Sämtliche Klavierwerke (Gesamteinspielung)
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(160)
- Moderato e con espressione
- Scherzo
- Poco Adagio
- Finale
- Moderato
- Romanze
- Intermezzo
- Finale alla Tarantella
- Toccatina
- Introduction
- Toccata
- Allegro
- Menuetto
- Intermezzo
- Finale alla Tarantella
- Non troppo mosso
- Romanze
- Finale
- Präludium
- Fuge zu 3 Stimmen
- Etüde
- Fugato
- Die Jagd. Impromptu
- Toccatina
- Fugue
- Jagd-Szene
- Scherzo
- Menuet I
- Menuet II
- Allegretto
- Waldmärchen
- 1. Presto
- 2. Allegro molto
- Non troppo vivo
- Allegretto vivo e scherzando
- Toccata
- Scherzoso
- Capriccio
- Capriccio alla Tarantella
- Rhapsody
- Rondoletto
- 1. Maestoso C-Dur
- 2. Allegro deciso c-Moll
- 3. Allegretto amabile Es-Dur
- 4. Andantino es-Moll
- 5. Poco allegro Fis-Dur
- 6. Con moto fis-Moll
- 7. Danza capricciosa A-Dur
- 8. Allegretto con leggerezza a-Moll
- 9. Con moto, ma tranquillo F-Dur
- 10. Capriccio. Allegro molto f-Moll
- 11. Andantino espressivo As-Dur
- 12. Alla siciliana, adagio gis-Moll
- 13. Duettino. Andante espressivo H-Dur
- 14. Larghetto, h-Moll
- 15. Andante e dolce sognando D-Dur
- 16. Vivo e feroce d-Moll
- 17. Andantino B-Dur
- 18. Feroce e marcato b-Moll
- 19. Notturno. Allegretto Des-Dur
- 20. Notturno. Adagio con molto espressione cis-Moll
- 21. Andantino cantabile E-Dur
- 22. Passacaglia. Adagio espressivo e-Moll
- 23. Non troppo allegro, ma con passione G-Dur
- 24. Gavotte. Allabreve g-Moll
- Rundgesang
- Masurek
- Reigen
- Allegretto capriccioso
- Elegie
- 1. Allegro marcato
- 2. Andantino amabile
- 3. Con moto
- 4. Andante teneramente
- 5. Allegretto
- 6. Allegro marcato
- 1. Con moto
- 2. Andantino
- 3. Andante espressivo
- 4. Non troppo adagio
- 5. Con moto
- 6. Presto
- Phantasy piece
- Capriccio giocoso
- Scherzino
- Fugue
- Menuet
- Capriccio
- Menuet
- Fughette
- Mazurek
- Romanze
- Gavotte
- Prelude
- Humoreske
- Menuet
- Romanze
- Impromptu
- Ermahnung
- Trauermarsch
- Ungeduld
- Refrain
- Elegie
- Rondoletto
- Burleske
- Improvisation
- Idylle
- Wiegenlied mit Veränderungen
- Impromptu
- Ballade
- Barcarole
- Ernster Tanz
- Dolce far niente
- Rimembranza
- Serenata
- Abendfriede
- Ungeduld
- Romanze
- Scherzoso
- Morgenhymne
- Fugue
- Etüde in d-Moll
- Etüde in gis-Moll
- Fugato
- Melodie
- Wanderlied
- Träumen
- Aus alter Zeit
- Zum Abschied
- Erinnerung
- Andante mit Variationen
- Fugato
- Reigen
- Klage
- Tröstung
- Leidenschaftlich
- Liebesduett
- Tartarischer Marsch
- Dialog
- Ländlich
- Vorspiel
- Trotz
- Frohe Wanderung
- Trauer
- Thema mit Veränderungen
- Toccata
- Capriccio
- Etude
- Toccatina
- Tarantella
- Allegro marcato
- Adagio
- Minuetto
- Alla Tarantella
- 1. Präludium
- 2. Intermezzo
- 3. Fuge
- 1. Allegro alla breve
- 2. Canon a due
- 3. Finale
Contents
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Composer
Josef Gabriel Rheinberger
| 1839-1901During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details
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Preface writer
Han Theill
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Soloist - piano
Jürg Hanselmann
Jürg Hanselmann’s involvement with music stretches back to his childhood. He received his soloist’s diploma at the Bern Music Conservatory in 1980 with distinction. Further studies on the piano took him to Louis Kentner in London and Irina Edelstein in Frankfurt. He also attended chamber music master classes with the Beaux Arts Trio and piano master classes with Mieczieslaw Horszowski. In 1983 Hanselmann studied composition and analysis with Sándor Veress, who had been a composition pupil of Kodály and a piano student of Bartók. Both had studied with Hans (Janos) Koessler, the Liechtenstein student of Rheinberger, forming a nice biographical link for Hanselmann with the best-known Liechtenstein composer Josef Rheinberger. The list of Jürg Hanselmann’s own compositions to date includes piano, orchestral, choral and chamber music and lieder. As a pianist, he is winner of the Eduard Tschumi Prize Bern 1980, the prize of the Anniversary Foundation of the Swiss Volksbank 1980, the Migros Competition Zurich 1983, Rotary Prize of Liechtenstein 1987, the Cultural Prize of the International Lake Constance Conference 1991 Munich and the Josef Gabriel Rheinberger Prize Vaduz 2005. Concert appearances have taken him throughout Europe and to the USA. With his wife Sandra he also performs as a piano duo. His numerous CD productions include the present internationally-acclaimed complete recording of the piano works of Josef Rheinberger on eleven CDs, and the CD Die Eisenbahn in der Klaviermusik. Personal details
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Soloist - piano
Sandra Hanselmann-Kästli
Sandra Hanselmann-Kästli took her first piano lessons in the General Department of the Bern Conservatory. She later studied at the Vocational School there with Albert Schneeberger and her future husband Jürg Hanselmann. She completed her studies in Bern in 1985 with a teaching diploma. Further studies took the pianist to Irina Edelstein in Frankfurt, and to Zurich, where she studied with Verena Pfenninger at the Music Conservatory, taking her concert diploma. Sandra Hanselmann was a prizewinner of the Kiefer-Hablitzel Foundation Bern and the Migros Competition Zurich in 1987. With her husband she performs in a piano duo which has made several CD recordings, including works by Brahms, Rheinberger, Honegger and her husband. Personal details
Reviews
Hanselmann is the perfect musician for this, for all what I wrote I hear in his interpretation and more. ... The sound is perfect.
Harry van der Wal, Harry's classical music corner, 28.09.2017
… Every disc in this set has some attractive music on it and amongst the collected toccatas, fugues, etudes and characteristic pieces there are some real gems, pieces you will return to again and again. … Hanselmann’s playing is model of refined sensability, he lets the music do the talking. … The recorded sound is good, it is sympathetic to the music rather than sparkling and bright, which combined with an excellent booklet essay, only adds to the enjoyment of this unjustly neglected music. … Carus should be applauded for bringing this recording to a wider public and for all their recordings of the music of Rheinberger, let us hope that the coming years will see them produce even more CDs of his music so that he may achieve the recognition that he deserves!
(Stuart Sillitoe, Preston Recorded Music Society, December 2011)
… With a consistently rich and detailed piano sound in the recordings and superb playing throughout, this set is a feast for the piano buff and collector of romantic repertoire.
(Bernhard Morbach, rbb kulturradio, 06. Oktober 2011)
… Der Pianist Jürg Hanselmann hat zwischen 1990 und 2004 nach und nach Rheinbergers gesamtes Klavierwerk aufgenommen. Es ist ein überfälliges Unternehmen im Kontext der Rheinberger-Wiederentdeckung, denn der Komponist war gerade auch als Klaviervirtuose bekannt. Rheinberger befand die im Klavier steckenden Ausdrucksmöglichkeiten für noch vielschichtiger und reizvoller als die der Orgel, der "Königin der Instrumente". Diese neue Sammlung von zehn CDs fasst Jürg Hanselmanns Rheinberger-Interpretationen nun erstmals zusammen, einschließlich der Duo-Werke für vier Hände oder zwei Klaviere.
(mdr-figaro, Take 5, 29.08.2011)
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