Gottfried August Homilius: 32 Praeludia zu geistlichen Liedern für zwei Claviere und Pedal. Homilius-Werkausgabe - Partition | Carus-Verlag

Gottfried August Homilius 32 Praeludia zu geistlichen Liedern für zwei Claviere und Pedal. Homilius-Werkausgabe

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After moving to his position at the Dresdner Kreuzkantorat, which meant the end of his career as an organist, Homilius compiled 32 of his Chorale preludes for organ and offered them for sale to be disseminated as handwritten copies. For the first time this collection is published here in its entirety and in the original sequence of the preludes. Homilius shows that on the one hand he was inspired by Johann Sebastian Bach, while on the other he followed his own stylistic paths. Thus, for example, he employs extensively the traditional form of the chorale trio, but treads new territory in the harmonic realm. With this volume those seeking a rewarding enrichment of chorale-based organ music will find what they are looking for.
Acheter
conducteur (édition intégrale) Carus 37.107/00, ISBN 978-3-89948-331-4, ISMN 979-0-007-14158-5 128 Pages, cartonné
disponible
54,00 € / pièce

Sommaire

  • Gottfried August Homilius, the son of a pastor, was born in Rosenthal (Saxony) on 2 February 1714. In May 1735 he enrolled as a law student at Leipzig University. Likewise, it was probably at this time that Homilius was a pupil of Johann Sebastian Bach; the latter fact had been attested to by Johann Adam Hiller. Apart from Bach, Homilius also had contact with Johann Schneider, a Bach pupil and organist at the Nicolaikirche, for whom he also substituted. After unsuccesfully applying for a post as organist in Bautzen, Homilius was appointed organist at the Dresden Frauenkirche in 1742. In 1755 Homilius succeeded Theodor Christlieb Reinhold as Kreuzkantor and music director of the three main churches in Dresden, a position that he occupied until his death on 2 June 1785. Plus d'information sur la personne
  • Uwe Wolf studied musicology, history, and historical ancillary science at Tübingen and Göttingen. After receiving his doctorate in 1991 he was a research assistant at the Johann-Sebastian-Bach-Institut in Göttingen. From 2004 he worked at the Bach-Archiv Leipzig. There he directed a both research departments, was substantially responsible for the redisigning of the Bach Museum, and he developed the digital Online-Projekt Bach. Since October 2011 he has been the Chief Editor at Carus-Verlag, Stuttgart. He has taught at various universities and also belongs to the editorial boards of several complete editions. Plus d'information sur la personne

Critiques

3710700

...eine willkommene Bereicherung des Repertoires choralgebundener Orgelmusik des 18. Jahrhunderts.

Kirchenmusik im Bistum Mainz 21/2015

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