The Liebeslieder Waltzes op. 52 and New Liebeslieder op. 65 are amongst the most popular choral works by Johannes Brahms. With the unusual scoring of the Liebeslieder for piano duet and vocal quartet, Brahms combined two different forces both of which have a prominent place in his work: the vocal quartet with piano accompaniment, and piano duet music. At first glance some of the short movements do not seem difficult, but it is a challenge to maintain the dance-like lightness of the waltzes against the considerable vocal demands which they make.
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Performers: Barbara Nußbaum (Piano), Andreas Rothkopf (Piano) – Kölner Kammerchor – Peter Neumann
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Practise
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Practice aids
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Practice aids voice part soprano
- Think not, o heart, of rescue (Choir Coach)
- Think not, o heart, of rescue (Choir Coach, Slow mode)
- Threatening shadows of night (Choir Coach)
- Threatening shadows of night (Choir Coach, Slow mode)
- On either hand, my fingers (Choir Coach)
- On either hand, my fingers (Choir Coach, Slow mode)
- Roses my mother pinned upon me (Choir Coach)
- Roses my mother pinned upon me (Choir Coach, Slow mode)
- From the mountains, wave on wave (Choir Coach)
- From the mountains, wave on wave (Choir Coach, Slow mode)
- Tender, secret meadows (Choir Coach)
- Tender, secret meadows (Choir Coach, Slow mode)
- Gnawing feelings in the heart (Choir Coach)
- Gnawing feelings in the heart (Choir Coach, Slow mode)
- Ev'rything is like the wind (Choir Coach)
- Ev'rything is like the wind (Choir Coach, Slow mode)
- Forest dark, your shadows are so gloomy (Choir Coach)
- Forest dark, your shadows are so gloomy (Choir Coach, Slow mode)
- No, beloved, do not sit (Choir Coach)
- No, beloved, do not sit (Choir Coach, Slow mode)
- Flaming eyes and raven hair (Choir Coach)
- Flaming eyes and raven hair (Choir Coach, Slow mode)
- Now, our Muses enough (Choir Coach)
- Now, our Muses enough (Choir Coach, Slow mode)
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Practice aids voice part alto
- Think not, o heart, of rescue (Choir Coach)
- Think not, o heart, of rescue (Choir Coach, Slow mode)
- Threatening shadows of night (Choir Coach, Slow mode)
- Guard, I warn you, guard your son (Choir Coach)
- Guard, I warn you, guard your son (Choir Coach, Slow mode)
- From the mountains, wave on wave (Choir Coach)
- Tender, secret meadows (Choir Coach)
- Tender, secret meadows (Choir Coach, Slow mode)
- Forest dark, your shadows are so gloomy (Choir Coach)
- Forest dark, your shadows are so gloomy (Choir Coach, Slow mode)
- No, beloved, do not sit (Choir Coach)
- No, beloved, do not sit (Choir Coach, Slow mode)
- Flaming eyes and raven hair (Choir Coach)
- Flaming eyes and raven hair (Choir Coach, Slow mode)
- Now, our Muses enough (Choir Coach)
- Now, our Muses enough (Choir Coach, Slow mode)
- Threatening shadows of night (Choir Coach)
- From the mountains, wave on wave (Choir Coach, Slow mode)
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Practice aids voice part tenore
- Think not, o heart, of rescue (Choir Coach)
- Think not, o heart, of rescue (Choir Coach, Slow mode)
- Threatening shadows of night (Choir Coach)
- Threatening shadows of night (Choir Coach, Slow mode)
- From the mountains, wave on wave (Choir Coach)
- From the mountains, wave on wave (Choir Coach, Slow mode)
- Tender, secret meadows (Choir Coach)
- Tender, secret meadows (Choir Coach, Slow mode)
- With one, and yet (Choir Coach)
- With one, and yet (Choir Coach, Slow mode)
- Forest dark, your shadows are so gloomy (Choir Coach)
- Forest dark, your shadows are so gloomy (Choir Coach, Slow mode)
- Flaming eyes and raven hair (Choir Coach)
- Flaming eyes and raven hair (Choir Coach, Slow mode)
- Now, our Muses enough (Choir Coach)
- Now, our Muses enough (Choir Coach, Slow mode)
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Practice aids voice part basso
- Think not, o heart, of rescue (Choir Coach)
- Think not, o heart, of rescue (Choir Coach, Slow mode)
- Threatening shadows of night (Choir Coach)
- Threatening shadows of night (Choir Coach, Slow mode)
- O you with black eyes (Choir Coach)
- O you with black eyes (Choir Coach, Slow mode)
- From the mountains, wave on wave (Choir Coach)
- From the mountains, wave on wave (Choir Coach, Slow mode)
- Tender, secret meadows (Choir Coach)
- Tender, secret meadows (Choir Coach, Slow mode)
- Forest dark, your shadows are so gloomy (Choir Coach)
- Forest dark, your shadows are so gloomy (Choir Coach, Slow mode)
- Flaming eyes and raven hair (Choir Coach)
- Flaming eyes and raven hair (Choir Coach, Slow mode)
- Now, our Muses enough (Choir Coach)
- Now, our Muses enough (Choir Coach, Slow mode)
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Additional material
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Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)1. Verzicht, o Herz, auf Rettung (SATB) Verzicht, o Herz, auf Rettung,
dich wagend in der Liebe Meer!
Denn tausend Nachen schwimmen
zertrümmert am Gestad umher!2. Finstere Schatten der Nacht (SATB) Finstere Schatten der Nacht,
Wogen- und Wirbelgefahr!
Sind wohl, die da gelind
rasten auf sicherem Lande,
euch zu begreifen im Stande?
Das ist der nur allein,
welcher auf wilder See
stürmischer Öde treibt,
Meilen entfernt vom Strande.3. An jeder Hand die Finger (S) An jeder Hand die Finger
hatt’ ich bedeckt mit Ringen,
die mir geschenkt mein Bruder
in seinem Liebessinn.
...
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Contents
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Composer
Johannes Brahms
| 1833-1897Johannes Brahms' study of musical tradition was of crucial importance to his output: he combined church modes, canonic technique, Baroque style and diction, Bach's counterpoint and Beethoven's thematic-motivic work with the harmonic and expressive achievements of Romanticism to form his own distinctive style. In this respect his choral songs and vocal quartets (e.g. the “Liebeslieder Waltzes” and “New Liebeslieder Waltzes”), often to folk song texts, in which a musical microcosm unfolds, are examplary. His “Deutsches Requiem”, available from Carus in several different versions, constitutes one of the most fascinating confessions of faith in the history of music. Personal details
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