Georg Friedrich Händel: Neun deutsche Arien - Sheet music | Carus-Verlag

Georg Friedrich Händel Neun deutsche Arien

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  • O sweet blossoms, shards of amber
  • My soul hears, in seeing nature
  • O sweet silence, gentle welling
  • The quivering glory of waves
  • For you in deepest darkness
  • Grief to come shall not encumber
  • Flaming red roses
  • Sing my soul, God to honour
  • In these cool inviting bushes
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Score, with two parts Carus 40.772/00, ISMN 979-0-007-08669-5 48 pages, DIN A4, paperback
available
21,00 € / copy
Individual part, violin Carus 40.772/11, ISMN 979-0-007-22097-6 12 pages, DIN A4, without cover
available
5,20 € / copy
Individual part, violoncello Carus 40.772/12, ISMN 979-0-007-22098-3 12 pages, DIN A4, without cover
available
5,20 € / copy
Individual part digital (download), pdf file, violin Carus 40.772/11-010-000, ISMN 979-0-007-43431-1 12 pages, DIN A4 Provisionally available from 06/2026
Individual part digital (download), pdf file, violoncello Carus 40.772/12-010-000, ISMN 979-0-007-43432-8 12 pages, DIN A4 Provisionally available from 06/2026
  • George Frideric Handel put his exceptionally versatile compositional abilities to the test at an early age. After moving to London in 1712, where he was appointed Composer of Musick for His Majesty’s Chapel Royal in 1723, he wrote numerous masterpieces for the royal court as well as his major opere serie. For many years he enjoyed triumphant successes with his operas, which were sung by outstanding performers, with serenades, and later also with oratorios such as Saul and Israel in Egypt. Over the years Handel’s reputation grew far beyond the city where he worked; some of his choral works, particularly Messiah, have enjoyed a performance tradition which remains unbroken to this day, and are sung by choirs throughout the world. Personal details

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Georg Friedrich Händel

Georg Friedrich Händel: Neun deutsche Arien

Ganz kurz: Ewiges Leben sowie Lob des Schöpfers und der Schöpfung sind die Themen der im Wesentlichen geistlichen Texte von B. H. Brockes. Herrliche, geradezu bezaubernde Musik für Sopran, obligates Instrument (Violine, Oboe, Flöte al gusto) und Basso continuo. Die (längst fällige!) kritisch-korrekte Neuausgabe enthält in der Vorrede detaillierte Hinweise zur Entstehung. Die sinnige B.c.-Aussetzung stammt von Siegfried Petrenz.
Eine Aufführung - ganz oder in Auswahl (die Arien wurden nicht als Zyklus konzipiert), liturgisch oder konzertant, öffentlich oder auch privat - ist wirklich äußerst zu empfehlen!

Quelle: Kirchenmusikalische Mitteilungen der Diözese Rottenburg-Stuttgart 113/2002, S. 39

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