The Codex Buranus, that celebrated collection of medieval poems and dramatic texts from the Benediktbeuern monastery, still holds many exciting secrets: Who was the author? Why, and above all, for whom were they written? In his work Perpetuum mobile, composer Peter Schindler has taken 44 texts from the Codex to create a 90-minute song cycle. The sheer length of the Latin texts can prove a real challenge. And so, in order to focus on the music-making during rehearsals, it’s important to practice the Latin beforehand.
The recording used is a live recording of the world premiere on 14 November 2021 in the Mozartsaal of Stuttgart’s Liederhalle. For legal reasons, the solo parts (No. 3, 4, 15 and 31) are not included and the coach cannot be switched off.
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Performers: Giorgia Cappello (soprano), Felix Rumpf (baritone) – Chamber Choir Baden-Württemberg – Peter Lehel (saxophone), Markus Faller (percussion), Dirk Blümlein (bass), Peter Schindler (piano), Kurpfalzphilharmonie – Jochen Woll.
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- A globo veteri
- Vanitas
- Ad cor tuum
- O condicio misera!
- Florebat
- Mundus
- Nummus
- Manus ferens munera
- Hiemali tempore
- In taberna
- Fraus eterna
- Tessera
- Olim
- Ab aula
- Diligitur
- O varium fortune
- Vulnera
- Iocundemur
- Modo bibite
- Cedit
- Ecce gratum
- Iam ver oritur
- Tempus transit
- Estas ab exilio
- Tempus est iocundum
- Amor tenet omnia
- Eia dolor
- Amor durus est
- In exilium
- Omittamus
- Estuans
- Iste mundus
- O Fortuna
- Iam dudum estivalia
- Ianus annum circinat
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Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)Unbenanntes Dokument Akt 1: De mundi statu1. A globo veteri
cum rerum faciem
traxissent superi
mundique seriem
prudens explicuit
et texuit Natura,
iam preconceperat,
quod fuerat factura.
CB 67/1aIn huius mundi domo
miser qui vivis homo,
quod cinis es, memento:...
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Digital text (without sheet music) incl. printing licence, html file, singing text, german translationhtml file, singing text, german translation (Sample)Unbenanntes Dokument Akt 1: Über den Zustand der Welt
1. Als die Götter
aus der Urmasse
die Beschaffenheit der Dinge
hergeleitet hatten,
und die Natur die Ordnung
der Welt entwickelte und webte,
hatte sie bereits zuvor geplant,
was sie schaffen würde.Der du im Haus dieser Welt
elend lebst, Mensch,
bedenke, dass du Asche bist:
Du wirst in einem Augenblick vergehen....
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Digital text (without sheet music) incl. printing licence, html file, singing text, english translationhtml file, singing text, english translation (Sample)Unbenanntes Dokument Act 1: About the State of the World
1. When the gods derived
the nature of things from the ancient mass
and Nature cleverly developed
and weaved the order of the world,
she had already planned in advance
what she would do.Man who lives miserably
in the house of this world,
you should remember that you are ashes:
You will vanish in an instant....
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Composer
Peter Schindler
| 1960Composer, pianist and organist Peter Schindler writes and performs music for ballets and theatrical performances, films and dramatic recordings, instrumental and choral arrangements, chansons and sacred works. He is particularly passionate about his compositions for children and young adults, which has come to comprise hundreds of humourous children’s songs (Kinderhits mit Witz). His full-length musicals include Geisterstunde auf Schloss Eulenstein (Witching Hour at Eulenstein Castle), Max und die Käsebande (Max and the Cheese Gang), König Keks (Cookie King), Zirkus Furioso (Circus Allegro), and SCHOCKORANGE. These musicals are some of the most frequently played pieces of their kind by children’s and youth choirs in German-speaking theaters and schools. With his first English musical Circus Allegro, Peter’s hugely sucessful work for all kids under 100 is now also accessible to audiences around the world.
For further information visit: http://peter-schindler.de/
We asked the composer 6 questions, read them here in our blog: https://blog.carus-verlag.com/en/personalities/5-questions-for-peter-schindler/
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Why can't I switch off the coach in this work?
This work is not subject to a professional recording, but a live recording. This may only be used explicitly for practice purposes, which is why the coach cannot be switched off for legal reasons.
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