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Vesperpsalmen. Hasse-Werkausgabe IV/1 à partir de 169,00 €

Tue, 21 Apr 2026 10:23:26 +0200

Vesperpsalmen für Soli, gem. Chor und Bc, teils mit Instrumenten; Hasse-Werkausgabe IV,1; jeder Psalm in Einzelausgabe erhältlich

Marc’Antonio e Cleopatra Serenata à partir de 129,00 €

Wed, 18 Mar 2026 12:48:07 +0100

Litaneien und Tantum ergo. Hasse-Werkausgabe IV/2 à partir de 163,00 €

Tue, 21 Apr 2026 10:23:26 +0200

Avec le volume IV/2 paraît le 2ème volume (musique religieuse) et le 3ème de l’Édition critique choisie de Johann Adolf Hasse. Les Litanies et le Tantum ergo, qui en font partie, témoignent de la diversité de la vie liturgique catholique au 18ème siècle. Les Litaniae Lauretanae en fa mineur et Sol majeur sont restituées à chaque fois avec une oraison Sub tuum praesidium, et la deuxième litanie avec l’antienne mariale Salve Regina en Fa majeur. Le volume comprend, également en première parution, deux mises en musique de l’hymne sacramentaire Tantum ergo.

Opera seria (version de la première) à partir de 349,00 €

Thu, 23 Apr 2026 06:34:17 +0200

Missa ultima en sol mineur à partir de 257,00 €

Thu, 20 Nov 2025 06:36:31 +0100

Requiem in C and B. Hasse-Werkausgabe IV/4 à partir de 112,00 €

Sat, 01 Nov 2025 06:36:09 +0100

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C major for the ceremonial exequies of the deceased Elector Friedrich August II in November 1763 in the Catholic Hofkirche in Dresden. With this work he composed a monument in music to his long-standing, generous employer, who was also King of Poland under the name August III: passionate choral movements, echoes of historic compositional styles, expressive vocal solos and arias which undeniably reveal Hasse the opera composer, and trumpets and timpani in the orchestra – all these are the ingredients of a “royal” Requiem Mass in the style of a Missa solemnis.

Hasse’s much smaller-scale Requiem in B flat, which we are now publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for which this beautiful work was composed, or even whether it was performed during the composer’s lifetime. Perhaps the Seven Years War, in which the electorate of Saxony was involved, prevented any performance. Several borrowings from it in his Requiem in C and in the later Requiem in E flat show that Hasse held the work in high regard.

The Hasse Works Edition (HWA) is published in collaboration with the Hasse-Gesellschaft Bergedorf e. V. and is intended to serve both scholarship and the needs of performing musicians with scholarly-critical editions of Hasse’s music.