Josef Gabriel Rheinberger: Die sieben Raben - Sheet music | Carus-Verlag

Josef Gabriel Rheinberger Die sieben Raben

Oper in drei Akten (Gesamtausgabe, Bd. 11) op. 20

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Rheinberger was inspired to compose his first opera by the great cycle of aquarelles entitled “Von den Sieben Raben” (Of the Seven Ravens) by the painter Moritz von Schwind (1804–1871), with whom he was acquainted. The libretto by Franz Bonn (1830–1904) follows in its essentials the story depicted in these pictures, rather than the Grimm fairytale of the same name. The work had its successful world première, conducted by the composer, on 23 May 1869 at the Königliche Hof- und Nationaltheater in Munich.

After the second performance in Munich, on the 8 September 1869, a reviewer wrote in the Augsburger Allgemeine Zeitung: “The composer was able to express the enchantment of the story, its high-spirited simplicity and deep feeling, with great skill, and the lyrical passages of the opera provide the most positive proof of Rheinberger’s talent.”

Possibly Engelbert Humperdinck, who was a pupil of Rheinberger in Munich from 1877 until 1879, was inspired by Die sieben Raben to compose his fairy tale opera Hänsel und Gretel (1893), which helped this genre to achieve great success.

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Vocal score Carus 50.020/03, ISBN 978-3-89948-010-8, ISMN 979-0-007-00913-7 184 pages, paperback
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Set of parts, complete orchestral parts, for hire, also available in digital form Carus 50.020/19, ISBN 978-3-89948-010-8, ISMN 979-0-007-22276-5 DIN A4, without cover
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Director's book, for right-handers Carus 50.020/81, ISBN 978-3-89948-010-8, ISMN 979-0-007-35957-7
Director's book, for left-handers Carus 50.020/82, ISBN 978-3-89948-010-8, ISMN 979-0-007-35958-4
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Vocal score digital (download), pdf file Carus 50.020/03-010-000, ISBN 978-3-89948-010-8, ISMN 979-0-007-35210-3 184 pages
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Set of parts digital (download), zip file, pdf file, complete orchestral parts, for hire Carus 50.020/19-010-000, ISBN 978-3-89948-010-8, ISMN 979-0-007-09025-8 DIN A4
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Director’s book digital (download), pdf file Carus 50.020/81-010-000, ISBN 978-3-89948-010-8, ISMN 979-0-007-35959-1 Minimum order quantity: 3 copies
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Die junge Elsbet lebt einsam im Wald. Ihre sieben Brüder sind durch einen unbedachten Fluch der Mutter in Raben verwandelt worden. Nur Elsbet allein kann ihre Brüder retten. Um den Fluch zu durchbrechen, muss sie fernab der Heimat in sieben Jahren sieben weiße Hemden weben und darf niemandem ihr Schicksal verraten. Ihre Verschwiegenheit wird hart auf die Probe gestellt, als sie sich in den Prinzen Roderich verliebt. Doch nach langem Zögern nimmt sie Roderichs Heiratsantrag an und verlässt mit ihm den Wald. Roderichs Mutter, die Herzogin Matilde, lehnt die armselige Fremde, die Fragen zu ihrer Herkunft mit hartnäckigem Schweigen beantwortet, zunächst ab, ist aber dann von ihrer reinen Liebe und ihrer Bereitschaft, der Liebe zu Roderich zu entsagen, so beeindruckt, dass sie die Hochzeit erlaubt. Ihr Stiefbruder Eckart tritt jedoch dazwischen. Roderich war seiner Tochter versprochen. Er sieht seine Pläne vereitelt und will die Hochzeit mit Elsbet verhindern. Da kommt ihm ausgerechnet Roderichs alter Freund Hubert zu Hilfe. Er berichtet Eckart, dass er Elsbet nachts dabei beobachtet habe, wie sie an einem weißen Tuch gesponnen und um Mitternacht sieben schwarze Raben in ihre Kammer eingelassen habe. Sie müsse mit dem Teufel im Bunde stehen. Während schon der Hochzeitszug auf die Kirche zuschreitet, klagt Eckart Elsbet der Zauberei an. Sie wird in den Kerker geworfen. Die Richter der Feme verurteilen Elsbet zum Tod auf dem Scheiterhaufen. Roderich zweifelt nicht an ihr, er drängt sie aber, ihr Geheimnis zu lüften. Elsbet jedoch schweigt eisern. Sie wird auf den Scheiterhaufen geführt, doch bevor das Holz entzündet wird, ertönt ein Donnerschlag und die Schlossuhr schlägt sechsmal. Die Zeit des Fluchs, die sieben Jahre, sind abgelaufen. Elsbets Schutzfee verkündet die Erlösung der sieben Brüder und berichtet dem staunenden Volk von Elsbets Treue. Die verwandelten Brüder befreien die Schwester von ihren Fesseln, und Matilde krönt Elsbet unter dem Jubel des Volks.
  • During the second half of the 19th century Rheinberger, who was born in 1839 in Vaduz (Liechtenstein), was a major figure of European stature. In demand as a teacher of composition and esteemed as a composer, this professor at the Munich Conservatoire and Bavarian Court Kapellmeister made his mark on a whole generation of musicians. The fact that many of his compositions were no longer performed after his death in 1901, despite their high musical qualities, was largely a result of external circumstances. The change of aesthetic orientation which began about the turn of the century led to a radical move away from the conservative-classical ideals to which Rheinberger – like Brahms – had felt himself committed. It was also a fact that Rheinberger never publicized his own works vigorously. The Josef-Rheinberger-Archiv and Carus published a complete edition of works by Josef Gabriel Rheinberger for the first time. The edition, concluded in 2009, has contributed significantly to the fact that the music of this composition teacher and Bavarian Court Kapellmeister from Munich can once again be heard around the world today. Personal details

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