Sämtliche Klavierwerke (Gesamteinspielung)
Ecouter
(160)
- Moderato e con espressione
- Scherzo
- Poco Adagio
- Finale
- Moderato
- Romanze
- Intermezzo
- Finale alla Tarantella
- Toccatina
- Introduction
- Toccata
- Allegro
- Menuetto
- Intermezzo
- Finale alla Tarantella
- Non troppo mosso
- Romanze
- Finale
- Präludium
- Fuge zu 3 Stimmen
- Etüde
- Fugato
- La chasse. Impromptu
- Petite toccata
- Fugue
- Jagd-Szene
- Scherzo
- Menuet I
- Menuet II
- Allegretto
- Waldmärchen
- 1. Presto
- 2. Allegro molto
- Non troppo vivo
- Allegretto vivo e scherzando
- Toccata
- Scherzo
- Caprice
- Caprice à la tarantelle
- Rhapsodie
- Rondoletto
- 1. Maestoso C-Dur
- 2. Allegro deciso c-Moll
- 3. Allegretto amabile Es-Dur
- 4. Andantino es-Moll
- 5. Poco allegro Fis-Dur
- 6. Con moto fis-Moll
- 7. Danza capricciosa A-Dur
- 8. Allegretto con leggerezza a-Moll
- 9. Con moto, ma tranquillo F-Dur
- 10. Capriccio. Allegro molto f-Moll
- 11. Andantino espressivo As-Dur
- 12. Alla siciliana, adagio gis-Moll
- 13. Duettino. Andante espressivo H-Dur
- 14. Larghetto, h-Moll
- 15. Andante e dolce sognando D-Dur
- 16. Vivo e feroce d-Moll
- 17. Andantino B-Dur
- 18. Feroce e marcato b-Moll
- 19. Notturno. Allegretto Des-Dur
- 20. Notturno. Adagio con molto espressione cis-Moll
- 21. Andantino cantabile E-Dur
- 22. Passacaglia. Adagio espressivo e-Moll
- 23. Non troppo allegro, ma con passione G-Dur
- 24. Gavotte. Allabreve g-Moll
- Chant rond
- Mazurka
- Ronde
- Allegretto capriccioso
- Elégie
- 1. Allegro marcato
- 2. Andantino amabile
- 3. Con moto
- 4. Andante teneramente
- 5. Allegretto
- 6. Allegro marcato
- 1. Con moto
- 2. Andantino
- 3. Andante espressivo
- 4. Non troppo adagio
- 5. Con moto
- 6. Presto
- Phantasy piece
- Capriccio giocoso
- Petit scherzo
- Fugue
- Menuet
- Caprice
- Menuet
- Fuguette
- Mazurka
- Romance
- Gavotte
- Prélude
- Humoresque
- Menuet
- Romance
- Impromptu
- Ermahnung
- Marche funèbre
- Impatience
- Refrain
- Elégie
- Rondoletto
- Burlesque
- Improvisation
- Idylle
- Berceuse et variations
- Impromptu
- Ballade
- Barcarolle
- Danse sérieuse
- Dolce far niente
- Rimembranza
- Sérénade
- Paix du soir
- Impatience
- Romance
- Scherzoso
- Hymne du matin
- Fugue
- Etüde in d-Moll
- Etüde in gis-Moll
- Fugato
- Mélodie
- Chant de randonnée
- Rêves
- Aus alter Zeit
- Zum Abschied
- Erinnerung
- Andante et variations
- Fugato
- Ronde
- Plainte
- Réconfort
- Passionnément
- Duo d'amour
- Marche tartare
- Dialogue
- Ländlich
- Prélude
- Fierté
- Randonnée joyeuse
- Deuil
- Thema mit Veränderungen
- Toccata
- Caprice
- Etude
- Petite toccata
- Tarantella
- Allegro marcato
- Adagio
- Minuetto
- Alla Tarantella
- 1. Präludium
- 2. Intermezzo
- 3. Fuge
- 1. Allegro alla breve
- 2. Canon a due
- 3. Finale
Sommaire
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Compositeur
Josef Gabriel Rheinberger
| 1839-1901Josef Gabriel Rheinberger, né en 1839 à Vaduz, mort en 1901 à Munich. Élève de J.G. Herzog, J.J. Maier et Fr. Lachner. Considéré comme l'une des personnalités les plus importantes de l'enseignement du 19e siècle ; a travaillé à partir de 1859 comme professeur à l'école royale de musique de Munich, puis comme professeur de composition et d'orgue ; maître de chapelle de la cour en 1877. De son vaste opus se distinguent les 20 sonates pour orgue ; outre ses œuvres de musique de chambre, ses œuvres chorales sacrées et profanes sont également précieuses. Plus d'information sur la personne
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L'auteur de l'avant-propos
Han Theill
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Solist - piano
Jürg Hanselmann
Jürg Hanselmann’s involvement with music stretches back to his childhood. He received his soloist’s diploma at the Bern Music Conservatory in 1980 with distinction. Further studies on the piano took him to Louis Kentner in London and Irina Edelstein in Frankfurt. He also attended chamber music master classes with the Beaux Arts Trio and piano master classes with Mieczieslaw Horszowski. In 1983 Hanselmann studied composition and analysis with Sándor Veress, who had been a composition pupil of Kodály and a piano student of Bartók. Both had studied with Hans (Janos) Koessler, the Liechtenstein student of Rheinberger, forming a nice biographical link for Hanselmann with the best-known Liechtenstein composer Josef Rheinberger. The list of Jürg Hanselmann’s own compositions to date includes piano, orchestral, choral and chamber music and lieder. As a pianist, he is winner of the Eduard Tschumi Prize Bern 1980, the prize of the Anniversary Foundation of the Swiss Volksbank 1980, the Migros Competition Zurich 1983, Rotary Prize of Liechtenstein 1987, the Cultural Prize of the International Lake Constance Conference 1991 Munich and the Josef Gabriel Rheinberger Prize Vaduz 2005. Concert appearances have taken him throughout Europe and to the USA. With his wife Sandra he also performs as a piano duo. His numerous CD productions include the present internationally-acclaimed complete recording of the piano works of Josef Rheinberger on eleven CDs, and the CD Die Eisenbahn in der Klaviermusik. Plus d'information sur la personne
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Solist - piano
Sandra Hanselmann-Kästli
Sandra Hanselmann-Kästli took her first piano lessons in the General Department of the Bern Conservatory. She later studied at the Vocational School there with Albert Schneeberger and her future husband Jürg Hanselmann. She completed her studies in Bern in 1985 with a teaching diploma. Further studies took the pianist to Irina Edelstein in Frankfurt, and to Zurich, where she studied with Verena Pfenninger at the Music Conservatory, taking her concert diploma. Sandra Hanselmann was a prizewinner of the Kiefer-Hablitzel Foundation Bern and the Migros Competition Zurich in 1987. With her husband she performs in a piano duo which has made several CD recordings, including works by Brahms, Rheinberger, Honegger and her husband. Plus d'information sur la personne
Critiques
Hanselmann is the perfect musician for this, for all what I wrote I hear in his interpretation and more. ... The sound is perfect.
Harry van der Wal, Harry's classical music corner, 28.09.2017
… Every disc in this set has some attractive music on it and amongst the collected toccatas, fugues, etudes and characteristic pieces there are some real gems, pieces you will return to again and again. … Hanselmann’s playing is model of refined sensability, he lets the music do the talking. … The recorded sound is good, it is sympathetic to the music rather than sparkling and bright, which combined with an excellent booklet essay, only adds to the enjoyment of this unjustly neglected music. … Carus should be applauded for bringing this recording to a wider public and for all their recordings of the music of Rheinberger, let us hope that the coming years will see them produce even more CDs of his music so that he may achieve the recognition that he deserves!
(Stuart Sillitoe, Preston Recorded Music Society, December 2011)
… With a consistently rich and detailed piano sound in the recordings and superb playing throughout, this set is a feast for the piano buff and collector of romantic repertoire.
(Bernhard Morbach, rbb kulturradio, 06. Oktober 2011)
… Der Pianist Jürg Hanselmann hat zwischen 1990 und 2004 nach und nach Rheinbergers gesamtes Klavierwerk aufgenommen. Es ist ein überfälliges Unternehmen im Kontext der Rheinberger-Wiederentdeckung, denn der Komponist war gerade auch als Klaviervirtuose bekannt. Rheinberger befand die im Klavier steckenden Ausdrucksmöglichkeiten für noch vielschichtiger und reizvoller als die der Orgel, der "Königin der Instrumente". Diese neue Sammlung von zehn CDs fasst Jürg Hanselmanns Rheinberger-Interpretationen nun erstmals zusammen, einschließlich der Duo-Werke für vier Hände oder zwei Klaviere.
(mdr-figaro, Take 5, 29.08.2011)
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