Franz Schreker / Clytus Gottwald (arr.): Three Songs. Vocal transcriptions by Clytus Gottwald - Sheet music | Carus-Verlag

Franz Schreker / Clytus Gottwald (arr.) Three Songs. Vocal transcriptions by Clytus Gottwald

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Clytus Gottwald’s sophisticated arrangements for chorus a cappella have very successfully established themselves in the choral repertoire all over the world. In his choral transcriptions, Gottwald applies the vocal compositional techniques of contemporary music, which he studied as the long-standing director of the Schola Cantorum, to traditional compositions, using the highly differentiated sound to reveal the structures of these works.
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  • Im Lenz
  • Umsonst
  • Und wie mag die Liebe
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  • Unbenanntes Dokument Im Lenz

    Im Lenz, wenn Veilchen blühn zu Hauf,
    gib Acht, da wachen die Tränen auf.

    Im Herbst fiel alles Laub vom Baum,
    ach, Lieb und Glück vergangen
    wie ein Traum.

    Gib Acht, so ist der Dinge Lauf:
    Blumen und Wunden brechen im Frühling auf.

    Paul Heyse (1830–1914)

    Umsonst

    An dich verschwendet hat mein Herz
    sein bestes Gut und Blut,
    sein Träumen, Lachen und Weinen,

    ...

  • Unbenanntes Dokument In Spring

    In spring, when violets bloom in masses,
    beware, for then tears awaken.

    In autumn, the leaves all fell from the tree.
    Ah, love and happiness disappeared
    as in a dream!

    Beware, that is the way of things:
    flowers and wounds break open in spring.

    Paul Heyse (1830–1914)

    In vain

    On you my heart has wasted
    its best and its blood,
    its dreams, laugther and crying,

    ...

  • Unbenanntes Dokument Au printemps

    Au printemps, où fleurissent violettes,
    Prends garde, c’est alors que coulent les larmes.

    A l’automne, tout le feuillage tomba des arbres,
    Hélas, amour et bonheur enfuis
    comme un rêve.

    Prends garde, ainsi va le monde :
    Fleurs et blessures s’ouvrent au printemps.

    Paul Heyse (1830–1914)

    En vain

    Pour toi mon coeur a gaspillé
    Le meilleur de lui-même,
    Ses rêves, ses rires et ses pleurs,

    ...

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Score Carus 9.118/00, ISMN 979-0-007-10336-1 20 pages, DIN A4, without cover Minimum order quantity: 20 copies
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Score digital (download), pdf file Carus 9.118/00-010-000, ISMN 979-0-007-26275-4 20 pages, DIN A4 Minimum order quantity: 20 copies
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Digital text (without sheet music) incl. printing licence, html file, singing text, english translation Carus 9.118/00-360-000
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Digital text (without sheet music) incl. printing licence, html file, singing text, french translation Carus 9.118/00-370-000
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Digital text (without sheet music) incl. printing licence, html file, singing text, original Carus 9.118/00-380-000
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  • Franz Schreker was an Austrian composer and librettist. During his lifetime, Schreker was known alongside Richard Strauss as one of the most famous opera composers after Wagner. His late Romantic musical language also features expressionist elements. He wrote most of his opera libretti himself. In them, he created psychological portraits of his protagonists, some of which contain autobiographical references.

    Franz Schreker's music was also denounced as ‘degenerate’ by the National Socialists, and it was not until the late 1970s that a renewed interest in Schreker's music began. Since then, more and more recordings of his music have been released.

    Personal details
  • Rainer Maria Rilke was an important poet whose works had a profound influence on 20th-century literature. He travelled extensively throughout his life, and his experiences are reflected in his writings. His poems in particular are characterised by profound reflections on questions of love, death, art, faith and human existence. Works such as The Panther and the Sonnets to Orpheus have long been part of the standard repertoire of literary canon. Many of his poems have also been set to music. CARUS has published Rilke's texts in the form of settings of poems describing nature (Cyrill Schürch) and transcriptions of instrumental works for choir (Clytus Gottwald), among others. Personal details
  • Paul Heyse, geb. in Berlin 1830, gest. 1914 in München. 1910 erster Nobelpreisträger für Literatur. Heyse war mit Rheinberger befreundet. Personal details
  • The choral conductor, composer and musicologist Clytus Gottwald (1925 - 2023) made significant contributions to contemporary choral music. As editor for New Music at Südfunk Stuttgart and founder and director of the Schola Cantorum Stuttgart, he was in productive exchange with his contemporaries, Pierre Boulez, Mauricio Kagel, György Ligeti, Luigi Nono, Karlheinz Stockhausen and many others. With his Schola Cantorum, a 16-voice chamber vocal ensemble, Gottwald decisively shaped the a cappella choral culture of the highest technical level that is taken for granted today. Clytus Gottwald's transcriptions of piano songs and instrumental pieces for unaccompanied choir are appreciated by choirs all over the world. Modelled on the style of Ligeti, his works set the highest of musical standards. Clytus Gottwald has received several awards for his services, including the Cultural Prize of Baden-Württemberg in 2009, the European Church Music Prize in 2012, and the Cross of Merit of the Federal Republic of Germany in 2014. His importance for the development of contemporary choral music cannot be overestimated. Personal details

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