Felix Mendelssohn Bartholdy Abendlied

Felix Mendelssohn Bartholdy (1809–1847) is regarded as one of the most important composers of the Romantic period. His compositions combine the formal clarity of the Viennese Classical period with the heightened expressiveness of the 19th century. His engagement with the music of Johann Sebastian Bach was particularly influential; he played a key role in its rediscovery through the performance of the St Matthew Passion in 1829.

Among his best-known vocal works are his two oratorios, Paulus and Elias, as well as his chorale cantata Verleih uns Frieden gnädiglich. Furthermore, Mendelssohn worked as a conductor, pianist and music teacher, and made a significant contribution to the professionalisation of the concert scene and to the development of the Leipzig Conservatoire. His work occupies a central position in 19th-century music history and combines a sense of tradition with Romantic sound aesthetics.

Heinrich Heine (1797–1856) is regarded as one of the most important German poets of the 19th century. He was born in Düsseldorf and is best known for his lyric poetry, which combines Romanticism with sharp social criticism. Many of his works deal with love, nature and freedom. Because of his political views, Heine lived in exile in Paris for many years.

He also occupies a prominent place in the history of music. His lyrical texts were set to music by numerous composers and had a particularly profound influence on the Romantic art song. Robert Schumann, Franz Schubert, Felix Mendelssohn Bartholdy and Hugo Wolf, in particular, created musical works of enduring significance based on Heine’s poems. The poetic combination of linguistic simplicity, emotional depth and often ironic ambiguity offered composers a wide range of possibilities for musical interpretation. As a result, Heine’s poetry became a central part of the Romantic art-song repertoire and continues to influence vocal music to this day.