Gottfried August Homilius: Sehet, welch eine Liebe. Motets - CD, Choir Coach, multimedia | Carus-Verlag

Gottfried August Homilius Sehet, welch eine Liebe. Motets

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La musique sacrée protestante après Johann Sebastian Bach est souvent dépréciée et considérée comme période de déclin – un jugement plus que problématique, puisque la vie musicale religieuse a fleuri sans interruption pendant tout le 18ème siècle. Ce n’est que tout récemment que l’on a essayé de remettre en lumière la valeur et l’attrait de la musique religieuse de cette époque. Cet enregistrement propose un choix représentatif de motets d’Homilius, qui contribueront certainement à prendre connaissance de l’oeuvre oublié du cantor de la Croix de Dresde, très célèbre en son temps. Le style des motets d’Homilius se base sur plusieurs traditions. Il unie les anciens motets thuringeois-saxons à l’usage des Motets-Introïts, plus courts et utilisés pendant l’office, et – détail frappant – au style chanté et expressif de son temps. Les motets sur versets se divisent en deux catégories, avec ou sans choral inclus. Ces deux groupes sont représentés équitablement dans cet enregistrement. La variété stylistique et compositionnelle exceptionnelle n’est pas seulement évidente dans les motets sur choral, si diversifiés dans le traitement du choral, mais dans tous les motets. En particuier, les motets en style plus homophone se démarquent par leurs changements harmoniques et leur ampleur tendue, toujours en étroite relation avec le texte.
Frieder Bernius et le Choeur de chambre de Stuttgart se sont dédiés à cette musique avec un engagement remarquable. Le choeur met en valeur les relations entre texte et musique avec beaucoup de soin, et interprète ces pages avec la brillance qui lui est habituelle.


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Ecouter (17)
  • See now, what kind of love
  • Da es nun Abend ward
  • He who weeping soweth
  • Was hast du, Mensch
  • Herr, wenn Trübsal da ist
  • Die richtig für sich gewandelt haben (1)
  • Ihr sollt nicht sorgen und sagen
  • Let all the gates be raised
  • Wünschet Jerusalem Glück (2)
  • So gehst du nun, mein Jesu, hin
  • See now, this is God's own Lamb
  • Herr, lehre uns bedenken
  • Unser Leben währet siebenzig Jahr
  • Blest are the departed
  • Ob jemand sündiget
  • Seid fröhlich in Hoffnung
  • Unser Vater in dem Himmel
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  • Gottfried August Homilius, the son of a pastor, was born in Rosenthal (Saxony) on 2 February 1714. In May 1735 he enrolled as a law student at Leipzig University. Likewise, it was probably at this time that Homilius was a pupil of Johann Sebastian Bach; the latter fact had been attested to by Johann Adam Hiller. Apart from Bach, Homilius also had contact with Johann Schneider, a Bach pupil and organist at the Nicolaikirche, for whom he also substituted. After unsuccesfully applying for a post as organist in Bautzen, Homilius was appointed organist at the Dresden Frauenkirche in 1742. In 1755 Homilius succeeded Theodor Christlieb Reinhold as Kreuzkantor and music director of the three main churches in Dresden, a position that he occupied until his death on 2 June 1785. Plus d'information sur la personne
  • Uwe Wolf studied musicology, history, and historical ancillary science at Tübingen and Göttingen. After receiving his doctorate in 1991 he was a research assistant at the Johann-Sebastian-Bach-Institut in Göttingen. From 2004 he worked at the Bach-Archiv Leipzig. There he directed a both research departments, was substantially responsible for the redisigning of the Bach Museum, and he developed the digital Online-Projekt Bach. Since October 2011 he has been the Chief Editor at Carus-Verlag, Stuttgart. He has taught at various universities and also belongs to the editorial boards of several complete editions. Plus d'information sur la personne
  • Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Plus d'information sur la personne
  • The Kammerchor Stuttgart is regarded as one of the best ensembles of its kind. Over its fifty-year existence, Frieder Bernius has developed the choir into an exceptional ensemble acclaimed by audiences and press alike. This has led to invitations for the choir to perform at all the important European festivals. In Germany the chamber choir performs at festivals and in concert halls in repertoire ranging from the 17th to the 21st century. Frieder Bernius and his ensemble have received numerous accolades for their contribution to new music. The Kammerchor Stuttgart has made over 80 CDs and LPs, numerous of which have been awarded international recording prizes (including the Edison award, Diapason d’or, Gramophone Choice, Classical Internet Award, International Classical Music Award, and German Record Critics’ Award prizes). The International Federation for Choral Music has invited the ensemble to sing at the 1st, 4th and 10th World Symposia on Choral Music in Vienna, Sydney and Seoul. Regular tours of North America and Asia since 1988 and a South America tour reflect the Kammerchor Stuttgart’s international reputation. Since 1984 the top ensemble has also been invited to Israel biennially. Plus d'information sur la personne
  • Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Plus d'information sur la personne

Critiques

Homilius: Sehet, welch eine Liebe

So sollte es eigentlich immer sein: Einer vorbildlichen Edition folgt in zeitlich kurzem Abstand eine ebenso vorbildliche und zugleich maßstabsetzende Einspielung. [...] Dass Frieder Bernius, wie er im Booklet bekennt, „von Homilius’ originären Schöpfungen fasziniert” ist und der exzellente Kammerchor Stuttgart seine Begeisterung voll und ganz teilt, belegt die Aufnahme in jeglicher Hinsicht. [...] Es wäre wünschenswert, wenn von dieser makellosen und zugleich beispielhaften Aufnahme eine Initialzündung ausgehen würde. Denn – so Bernius – sind aus Homilius’ 62 Motetten noch längst nicht „alle Rosinen herausgepickt“.

Ingeborg Allihn
Musik und Kirche 1/2005

Diese CD ist ein absolutes Muss (mindestens) für jeden Chormusikfreund. [...]

Marcus Stäbler
PHONO FORUM  01/05

[...] I have sung the praises of Frieder Bernius and his choir in several previous issues of this publication and I am proud to say this carries on their exceptional tradition. [...]

Michael Carter
Fanfare, March 2005

Ein fabelhafter Chor mit einem unbekannten, lohnenden Repertoire in perfekter Interpretation

Markus Dippold
Stuttgarter Zeitung, 30.11.2004, Rubrik Leckerbissen

[...] Ein Blick in die Partituren entlarvt diese zeitlosen und hochwertigen Stücke ohne weiteres als eine der bedeutendsten Beiträge des Motettenschaffens im späteren 18. Jahrhundert – rein handwerklich. Bernius hat ihnen mit den faszinierenden Aufnahmen einen Odem eingehaucht, der einen sinnschmeichelnd und überaus nachhaltig umgibt. Man merke sich den Namen Homilius!

klassik.com, 31.12.2004

[...] Zu Recht hat diese Aufnahme den Preis der Deutschen Schallplattenkritik verliehen bekommen.

Bayern 4 Klassik, Susette Clausing, 25.2.2005

 

[...] Es erfüllt uns eine Mischung aus Glück und Vertrauen, von Bernius auf dieser Ohrenweide zu all den hübschen, liebevollen und auch frechen Details geführt zu werden, die er mit einer disziplinierten Leichtigkeit für uns aufdeckt. [...]

Gabriele Pilhofer
klassik.com, 31.12.2004

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