Missa brevis Sancti Joannis de Deo
Arragement for soloists, choir and organ (arr. P. Horn) 1778 (?) (terminus ante quem)
In addition to the Urtext edition of Haydn’s popular and most often performed Mass, the Kleine Orgelmesse (Little Organ Solo Mass), Carus now offers the work in its Choir & Organ series. This series consists of works, originally with orchestra, whose accompaniments have been arranged solely for organ. All that is required for a performance are two scores (one for the conductor and one for the organist), and either vocal scores, or the lower-priced choral scores. These reductions are based on the Carus Urtext editions (Carus 40.600/00). For later performances with orchestra only the orchestral parts would be needed.
| Original version | Arrangement for organ |
Solo S, Coro SATB, 2 Vl, Vc/Cb, Org | Solo S, Coro SATB, Org |
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Composer
Joseph Haydn
| 1732-1809As Kapellmeister to Prince Esterházy, Haydn composed numerous instrumental works and various operas, as well as making important contributions to the genre of church music, including fourteen Latin masses, of which only twelve are authentic or complete; these are complemented by motets and offertories, two important Te Deum settings, two Salve Reginas, a Stabat Mater, and the different versions of the Sieben Worte des Erlösers am Kreuze. The masses were composed continually between 1749 and 1802, except for the years 1783–1795, and therefore constitute the genre with which Haydn was occupied over the longest period of time. The six (authentic or complete) masses composed before 1782 are stylistically very different, and as well as short Missae breves there are more extended masses with rich orchestral scoring; by contrast the six so-called late masses, written from 1796 onwards, form a comparatively homogeneous group of more extensive works scored for large forces. With his two great oratorios Die Schöpfung (The Creation) (1798) and Die Jahreszeiten (The Seasons) (1801) Haydn established the tradition of the German oratorio for middle-class music making. Personal details
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Arranger
Paul Horn
| 1922-2016Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
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