Heinrich Schütz

1585 – 1672

A propos de la personne

Heinrich Schütz is regarded as the first German musician of European stature. As a choirboy from 1599 at the court of Landgrave Moritz of Hessen-Kassel, he received a thorough education. In 1608 he began a law degree in Marburg, but broke this off in 1609 in order, with the support of the Landgrave, to study composition with Giovanni Gabrieli, organist at St Mark’s in Venice. In 1613 Schütz returned to Kassel, but two years later was enticed away by Elector Johann Georg I of Saxony to the Dresden court as “Organist und Director der Musica”, where he held the position of Hofkapellmeister (court Kapellmeister) from 1617 until his death. Schütz’s great cycles of vocal works marked the high point of his reputation in Germany and northern Europe. But these represent only part of Schütz’s output; individual works are represented in printed collections with works by other composers, others only survive in manuscript, and much has been lost. The Stuttgart Schütz Edition makes available Schütz’s complete oeuvre, and all works are also published in practical Urtext editions.

Editions

496 Articles

Heinrich Schütz: Siehe, wie fein und lieblich ist’s

extrait de : Symphoniae Sacrae III

SWV 412

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Heinrich Schütz: Sing to the Lord a new song

extrait de : Psaumes de David, traduits en vers allemands par Cornelius Becker [...]

SWV 194

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Heinrich Schütz: Sing to the Lord a new song

extrait de : Psaumes de David

SWV 35

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Heinrich Schütz: Now I go forth

extrait de: Musique chorale religieuse

SWV 379

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Heinrich Schütz: Sigh, which from the lovely breast

Sospiro della sua Donna. Extrait de : Madrigaux italiens

SWV 14

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Heinrich Schütz: Spes mea Christe Deus

aus: Cantiones sacrae

SWV 69

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Heinrich Schütz: Stuttgarter Schütz-Ausgabe: Geistliche Chor-Music (Gesamtausgabe, Bd. 12)

29 Motetten für 5 bis 7 Stimmen und Generalbass (Paperback-Ausgabe)

SWV 369–397 (Op. 11)

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Heinrich Schütz: Come back, o dear kisses

Baci cari. Extrait de : Madrigaux italiens

SWV 16

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