Flauto e voce III

Description

original compositions for soprano, recorder, and basso continuo

Découvrir

Acheter

recueil

11.211/00
32 Pages, DIN A4, livre de poche
EUR16,00 / Ex.
disponible

partie isolée, violoncelle

11.211/11
8 Pages, 23 x 32 cm, sans couverture
EUR3,70 / Ex.
disponible

partie isolée, flûte à bec

11.211/21
8 Pages, 23 x 32 cm, sans couverture
EUR3,70 / Ex.
disponible

Informations produit

Contenu

5 Œuvre Afficher

peintre

HAP Grieshaber Plus d'information sur la personne

editeur

Klaus Hofmann Plus d'information sur la personne
Peter Thalheimer Plus d'information sur la personne

Critiques

Flauto e voce III

Torri's “Son rosignolo” and Vivaldi's “Cara sorte” both demand “Flagiolet” or Flautino, the French Flageolet, but the parts can be performed on sopranino recorder without any problem. Many written-out trills enhance the song of Torri's “nightingale” whereas leaps and arpeggios are used in Vivaldi's “Cara sorte” (RV 739). In Keiser's “Philomene” the recorder part illustrates the furioso mood of the text  – the part is notated in demi-semi quavers and the written-out arpeggios are even faster.
Thalheimer has made an excellent job of this compilation which should inspire recorder players to branch out into largely unknown repertoire. Great care has been taken with the research. All the sources are listed, the editorial is in English and German. Full marks for these excellent editions.

Marianne Mezger
Quelle: The Recorder Magazin, Summer 2001

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