Josef Gabriel Rheinberger: Christus factus est (Carus Classics) - CD, Choir Coach, multimedia | Carus-Verlag

Josef Gabriel Rheinberger Christus factus est (Carus Classics)

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The Carus Classics series features outstanding CD productions from Carus’ past library of recordings. The series has been designed exclusively by the well-known graphic artists Friedrich Forssman und Cornelia Feyll.

Josef Gabriel Rheinberger’s well-loved and often performed masses Missa St. Crucis op. 151 and the Missa in A op. 126 for women’s choir, in addition to other works, have been recorded on this CD. Once again, the Vocalensemble Rastatt conducted by Holger Speck, with its highly refined sound, technical brilliance and lively musicality, delivers a convincing performance on this CD.


“… it’s hard to imagine a finer advocate for Rheinberger’s work, nor is it possible to
offer anything but praise …” Classics Today  4/2000
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Listen (11)
  • Prope est Dominus
  • Ad te levavi
  • Universi
  • Ex Sion
  • Deus tu convertens
  • Qui sedes
  • Benedixisti
  • Rorate coeli
  • Ave Maria
  • Christus factus est (Christus ward für uns gehorsam)
  • Meditabor (Denken will ich)
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Additional material
  • 1. Kyrie

    Lord, have mercy on us.
    Christ, have mercy on us.
    Lord, have mercy on us.

    2. Gloria

    Glory be to God on high
    and on earth peace to men of good will.
    We praise thee; we bless thee; we adore thee; we glorify thee.
    We give thee thanks for thy great glory.
    Lord God, heavenly King, God the almighty Father.
    O Lord, the only-begotten Son, Jesus Christ,
    O Lord God, Lamb of God, Son of the Father.
    Thou who takest away the sins of the world, have mercy upon us.
    Thou who takest away the sins of the world, receive our prayer.
    Thou that sittest at the right hand of God the Father, have mercy upon us.
    For thou alone art the Holy One, thou alone art the Lord,
    thou alone art the Most High, Jesus Christ.
    With the Holy Ghost in the glory of God the Father. Amen.

    3. Credo

    I believe in one God, the Father almighty,
    Maker of heaven and earth
    and of all things visible and invisible.
    And in one Lord Jesus Christ,
    the only-begotten Son of God,
    begotten of his Father before all ages.
    God of God, light of light, true God of true God,
    begotten, not made, being of one substance with the Father,
    by whom all things were made.

    ...
  • 1. Kyrie

    Herr, erbarme dich unser.
    Christus, erbarme dich unser.
    Herr, erbarme dich unser.

    2. Gloria

    Ehre sei Gott in der Höhe
    und Friede auf Erden den Menschen, die guten Willens sind.
    Wir loben dich, wir preisen dich, wir beten dich an, wir rühmen dich.
    Wir danken dir, denn groß ist deine Herrlichkeit.
    Herr und Gott, König des Himmels, Gott, allmächtiger Vater.
    Herr Jesus Christus, eingeborener Sohn,
    Herr und Gott, Lamm Gottes, Sohn des Vaters.
    Du nimmst hinweg die Sünden der Welt, erbarme dich unser;
    Du nimmst hinweg die Sünden der Welt, nimm an unser Gebet.
    Du sitzest zur Rechten des Vaters: erbarme dich unser.
    Denn du allein bist der Heilige, du allein der Herr,
    du allein der Höchste, Jesus Christus.
    Mit dem Heiligen Geist, zur Ehre Gottes, des Vaters. Amen.

    3. Credo

    Ich glaube an den einen Gott, den allmächtigen Vater,
    der alles geschaffen hat, Himmel und Erde,
    die sichtbare und die unsichtbare Welt.
    Und an den einen Herrn Jesus Christus,
    Gottes eingeborenen Sohn,
    aus dem Vater geboren vor aller Zeit:
    Gott von Gott, Licht vom Licht, wahrer Gott vom wahren Gott,
    ...

  • 1. Kyrie

    Kyrie eleison,
    Christe eleison,
    Kyrie eleison.

    2. Gloria

    Gloria in excelsis Deo.
    Et in terra pax hominibus bonae voluntatis.
    Laudamus te, benedicimus te, adoramus te, glorificamus te,
    gratias agimus tibi propter magnam gloriam tuam.
    Domine Deus, rex coelestis, Deus Pater omnipotens.
    Domine Fili unigenite, Jesu Christe. 
    Domine Deus, Agnus Dei, Filius Patris,
    qui tollis peccata mundi, miserere nobis.
    Qui tollis peccata mundi, suscipe deprecationem nostram.
    Qui sedes ad dexteram Patris, miserere nobis.
    Quoniam tu solus Sanctus, tu solus Dominus,
    tu solus Altissimus, Jesu Christe,
    cum sancto spiritu in gloria Dei Patris. Amen.

    3. Credo

    Credo in unum Deum, Patrem omnipotentem,
    factorem coeli et terrae,
    visibilium omnium et invisibilium.
    Et in unum Dominum Jesum Christum,
    Filium Dei unigenitum,
    et ex Patre natum ante omnia saecula.
    Deum de Deo, lumen de lumine, Deum verum de Deo vero,
    genitum, non factum, consubstantialem Patri:
    per quem omnia facta sunt.
    Et incarnatus est de spiritu sancto ex Maria Virgine
    et homo factus est.
    Crucifixus etiam pro nobis: 
    sub Pontio

    ...
  • Abridged text from the CD Carus 83.467

    Barbara Mohn
    Translation: Earl Rosenbaum

    When Josef Gabriel Rheinberger, Professor of composition at the Royal School of Music in Munich, was appointed Court Conductor for church music by the Bavarian King Ludwig II he took on one of the central positions, most rich in tradition in Catholic church music – it was once held by Orlando di Lasso. Rheinberger was responsible for directing church music at the All Saints Church in Munich on Sundays and feast days, from December through May. This meant that on normal Sundays a mass and two motets (for the Graduale and the Offertorium) were performed. For these performances he had a mixed choir of about 40 well-trained singers at his disposal. Rheinberger took great pleasure in his new duties. According to his wife Fanny, more than once he told her “he would not yearn for any other position in his lifetime.” He personally copied out numerous autographs from the 16th–18th centuries in order to expand the repertoire of the Court Choir and he dedicated himself with new enthusiasm to the composition of church music.

    Since the days of his childhood Rheinberger regarded sacred music as his special love. His musical career began at the age of

    ...
  • Gekürzter Booklet-Text der CD Carus 83.467

    Barbara Mohn

    Als Josef Gabriel Rheinberger, Professor für Komposition an der Königlichen Musikschule in München, 1877 vom bayerischen König Ludwig II. zum Hofkapellmeister für Kirchenmusik ernannt wurde, übernahm er eines der zentralen und traditionsreichsten Ämter innerhalb der katholischen Kirchenmusik im Deutschen Reich – ein Amt, das einst ein Orlando di Lasso innegehabt hatte. Rheinberger oblag die Leitung der Kirchenmusik an der Allerheiligen-Hofkapelle in München an allen Sonn- und Festtagen von Dezember bis Mai. Dies bedeutete an gewöhnlichen Sonntagen die Aufführung einer Messe und zweier Motetten (zum Graduale und Offertorium) mit einem Chor von rund 40 gut ausgebildeten Sängerinnen und Sängern. Rheinberger fand an seinen neuen Aufgaben großen Gefallen; seiner Frau Fanny zufolge sagte er mehr als einmal, „er würde sich in seinem Leben nach keiner anderen Stelle sehnen.“ Eigenhändig schrieb er zahlreiche Musikhandschriften des 16. bis 18. Jahrhunderts ab, um das Repertoire der Hofkapelle zu erweitern, und widmete sich selbst mit neuer Begeisterung der Komposition von Kirchenmusik.

    Rheinbergers

    ...
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    Compact Disc Carus 83.467/00, EAN 4009350834675 CD, digipac
    available
    9,90 € / copy
    • During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details
    • Alongside its dedication to a core repertoire of composers such as Monteverdi, Schütz, Bach, Mozart, Haydn, Schumann, and Brahms, the Vocalensemble Rastatt & Les Favorites frequently explore new terrain with premiere performances. On the heels of its successes in national and international choir competitions, the ensemble has taken part in numerous internationally acclaimed CD recordings as well as radio, and television productions for SWR, Radio France, Deutschlandradio Kultur, and Deutschlandfunk. The Vocalensemble Rastatt & Les Favorites have performed in the Festspielhaus Baden-Baden, the Musikfest Bremen, the Kölner Philharmonie, the SWR RheinVokal Festival, the Europäisches Musikfest Stuttgart, the Schwetzinger Festspiele, the Deutschlandradio Kultur Wartburgkonzerte, the Internationale Musiktage im Dom zu Speyer, the Philharmonie in Mulhouse, and the Centre de Musique “Les Dominicains” in Guebwiller, France, among other venues. The flexible choir does not shy away from excursions into the world of opera, having performed Donizetti’s Lucia di Lammermoor and Bellini’s Norma with Edita Gruberova, and Mozart’s Don Giovanni and Così fan tutte with Rolando Villazón. Together with Klaus Maria Brandauer and the Chamber Orchestra of Europe, the choir also performed Mendelssohn’s Sommernachtstraum at the Musikfest Bremen. The ensemble is sponsored by the German state of Baden-Württemberg in co-operation with its “Kunst 2020” program, as well as by its home city of Rastatt. Personal details
    • Holger Speck is founder and artistic director of the Vocalensemble Rastatt & Les Favorites. He has developed a distinguished international reputation as a charismatic musician who is capable of bringing to life the aesthetic details of the sound particular to different periods, while communicating emotive content to the listener. His keen sense of sound assures the unmistakable tonal quality of his ensembles. His compelling, lively, and profound interpretations are regularly praised in specialist publications. He has conducted at famous festivals and concert halls such as the Festspielhaus Baden-Baden, the Philharmonie Mulhouse, the Händelfestspiele Karlsruhe, the Europäische Musikfest Stuttgart, the Schwetzinger Festspiele, the Festival Europäische Kirchenmusik Schwäbisch Gmünd, and the SWR RheinVokal Festival. Holger Speck has won prizes at both national and international competitions with the Vocalensemble Rastatt. His CD recordings have met with international acclaim (Gramophone Magazine, American Record Guide, Fanfare, Fono Forum, L’Orfeo, Pizzicato, Diapason, Classicstoday etc.). He frequently collaborates with artists such as Anne Le Bozec (Piano), Reinhold Friedrich (Trumpet), Wolfgang Meyer (Clarinet), and Veronika Skuplik (Violin). Holger Speck is also in demand as a singer, as a guest conductor, and as a lecturer at seminars for conducting and interpretation. He teaches at the Hochschule für Musik in Karlsruhe. Personal details

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