Wolfgang Amadeus Mozart: Litaniae (Carus Classics) - CD, Choir Coach, multimedia | Carus-Verlag

Wolfgang Amadeus Mozart Litaniae (Carus Classics)

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The Carus Classics series features outstanding CD productions from Carus’ past library of recordings. The series has been designed exclusively by the well-known graphic artists Friedrich Forssman und Cornelia Feyll.

Mozarts Litanies and Vesper settings are works which are convincing due to the musical liberties which they display, through the joy of experimentation and through their variety of form. "… the performers’ joy of making music and the differentiated shaping by Tõnu Kaljuste shows the quality of the compositions." (Musica sacra, 2000)
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Ecouter (23)
  • Kyrie eleison
  • Sancta Maria
  • Salus infirmorum
  • Regina Angelorum
  • Agnus Dei
  • Kyrie eleison
  • Panis vivus
  • Verbum caro factum
  • Hostia sancta
  • Tremendum
  • Panis omnipotentia
  • Viaticum in Domino
  • Pignus futurae gloriae
  • Agnus Dei
  • Kyrie eleison
  • Panis vivus
  • Verbum caro factum
  • Hostia sancta
  • Tremendum
  • Dulcissimum convivium
  • Viaticum in Domino
  • Pignus futurae gloriae
  • Agnus Dei
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Compléments
  • 1. Kyrie

    Lord have mercy,
    Christ have mercy,
    Lord have mercy.
    Christ, hear us;
    Christ, hear us.
    Father in heaven, God,
    have mercy.
    Son, Savior of the world, God,
    have mercy.
    Holy Spirit, God,
    have mercy.
    Holy Trinity,
    one God,
    have mercy.

    2. Sancta Maria

    Holy Mary,
    pray for us.
    Holy mother of God,
    holy virgin of virgins,

    ...
  • 1. Kyrie

    Herr, erbarme dich,
    Christus, erbarme dich,
    Herr, erbarme dich!
    Christus, höre uns,
    Christus, erhöre uns!
    Vater im Himmel, Gott,
    erbarme dich unser!
    Sohn, Erlöser der Welt, Gott,
    erbarme dich unser!
    Heiliger Geist, Gott,
    erbarme dich unser!
    Heilige Dreieinigkeit,
    einziger Gott,
    erbarme dich unser.

    2. Sancta Maria

    Heilige Maria,
    bitte für uns,
    heilige Mutter Gottes,
    heilige Jungfrau der Jungfrauen,

    ...
  • 1. Kyrie

    Kyrie eleison.
    Christe eleison.
    Kyrie eleison.
    Christe audi nos,
    Christe exaudi nos.
    Pater de coelis Deus,
    miserere nobis.
    Fili Redemptor mundi Deus,
    miserere nobis.
    Spiritus Sancte Deus,
    miserere nobis.
    Sancta Trinitas,
    unus Deus,
    miserere nobis.

    2. Sancta Maria

    Sancta Maria,
    ora pro nobis.
    Sancta Dei genitrix,
    sancta Virgo virginum,

    ...
  • 1. Kyrie (Soli SATB, Coro SATB)

    Lord have mercy,
    Christ have mercy,
    Lord have mercy.
    Christ, hear us;
    Christ, hear us.
    Father in heaven, God,
    have mercy.
    Son, Savior of the world, God,
    have mercy.
    Holy Spirit, God,
    have mercy.
    Holy Trinity, one God,
    have mercy.

    2. Panis vivus (Solo T)

    O bread of life, come down from heaven,
    O hidden God and Savior,
    have mercy upon us.
    Nourishment of the chosen,
    ...
  • 1. Kyrie (Soli SATB, Coro SATB)

    Herr, erbarme dich,
    Christus, erbarme dich,
    Herr, erbarme dich!
    Christus, höre uns,
    Christus, erhöre uns!
    Vater im Himmel, Gott,
    erbarme dich unser!
    Sohn, Erlöser der Welt, Gott,
    erbarme dich unser!
    Heiliger Geist, Gott,
    erbarme dich unser!
    Heilige Dreieinigkeit, einziger Gott,
    erbarme dich unser.

    2. Panis vivus (Solo T)

    Lebendiges Brot, das du vom Himmel herabgestiegen bist,
    verborgener Gott und Retter,
    erbarme dich unser.
    Nahrung der Auserwählten,
    Wein, der Jungfrauen sprossen lässt,
    strotzendes Brot und Ergötzen der Könige,
    ...
  • 1. Kyrie (Soli SATB, Coro SATB)

    Kyrie eleison.
    Christe eleison.
    Kyrie eleison.
    Christe audi nos,
    Christe exaudi nos.
    Pater de coelis Deus,
    miserere nobis.
    Fili Redemptor mundi Deus,
    miserere nobis.
    Spiritus Sancte Deus,
    miserere nobis.
    Sancta Trinitas, unus Deus,
    miserere nobis.

    2. Panis vivus (Solo T)

    Panis vivus, qui de coelo descendisti,
    Deus absconditus et Salvator,
    miserere nobis.
    ...
  • Text from the CD Carus 83.331

    Konrad Küster
    Translation (abridged): John Coombs

    They occupy a position between Mozart’s settings of the Mass and his single-movement “shorter church works”: the substantial, multi-movement litanies and psalm cycles written while he was still at Salzburg. Undoubtedly their composition allowed him greater musical freedom than the settings of the Mass; because the latter were written for use at services which were organized down to the time allowed for the individual sections, the music had to be constructed along carefully defined lines.

    On the other hand the vespers and litanies were not performed for Sunday or festival Masses, but in different liturgical circumstances. For the Offices of the Canonical Hours, even in the days of Gregorian plainsong, far more elaborate

    ...
  • Booklet-Text der CD Carus 83.331

    Konrad Küster (2000)

    Sie stehen zwischen den Messzyklen und den einsätzigen »kleineren Kirchenwerken« Mozarts: die umfangreichen, mehrsätzigen Litaneien und Psalmzyklen aus seiner Salzburger Zeit. Unverkennbar war in ihnen die musikalische Freiheit des Komponisten größer als in den Messzyklen: Weil diese sich in den Messgottesdienst einzufügen hatten, der bis in Details seines zeitlichen Ablaufes durchorganisiert war, bewegt sich auch die Musik in einem klar definierten Rahmen. Je nach Bedeutung des Gottesdienstes ermöglichte dieser zwar die Bildung eigenständiger Sätze (in der Missa solemnis), konnte aber auch die musikalischen Formen so begrenzen, wie es für die Missa brevis typisch ist; wenn beispielsweise am Ende von Gloria und Credo fugische Elemente entfaltet werden, dann nur als Andeutung weiter reichender

    ...
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Acheter
disque compact Carus 83.331/00, EAN 4009350833319 CD, digipac
disponible
9,90 € / pièce
Informations complémentaires sur l'œuvre
  • As the son of the deputy Kapellmeister to the Salzburg Prince-Archbishop, Mozart was constantly surrounded by church music in his youth. On his travels Mozart became familiar with Italian church music, and later in Vienna he studied the works of Bach and Handel. After moving to Vienna he was faced with the new challenges of composing opera and piano concertos, and significantly the “C Minor Mass” KV 427, the greatest sacred work of the first Vienna years, remained unfinished. The last period of his life again shows a change of direction to church music: Mozart successfully applied to succeed the terminally ill Leopold Hoffmann as Kapellmeister at St Stephen's Cathedral, but he was unable to take up the position as he died before Hoffmann. A gem such as the “Ave verum” KV 618 and the incomplete Requiem KV 626 give us an idea of what Mozart might have achieved as a composer of sacred music if he had taken up this important position. Plus d'information sur la personne
  • For twenty years Tõnu Kaljuste (conductor) was artistic director and principal conductor of the Estonian Philharmonic Chamber Choir, which he founded in 1981, and the Tallinn Chamber Orchestra. Kaljuste has also been chief conductor of the Swedish Radio Choir and the Netherlands Chamber Choir. He has directed international choral seminars and workshops for several years and has worked as a guest conductor with leading orchestras and choirs throughout Europe, Australia and America. As well as immersing himself in the music of the great northern and eastern European moderns, such as Schnittke, Kurtag, Penderecki, Rautavaara and Kancheli, he has a deep affinity with the composers of his native Estonia, including Pärt, Tüür, Tormis and Eller. He has established an international reputation with his wide-ranging repertoire from opera, via the traditional symphonic repertoire to contemporary music. His numerous recordings have won many awards and have been nominated for Grammy awards. In 1999 he received the Cannes Classical Award in the category “Best 20th Century Choral Music” for his recording of Alfred Schnittke’s Psalms of Repentance. In 2004 he was awarded first prize by the Estonian State Foundation “Kultuurkapital.” The same year he became artistic director of the Nargen Festival, an annual, three-month long musical event on the coast of Estonia. He is a member of the Royal Swedish Academy of Music. Plus d'information sur la personne

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