Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra (1900) and dedicated to his “beloved teacher Robert Fuchs, in reverence.” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program.
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Composer
Franz Schreker
| 1878-1934Franz Schreker was an Austrian composer and librettist. During his lifetime, Schreker was known alongside Richard Strauss as one of the most famous opera composers after Wagner. His late Romantic musical language also features expressionist elements. He wrote most of his opera libretti himself. In them, he created psychological portraits of his protagonists, some of which contain autobiographical references.
Franz Schreker's music was also denounced as ‘degenerate’ by the National Socialists, and it was not until the late 1970s that a renewed interest in Schreker's music began. Since then, more and more recordings of his music have been released.
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(gd) [...] ein ausdrucksstarkes Werk, das aufgrund des großen Aufführungsapparates auch einen klangstarken Frauenchor erfordert.
Kirchenmusik im Bistum Limburg 1/2009
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