Wolfgang Amadeus Mozart / Franz Beyer (arr.): Requiem (Beyer version) - Audio for download | Carus-Verlag

Wolfgang Amadeus Mozart / Franz Beyer (arr.) Requiem (Beyer version)

KV 626, 1791

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Frieder Bernius offers an interpretation at the highest artistic level of Mozart’s final work. He recorded the 1981 version of the Requiem by Franz Beyer, in which the additions by Franz Xaver Süßmayr are left largely intact. However, the instrumentation of the final movements has been improved.

The present recording has won international acclaim at the highest level in the form of the Diapason d’Or as the best choral recording of the year 2003.


“One hears many things as if for the first time. On top of everything, the sound quality of the live recording made in the Stuttgarter Liederhalle is fantastic.”
(Stuttgarter Zeitung [Stuttgart newspaper])

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Listen (15)
  • Purchase the work as a CD or download.
  • Introitus
  • Kyrie
  • Dies irae
  • Tuba mirum
  • Rex tremendae
  • Recordare
  • Confutatis
  • Lacrimosa
  • Domine Jesu Christe
  • Hostias et preces
  • Sanctus
  • Benedictus
  • Agnus Dei
  • Lux aeterna
  • Cum Sanctis tuis
more
Practise
      • Introitus (Choir Coach)
      • Introitus (Choir Coach, Slow mode)
      • Kyrie (Choir Coach)
      • Kyrie (Choir Coach, Slow mode)
      • Dies irae (Choir Coach)
      • Dies irae (Choir Coach, Slow mode)
      • Rex tremendae (Choir Coach)
      • Rex tremendae (Choir Coach, Slow mode)
      • Confutatis (Choir Coach)
      • Confutatis (Choir Coach, Slow mode)
      • Lacrimosa (Choir Coach)
      • Lacrimosa (Choir Coach, Slow mode)
      • Domine Jesu Christe (Choir Coach)
      • Domine Jesu Christe (Choir Coach, Slow mode)
      • Hostias et preces (Choir Coach)
      • Hostias et preces (Choir Coach, Slow mode)
      • Sanctus (Choir Coach)
      • Sanctus (Choir Coach, Slow mode)
      • Benedictus (Choir Coach)
      • Benedictus (Choir Coach, Slow mode)
      • Agnus Dei (Choir Coach)
      • Agnus Dei (Choir Coach, Slow mode)
      • Lux aeterna (Choir Coach)
      • Lux aeterna (Choir Coach, Slow mode)
      • Cum Sanctis tuis (Choir Coach)
      • Cum Sanctis tuis (Choir Coach, Slow mode)
      • Introitus (Choir Coach)
      • Introitus (Choir Coach, Slow mode)
      • Kyrie (Choir Coach)
      • Kyrie (Choir Coach, Slow mode)
      • Dies irae (Choir Coach)
      • Dies irae (Choir Coach, Slow mode)
      • Rex tremendae (Choir Coach)
      • Rex tremendae (Choir Coach, Slow mode)
      • Confutatis (Choir Coach)
      • Confutatis (Choir Coach, Slow mode)
      • Lacrimosa (Choir Coach)
      • Lacrimosa (Choir Coach, Slow mode)
      • Domine Jesu Christe (Choir Coach)
      • Domine Jesu Christe (Choir Coach, Slow mode)
      • Hostias et preces (Choir Coach)
      • Hostias et preces (Choir Coach, Slow mode)
      • Sanctus (Choir Coach)
      • Sanctus (Choir Coach, Slow mode)
      • Benedictus (Choir Coach)
      • Benedictus (Choir Coach, Slow mode)
      • Agnus Dei (Choir Coach)
      • Agnus Dei (Choir Coach, Slow mode)
      • Lux aeterna (Choir Coach)
      • Lux aeterna (Choir Coach, Slow mode)
      • Cum Sanctis tuis (Choir Coach)
      • Cum Sanctis tuis (Choir Coach, Slow mode)
      • Introitus (Choir Coach)
      • Introitus (Choir Coach, Slow mode)
      • Kyrie (Choir Coach)
      • Kyrie (Choir Coach, Slow mode)
      • Dies irae (Choir Coach)
      • Dies irae (Choir Coach, Slow mode)
      • Rex tremendae (Choir Coach)
      • Rex tremendae (Choir Coach, Slow mode)
      • Confutatis (Choir Coach)
      • Confutatis (Choir Coach, Slow mode)
      • Lacrimosa (Choir Coach)
      • Lacrimosa (Choir Coach, Slow mode)
      • Domine Jesu Christe (Choir Coach)
      • Domine Jesu Christe (Choir Coach, Slow mode)
      • Hostias et preces (Choir Coach)
      • Hostias et preces (Choir Coach, Slow mode)
      • Sanctus (Choir Coach)
      • Sanctus (Choir Coach, Slow mode)
      • Benedictus (Choir Coach)
      • Benedictus (Choir Coach, Slow mode)
      • Agnus Dei (Choir Coach)
      • Agnus Dei (Choir Coach, Slow mode)
      • Lux aeterna (Choir Coach)
      • Lux aeterna (Choir Coach, Slow mode)
      • Cum Sanctis tuis (Choir Coach)
      • Cum Sanctis tuis (Choir Coach, Slow mode)
      • Introitus (Choir Coach)
      • Introitus (Choir Coach, Slow mode)
      • Kyrie (Choir Coach)
      • Kyrie (Choir Coach, Slow mode)
      • Dies irae (Choir Coach)
      • Dies irae (Choir Coach, Slow mode)
      • Rex tremendae (Choir Coach)
      • Rex tremendae (Choir Coach, Slow mode)
      • Confutatis (Choir Coach)
      • Confutatis (Choir Coach, Slow mode)
      • Lacrimosa (Choir Coach)
      • Lacrimosa (Choir Coach, Slow mode)
      • Domine Jesu Christe (Choir Coach)
      • Domine Jesu Christe (Choir Coach, Slow mode)
      • Hostias et preces (Choir Coach)
      • Hostias et preces (Choir Coach, Slow mode)
      • Sanctus (Choir Coach)
      • Sanctus (Choir Coach, Slow mode)
      • Benedictus (Choir Coach)
      • Benedictus (Choir Coach, Slow mode)
      • Agnus Dei (Choir Coach)
      • Agnus Dei (Choir Coach, Slow mode)
      • Lux aeterna (Choir Coach)
      • Lux aeterna (Choir Coach, Slow mode)
      • Cum Sanctis tuis (Choir Coach)
      • Cum Sanctis tuis (Choir Coach, Slow mode)
Purchase
Compact Disc Carus 83.207/00, EAN 4009350832077 CD in jewel case
available in audio portals (streaming)
 
 
Audio album digital (download), zip file, mp3 file Carus 83.207/00-110-000, EAN 4009350832077
available
8,99 € / copy
  • As the son of the deputy Kapellmeister to the Salzburg Prince-Archbishop, Mozart was constantly surrounded by church music in his youth. On his travels Mozart became familiar with Italian church music, and later in Vienna he studied the works of Bach and Handel. After moving to Vienna he was faced with the new challenges of composing opera and piano concertos, and significantly the “C Minor Mass” KV 427, the greatest sacred work of the first Vienna years, remained unfinished. The last period of his life again shows a change of direction to church music: Mozart successfully applied to succeed the terminally ill Leopold Hoffmann as Kapellmeister at St Stephen's Cathedral, but he was unable to take up the position as he died before Hoffmann. A gem such as the “Ave verum” KV 618 and the incomplete Requiem KV 626 give us an idea of what Mozart might have achieved as a composer of sacred music if he had taken up this important position. Personal details

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