Missa 1607
Sommaire
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Compositeur
Salvatore Sacco
| 1572-1622
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L'auteur de l'avant-propos
Giulia Veneziano
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Ensemble
Templum Musicae
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Chef d'orchestre
Vincenzo di Donato
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Solist - orgue
Francesco di Lernia
Critiques
Hodie Christus natus est II
È un disco bello e coinvolgente quello che accende l’attenzione sulla musica, splendida, di Salvatore Sacco. [ ] La concentrata interpretazione diretta da Vincenzo Di Donato esalta con efficacia e misura la chiarezza della sapiente scrittura contrappuntistica di Sacco, ne coglie la scenografica grandiosità.
La straordinaria forza espressiva, i rapinosi momenti di estasi mistica, senza mai perdere una stilla d'intensità.
Massimo Rolando Zegna
Quelle: amadusonline.net, 4.7.2006
[ ] Sacco's setting of 1607 survives in a single printed collection of which three copies have survived. The ordinary movements are interspersed either with beautifully phrased plainsong, or organ music by Quagliati played by Francesco Di Lernia. [ ] The singing on this CD is superb. Templum Musicae is a young ensemble of eight youngish singers (including male altos) sensitively doubled by an instrumental ensemble of renaissance instruments including theorbo, viola da gamba and violone. The clarity of line and ensemble is a joy to hear.
Quelle: Church Music Quarterly Reviews, 10/06
[ ] Before I received this disc, the Italian ensemble Templum Musicae was as unfamiliar to me as the name of Sacco, a situation I'm more than happy to have rectified, since this young group consists of highly accomplished singers who not only blend together excellently, but also have sufficient individuality to emerge from the crowd when appropriate. [ ] This is a valuable addition to the catalog, introducing as it does rare repertoire of a kind still in need of further investigation in performances that do it full justice.
Brian Robins
Quelle: Fanfare 10/11/2006, S.222
Das Ensemble Templum Musicae, das alle Werke in solistischer Besetzung aufführt, besticht durch einen klaren und durchsichtigen, dennoch warmen und entspannten Klang. Diese schöne Musik von Sacco wird hier vorzüglich interpretiert und ich möchte diese Aufnahme gerne empfehlen, auch weil sie mit einem Repertoire bekanntmacht - die geistliche Musik in Rom in der ersten Hälfte des 17. Jahrhunderts -, die weitgehend ignoriert wird.
Johan van Veen
Quelle: Toccata 32/2007