Neben den über zwanzig Messen Zelenkas, die zweifellos im Zentrum seines Schaffens stehen, sind wohl vor allem seine dreißig Psalmvertonungen von besonderer Bedeutung als in sich geschlossene, zum Teil mehrsätzige Zyklen. In ihnen spiegeln sich der ganze Reichtung und die Vielfalt von Zelenkas Kunst, ihn ihnen wender er alle Techniken und Satzweisen seiner Zeit an.
Explore
View
Listen
(3)
- In exitu Israel ZWV 84. In exitu Israel
- Simulacra gentium
- Sicut erat
Additional material
- Purchase additional material as a download product.
-
Digital text (without sheet music) incl. printing licence, html file, singing text, english translationhtml file, singing text, english translation (Sample)1. In exitu Israel (Coro SATB) When Israel went out of Egypt, the house of Jacob from a people of strange language;
Judah was his sanctuary, and Israel his dominion.
The sea saw it, and fled: Jordan was driven back.
The mountains skipped like rams, and the little hills like lambs.
What ailed thee, O thou sea, that thou fleddest? thou Jordan, that thou wast driven back?
Ye mountains, that ye skipped like rams; and ye little hills, like lambs?
Tremble, thou earth, at the...
-
Digital text (without sheet music) incl. printing licence, html file, singing text, german translationhtml file, singing text, german translation (Sample)
1. In exitu Israel (Coro SATB) Da Israel aus Ägypten zog, das Haus Jakob aus dem fremden Volk,
da ward Juda sein Heiligtum, Israel seine Herrschaft.
Das Meer sah es und floh; der Jordan wandte sich zurück;
die Berge hüpften wie die Lämmer, die Hügel wie die jungen Schafe.
Was war dir, du Meer, dass du flohest, und du, Jordan, dass du dich zurückwandtest,
ihr Berge, dass ihr hüpftet wie die Lämmer, ihr Hügel wie die jungen Schafe?
Vor dem Herrn bebte die Erde,...
-
Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)
1. In exitu Israel (Coro SATB) In exitu Israel de Aegypto, domus Jacob de populo barbaro:
Facta est Judaea sanctificatio ejus, Israel potestas ejus.
Mare vidit, et fugit: Jordanis conversus est retrorsum.
Montes exsultaverunt sicut arietes: et colles sicut agni ovium.
Quid est tibi mare quod fugisti? Et tu, Jordanis, quia conversus es retrorsum?
Montes, exsultastis sicut arietes et colles sicut agni ovium?
A facie Domini mota est terra,...
-
Digital text (without sheet music) incl. printing licence, html file, Introductory text, englishhtml file, Introductory text, english (Sample)Abridged text from the CD Carus 83.279
Wolfgang Horn
Translation (abridged): Gudrun & David KosvinerThe Bohemian Jan Dismas Zelenka (1679–1745) was a double bass player and composer in the service of the Dresden court during the reign of Augustus the Strong (1694–1733) and his son Frederic Augustus II (1733–1763). Today, he is rightly regarded as one of the most important composers of late Baroque orchestral masses who brought the development of the so-called “number mass” type to its culmination. In 1733, J. S. Bach dedicated a mass of this type – the Mass in B minor (BWV 232/I), consisting of Kyrie and Gloria – to the heir to the throne of Dresden. The masses of Zelenka and his Dresden colleague Johann
...
-
Digital text (without sheet music) incl. printing licence, html file, Introductory text, germanhtml file, Introductory text, german (Sample)Gekürzter Booklet-Text der CD Carus 83.279
Wolfgang Horn
Der Böhme Jan Dismas Zelenka (1679–1745) war Kontrabassist und Komponist in Diensten des Dresdner Hofes zur Zeit Augusts des Starken (1694–1733) und seines Sohnes Friedrich August II. (1733–1763). Er gilt heute zu Recht als einer der bedeutendsten Komponisten spätbarocker Orchestermessen, die den Typus der sogenannten „Nummernmesse“ zu seiner höchsten Entfaltung gebracht haben. J. S. Bach hat 1733 dem Dresdner Thronfolger eine Messe dieses Typs gewidmet, die Missa in h-Moll (BWV 232/I), bestehend aus Kyrie und Gloria. Die Messen Zelenkas und seines Dresdner Kollegen Johann David Heinichen (1683–1729) gaben die Umrisse vor, in denen Bach seine eigene Kunst entfalten konnte.
Jan Dismas Zelenka wurde geboren in Louňovice
...
Purchase
Additional product information
Contents
-
Composer
Jan Dismas Zelenka
| 1679-1745The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Personal details
-
Editor
Wolfgang Horn
| 1956-2019
-
Continuo realization
Wolfgang Horn
| 1956-2019
Reviews on our website can only be submitted by customers with a registered user account. A check whether the rated products were actually purchased does not take place.
No feedback available for this product.
Frequent questions about this work
There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services!