • Domine fili unigenite
  • Domine Deus, Agnus Deus
  • Qui tollis
  • Quoniam
  • Cum sancto spiritu
  • Gratias agimus
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Practise
  • carus music, the Choir Coach Üben mit carus music
    • Gloria in excelsis Deo (Choir Coach)
    • Gloria in excelsis Deo (Choir Coach, Slow mode)
    • Et in terra pax (Choir Coach)
    • Et in terra pax (Choir Coach, Slow mode)
    • Gratias agimus (Choir Coach)
    • Gratias agimus (Choir Coach, Slow mode)
    • Propter magnam (Choir Coach)
    • Propter magnam (Choir Coach, Slow mode)
    • Domine fili unigenite (Choir Coach)
    • Domine fili unigenite (Choir Coach, Slow mode)
    • Domine Deus, Agnus Deus (Choir Coach)
    • Domine Deus, Agnus Deus (Choir Coach, Slow mode)
    • Qui tollis (Choir Coach)
    • Qui tollis (Choir Coach, Slow mode)
    • Quoniam (Choir Coach)
    • Quoniam (Choir Coach, Slow mode)
    • Cum sancto spiritu (Choir Coach)
    • Cum sancto spiritu (Choir Coach, Slow mode)
    • Gloria in excelsis Deo (Choir Coach)
    • Gloria in excelsis Deo (Choir Coach, Slow mode)
    • Et in terra pax (Choir Coach)
    • Et in terra pax (Choir Coach, Slow mode)
    • Gratias agimus (Choir Coach)
    • Gratias agimus (Choir Coach, Slow mode)
    • Propter magnam (Choir Coach)
    • Propter magnam (Choir Coach, Slow mode)
    • Domine fili unigenite (Choir Coach)
    • Domine fili unigenite (Choir Coach, Slow mode)
    • Domine Deus, Agnus Deus (Choir Coach)
    • Domine Deus, Agnus Deus (Choir Coach, Slow mode)
    • Qui tollis (Choir Coach)
    • Qui tollis (Choir Coach, Slow mode)
    • Quoniam (Choir Coach)
    • Quoniam (Choir Coach, Slow mode)
    • Cum sancto spiritu (Choir Coach)
    • Cum sancto spiritu (Choir Coach, Slow mode)
    • Gloria in excelsis Deo (Choir Coach)
    • Gloria in excelsis Deo (Choir Coach, Slow mode)
    • Et in terra pax (Choir Coach)
    • Et in terra pax (Choir Coach, Slow mode)
    • Gratias agimus (Choir Coach)
    • Gratias agimus (Choir Coach, Slow mode)
    • Propter magnam (Choir Coach)
    • Propter magnam (Choir Coach, Slow mode)
    • Domine fili unigenite (Choir Coach)
    • Domine fili unigenite (Choir Coach, Slow mode)
    • Domine Deus, Agnus Deus (Choir Coach)
    • Domine Deus, Agnus Deus (Choir Coach, Slow mode)
    • Qui tollis (Choir Coach)
    • Qui tollis (Choir Coach, Slow mode)
    • Quoniam (Choir Coach)
    • Quoniam (Choir Coach, Slow mode)
    • Cum sancto spiritu (Choir Coach)
    • Cum sancto spiritu (Choir Coach, Slow mode)
    • Gloria in excelsis Deo (Choir Coach)
    • Gloria in excelsis Deo (Choir Coach, Slow mode)
    • Et in terra pax (Choir Coach)
    • Et in terra pax (Choir Coach, Slow mode)
    • Gratias agimus (Choir Coach)
    • Gratias agimus (Choir Coach, Slow mode)
    • Propter magnam (Choir Coach)
    • Propter magnam (Choir Coach, Slow mode)
    • Domine fili unigenite (Choir Coach)
    • Domine fili unigenite (Choir Coach, Slow mode)
    • Domine Deus, Agnus Deus (Choir Coach)
    • Domine Deus, Agnus Deus (Choir Coach, Slow mode)
    • Qui tollis (Choir Coach)
    • Qui tollis (Choir Coach, Slow mode)
    • Quoniam (Choir Coach)
    • Quoniam (Choir Coach, Slow mode)
    • Cum sancto spiritu (Choir Coach)
    • Cum sancto spiritu (Choir Coach, Slow mode)
more
Additional material
  • Purchase additional material as a download product.
  • 1. Gloria in excelsis (Coro

    Glory be to God on high

    2. Et in terra pax (Coro)

    and on earth peace to men of good will.

    3. Laudamus te (Duetto Soprano I.II)

    We praise Thee;
    we bless Thee;
    we adore Thee;
    we glorify Thee.

    4. Gratias agimus tibi (Coro)

    We give Thee thanks

    5. Propter magnam gloriam tuam (Coro)

    for Thy great glory.

    6. Domine Deus (Aria Soprano)

    Lord God, heavenly King, God the almighty Father.

    7. Domine Fili unigenite (Coro)

    O Lord, the only-begotten Son,

    ...
  • 1. Gloria in excelsis (Coro)

    Ehre sei Gott in der Höhe

    2. Et in terra pax (Coro)

    und Friede auf Erden den Menschen, die guten Willens sind.

    3. Laudamus te (Duetto Soprano I.II)

    Wir loben Dich,
    wir preisen Dich,
    wir beten Dich an,
    wir rühmen Dich.

    4. Gratias agimus tibi (Coro)

    Wir danken Dir,

    5. Propter magnam gloriam tuam (Coro)

    denn groß ist Deine Herrlichkeit.

    6. Domine Deus (Aria Soprano)

    Herr und Gott, König des Himmels, Gott, allmächtiger Vater.

    7. Domine Fili unigenite (Coro)

    Herr Jesus Christus,

    ...
  • 1. Gloria in excelsis Deo (Coro)

    Gloria in excelsis Deo.

    2. Et in terra pax (Coro)

    Et in terra pax hominibus bonae voluntatis.

    3. Laudamus te (Duetto Soprano I.II)

    Laudamus te, benedicimus te, adoramus te, glorificamus te.

    4. Gratias agimus tibi (Coro)

    Gratias agimus tibi

    5. Propter magnam gloriam tuam (Coro)

    propter magnam gloriam tuam.

    6. Domine Deus (Aria, Soprano)

    Domine Deus, Rex coelestis,
    Deus Pater omnipotens.

    7. Domine Fili unigenite (Coro)

    Domine Fili unigenite, Jesu Christe.

    8. Domine Deus, Agnus Dei (Alto e Coro)

    ...
  • Text from the CD Carus 83.325

    Karl Heller
    Translation (abridged): John Coombs

    The Gloria in D major has, more than any other work, established Vivaldi’s reputation as a composer of church music. In the compositional design of this work Vivaldi followed the same basic conception which is known from Bach’s B minor Mass: it is arranged in a large number of individual movements, some of which are for chorus, while others are solo arias or duets. This is the basis of the socalled “cantata” or “number” Mass, which enabled the composer to focus on central thoughts of the text. Thus the twelve movements profit from a great diversity of character, while at the same spanning a considerable stylistic range.

    The heart of the composition is the chorus “Et in terra pax.” Among the unusual features of this masterly piece is the fact that the musical events proceed on two levels which motivically are distinct from each other: the orchestra plays wide intervals,

    ...
  • Booklet-Text der CD Carus 83.325

    Karl Heller

    Die Wiederbelebung der Musik Antonio Vivaldis im 20. Jahrhundert ging einher mit der Neuentdeckung bisher völlig unbekannter Schaffensbereiche des Komponisten. Für die stärksten Überraschungen sorgte dabei ein großer Bestand an geistlicher Vokalmusik, dessen Repertoire von der groß angelegten Mess- und Vesperkomposition bis zum biblischen Oratorium und zur Solomotette reicht. Die ersten Wiederaufführungen solcher Werke, darunter das Gloria RV 589 und das Credo RV 591, während einer Vivaldi-Woche in Siena 1939 wurden geradezu als Sensation empfunden. Sie ließen deutlich werden, dass der Komponist gerade auf diesem Sektor Werke höchsten künstlerischen Ranges geschaffen hat.

    Wie kaum ein zweites Werk hat das Gloria D-Dur RV 589 dazu beigetragen, den Ruf Vivaldis als Kirchenkomponist zu begründen. Seit es 1941 als erstes der kirchenmusikalischen Werke des Komponisten durch Druck veröffentlicht wurde, erfreut es sich der besonderen Gunst der Musizierenden und der Hörer. Die Gründe dafür mögen vielfältiger Natur sein, liegen aber gewiss primär bei der Kraft und dem Reichtum der musikalischen Erfindung und Ausdrucksgebung.

    Vivaldi folgt in der kompositorischen

    ...
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Carus Choir Coach (audio only), mp3 CD, practice aids, voice part soprano Carus 40.001/91, EAN 4009350736092 CD in jewel case
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Carus Choir Coach (audio only), mp3 CD, practice aids, voice part alto Carus 40.001/92, EAN 4009350736108 CD in jewel case
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Carus Choir Coach (audio only), mp3 CD, practice aids, voice part tenore Carus 40.001/93, EAN 4009350736115 CD in jewel case
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Carus Choir Coach (audio only), mp3 CD, practice aids, voice part basso Carus 40.001/94, EAN 4009350736122 CD in jewel case
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Carus Choir Coach for download (audio only), zip file, mp3 file, practice aids, voice part soprano Carus 40.001/91-101-000
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Carus Choir Coach for download (audio only), zip file, mp3 file, practice aids, voice part alto Carus 40.001/92-102-000
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Carus Choir Coach for download (audio only), zip file, mp3 file, practice aids, voice part tenore Carus 40.001/93-103-000
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Carus Choir Coach for download (audio only), zip file, mp3 file, practice aids, voice part basso Carus 40.001/94-104-000
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  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
  • For twenty years Tõnu Kaljuste (conductor) was artistic director and principal conductor of the Estonian Philharmonic Chamber Choir, which he founded in 1981, and the Tallinn Chamber Orchestra. Kaljuste has also been chief conductor of the Swedish Radio Choir and the Netherlands Chamber Choir. He has directed international choral seminars and workshops for several years and has worked as a guest conductor with leading orchestras and choirs throughout Europe, Australia and America. As well as immersing himself in the music of the great northern and eastern European moderns, such as Schnittke, Kurtag, Penderecki, Rautavaara and Kancheli, he has a deep affinity with the composers of his native Estonia, including Pärt, Tüür, Tormis and Eller. He has established an international reputation with his wide-ranging repertoire from opera, via the traditional symphonic repertoire to contemporary music. His numerous recordings have won many awards and have been nominated for Grammy awards. In 1999 he received the Cannes Classical Award in the category “Best 20th Century Choral Music” for his recording of Alfred Schnittke’s Psalms of Repentance. In 2004 he was awarded first prize by the Estonian State Foundation “Kultuurkapital.” The same year he became artistic director of the Nargen Festival, an annual, three-month long musical event on the coast of Estonia. He is a member of the Royal Swedish Academy of Music. Personal details

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