Franz Schubert: Mass in G Major (Carus Classics) - CD, Choir Coach, multimedia | Carus-Verlag

Franz Schubert Mass in G Major (Carus Classics)

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On the occasion of its 40th anniversary Carus has initiated a new series Carus Classics, featuring outstanding CD productions from the past library of recordings. This exclusive collection, designed by Friedrich Forssman and Cornelia Feyll, is presented in high-quality DigiPacs and each CD includes an extensive booklet. This recording of the Mass in G major is based on the Klosterneuburg score of an additional set of parts in Schuberts handwriting. These parts contain important notes dealing with performance practice and the scoring for strings and organ has been expanded through the inclusion of the original trumpet and timpani parts.
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  • Magnificat anima mae
  • Deposuit potentes
  • Gloria patri
  • Salve Regina allemand en fa majeur
  • Salve Regina en si bémol majeur
  • Wohin soll ich mich wenden
  • Ehre sei Gott in der Höhe
  • Noch lag die Schöpfung
  • Du gabst, o Herr, mir Sein
  • Heilig ist der Herr
  • Betrachtend deine Huld und Güte
  • Mein Heiland, Herr und Meister
  • Herr, du hast mein Fleh’n
  • Anhang: Anbetend deine Macht
  • Kyrie
  • Gloria
  • Credo
  • Sanctus
  • Benedictus
  • Agnus Dei
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Compléments
  • My soul doth magnify the Lord,
    And my spirit hath rejoiced
    in God my Saviour.
    For he hath regarded the low estate of his handmaiden:
    for, behold, from henceforth all generations shall call me blessed.

    He hath put down the mighty from their seats,
    and exalted them of low degree.
    He hath filled the hungry with good things;
    and the rich he hath sent empty away.
    He hath holpen his servant Israel,
    in remembrance of his mercy.
    As he spoke to our fathers,
    to Abraham, and to his seed forever.

    ...
  • Meine Seele erhebet den Herrn,
    und mein Geist freuet sich
    Gottes, meines Heilands.
    Denn er hat die Niedrigkeit seiner Magd angesehen.
    Siehe, von nun an werden mich selig preisen alle Völker.

    Er stößt die Gewaltigen vom Stuhl
    und erhebt die Niedrigen.
    Die Hungrigen füllet er mit Gütern
    und lässt die Reichen leer.
    Er denket der Barmherzigkeit
    und hilft seinem Diener Israel auf.
    Wie er geredet hat unsern Vätern,
    Abraham und seinem Samen ewiglich.

    ...
  • Magnificat anima mea Dominum.
    Et exultavit spiritus meus
    in Deo salutari meo.
    Quia respexit humilitatem ancillae suae:
    ecce enim ex hoc me beatam dicent omnes gentes.

    Deposuit potentes de sede,
    exaltavit humiles.
    Esurientes implevit bonis:
    et divites dimisit inanes.
    Suscepit Israel puerum suum,
    recordatus misericordiae suae.
    Sicut locutus est ad patres nostros,
    Abraham et semini ejus in saecula.

    Gloria Patri, et Filio, et Spiritui Sancto.
    Sicut erat in principio,
    et nunc, et semper,
    et in saecula saeculorum.
    Amen.
    Lukas 1,46–55

    ...
  • Text from the CD Carus 83.317

    Manuela Jahrmärker (1997)
    Translation (abridged): John Coombs

    Franz Schubert’s church music bears witness to contrasting tendencies of its time. On the one hand there are works such as the two great A/lasses of his last years, in which artistic inspiration carries the music beyond the bounds of its liturgical origins, into the concert hall. On the other hand there are works whose dimensions, scoring and degree of difficulty are of a more modest order, which were when they were composed, and which still are today, well suited to performance in the context of church services.

    In both the larger, solemn sacred works (the great masses) as well as in the sacred “brevis” works of smaller dimensions, Schubert adopted elements of the so-called stile antico, through which the composers of his time aspired to create a new, “true church music” modeled, in particular, after the example of Palestrina. However, the technical similarities between the stile antico compositions of these composers and the works of the old masters of church music are few. Their interpretation of the stile antico resulted primarily in the diminishing of the rhythmic, diastematic and harmonic variety in such works.

    The

    ...
  • Booklet-Text der CD Carus 83.317

    Manuela Jahrmärker

    Franz Schuberts (1797–1828) kirchenmusikalisches Schaffen, das 1812 einsetzt und in seinem Todesjahr endet, lässt die im beginnenden 19. Jahrhundert für die Kirchenmusik wesentlichen Tendenzen erkennen: Auf der einen Seite stehen jene Werke wie vor allem die großen späten Messen in As- und Es-Dur, in denen die kompositorische Interpretation die liturgische Funktion sprengt und diese Musik – wenn nicht von der Intention, so doch vom Anspruch her – in den Konzertsaal verdrängt. Den genannten Werken stehen solche gegenüber, die in Umfang, Besetzung und in den von den Ausführenden verlangten Ansprüchen bescheidener gehalten sind, darum einem weiteren Kreis zur Aufführung zugänglich waren und in der liturgischen Aufführungspraxis auch heute im Vordergrund stehen. Soweit bei ihnen ein Auftraggeber nicht ohnehin bekannt ist, kann man doch vermuten, dass sie als Auftragswerke für einen bestimmten Anlass entstanden sind: anfangs für die heimatliche Lichtentaler Pfarrkirche (heute Wien), später auch für die Wiener »Normal-Hauptschule«, an der Schuberts Bruder Ferdinand kirchenmusikalische Aufführungen zu besorgen hatte.

    Sowohl im Bereich der solemnen Vertonung – der erstgenannten

    ...
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Acheter
disque compact Carus 83.317/00, EAN 4009350833173 CD, digipac
disponible
9,90 € / pièce
  • Throughout most of his life Franz Schubert was concerned with church music. When he was eleven he was chosen as treble soloist at his local church in the Vienna suburb of Lichtenthal and soon afterwards he was admitted to the choir of the Imperial Court Chapel, directed by Antonio Salieri. Soon he also began to compose; his earliest surviving sacred pieces date from 1812. During his lifetime his church music achieved a comparatively wide degree of acceptance but after his death, most notably, his smaller works were unjustly forgotten. The Carus programme encompasses Schubert’s complete sacred compositions and it is intended to emphasize the wide range of his works in this area. Many of the smaller liturgical compositions are published here for the first time in separate editions. What is to be discovered is a fascinating œuvre, rooted in the ‘stile antico’ of Antonio Salieri and in the compositions of the Viennese classical masters, but whose exquisite lyricism and harmonic subtlety reveal a typically Schubertian world of expression: works with great power of conviction and exceptional musical beauty. Plus d'information sur la personne

Critiques

For putting Schubert in perspective, this collection of mainly early choral works is invaluable, and they are well performed, documented and recorded […]
Peter Grahame Woolf, www.musicalpointers.co.uk, Januar 2014

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