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Fauré: Shorter sacred music for choir and ensembles
All the works in the Gabriel Fauré Complete edition of the shorter sacred music for choir and ensembles are now also available in separate editions. Without doubt, the Cantique de Jean Racine for four-part mixed chorus and organ is his most popular work, but the other choral compositions are no less effective.
You can find the separate editions via the product page for the collection. Under “Product information” and “Content” you can go directly to the desired movement and order it by clicking on the music symbol. › See Collection
Get Puccini's "Messa di Gloria" at a special price
You can download Puccini’s popular Messa di Gloria (Messa a 4 voci) in carus music, the choir app at the special price of just 4.99 Euros until 31.10.2019! Those who prefer practicing with CD can also do this with the new Carus Choir Coach for this work. Of course the full score of the Mass plus the complete performance material is available from us.
Practicing within the context of the complete choral and orchestral texture provides a particular motivation for choral singers. Innovative practice aids from Carus, available as CD (Carus Choir Coach) or app (carus music), offer ideal support and help choral singers to quickly learn new repertoire
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Matsushita: Consolatio. Contemporary Choral Music
Under the direction of Georg Grün, the KammerChor Saarbrücken, one of Germany's leading chamber choirs, dedicates this recording to Matsushita's sacred works for a cappella choir, also available as separate editions at Carus. In addition, the Lieder cycle op. 6 by Max Reger and the famous choral transcription Im Abendrot by Clytus Gottwald after the Adagietto from the 5th Symphony by Gustav Mahler can be heard.
Ko Matsushita is touring Asia with the Kammerchor Saarbrücken performing the CD program at the end of July and beginning of August. We wish them every success.
Buchenberg: Tombeau de Josquin Desprez (O mors inevitabilis)
The 16-part Tombeau de Josquin Desprez, with text taken from the inscription on a gravestone in St. Gudula, Brussels, is a study of Josquin’s polyphony. Over its course, the piece increasingly approaches Josquin’s tonal language, leading up to a couple of measures which are actually by him, before drifting away again.
As well as this, this month we have more new publications for you in our contemporary choral music range by Vytautas Miškinis, Ko Matsushita, Harald Banter and Fredo Jung.
›› All new contemporary choral
stimmband. The paperback songbook
Indispensable for every school trip, summer camp, or holiday! The small-format song book stimmband contains a huge repertoire of 245 songs in a wide variety of different styles. Especially practical are the durable cover and the small handy format – all this at the unbeatable bargain price of just 6.95 Euros.
Reger: 15 separate editions from series I (Organ works)
Max Reger’s fantasias and fugues, variations, sonatas and suites for organ were mainly intended for concert performance. These works are contained in the second volume of “Organ Works” in the Reger Complete Works edition. Now these popular organ works are also available in economically-priced separate editions.
Big Finale
With Schütz' Psalms of David, Hans-Christoph Rademann, the Dresdner Kammerchor and the label Carus celebrated the completion of the first Heinrich Schütz complete recording in St. Sebald in Nuremberg. The audience gave the performers enthusiastic applause for this exceptional project.
Events
All events in summer:
choralies 2019
01.–09.08.2019, Vaison-la Romaine, France
Workshop with Jan Schumacher: "Inspirations pour un concert choral « Beethoven » quelque peu différent. Séance de lecture pour le Jubilé de l'an 2020", 06.08.2019, 5 p.m.
Association of British Choral Directors (ABCD) Convention
22.–25.08.2019, Birmingham, Great Britain
Schütz: Sei gegrüßet, Maria SWV 333, from: Kleine Geistliche Konzerte II
The works by Schütz which Werner Breig most admires include the sacred concerto “Sei gegrüßet, Maria”. Schütz undoubtedly entered the Scuola Grande di San Rocco in Venice countless times, and anyone who entered it immediately saw Jacopo Tintoretto’s painting of the Annunciation. Did this image have a lasting impression on Schütz and his composition?
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