Wenn aber des Menschen Sohn
Motette über Matthäus 25, 31-46 1997
Die Vision des Gerichts über die Barmherzigen und die Unbarmherzigen (Matthäus 25,31-46) ist im Wechsel von Unisono-Partien, zwei- bis dreistimmigem Satz Note gegen Note und schlicht polyphonen Abschnitten mit kurzen Orgelintonationen so komponiert, dass in einer übergeordneten Zweiteiligkeit die Worte Jesu teils vom Chor gesungen, teils aber von einer Sprechstimme interpretiert werden. Dabei erscheint die Szene mit den Verdammten als eine Variation des Dialogs zwischen Jesus und den Seligen, deren Eingang in das ewige Leben in einem choralischen Abschluss erlebt wird.
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Composer
Karl-Michael Komma
| 1913-2012Karl Michael Komma, born 24 December 1913 in Asch (Bohemia), died 2012 in Memmingen. Pupil of W. Fortner (composition), F. Langer (piano), G. Szell (conducting) and G. Becking (musicology), among others. 1940 Director of the Reichenberg Music School. 1954 lecturer in music history at the State University of Music in Stuttgart, from 1960 professor of composition, music theory and music history. After his retirement in 1978, he continued as a lecturer in church music history until 1988, with a lively activity as a composer, organist, chamber music and song accompanist and lecturer. In Reutlingen, he rendered outstanding services to the ‘Württemberg Philharmonic Orchestra’ and the music school. He founded the ‘Gesellschaft der Musikfreunde’ and the ‘Musica nova’ series, which he also directed for two decades. Personal details
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