Christoph Graupner: Magnificat - Sheet music | Carus-Verlag

Christoph Graupner Magnificat

1722

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The cantata "Magnificat anima mea" was written for Christmas 1722, when the composer visited Leipzig on family business, and was asked by the Leipzig city council to apply for the Thomaskantorship.
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  • Magnificat
  • Et exultavit
  • Quia respexit
  • Omnes generationes
  • Quia fecit mihi magna
  • Et misericordia
  • Fecit potentiam
  • Deposuit potentes
  • Gloria Patri
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  • 1. Magnificat anima mea (Soli e Coro) Magnificat anima mea Dominum.

    2. Et exultavit (Soli e Coro) Et exultavit spiritus meus in Deo salutari meo.

    3. Quia respexit (Soprano) Quia respexit humilitatem ancillae suae.
    Ecce enim ex hoc beatam me dicent

    4. Omnes generationes (Coro) omnes generationes.

    5. Quia fecit mihi magna (Tenore) Quia fecit mihi magna qui potens est
    et sanctum nomen eius.

    6. Et misericordia (Soprano) Et misericordia eius a progenie in progenies timentibus eum.

    7. Fecit potentiam (Coro) Fecit potentiam in brachio suo,
    dispersit superbos mente cordis sui.

    8. Deposuit potentes (Soli e Coro) Deposuit potentes de sede,

    ...

  • 1. Magnificat anima mea (Soli e Coro) All my spirit exalts the Lord,

    2. Et exultavit (Soli e Coro) and I sing joyously to my God, my own Saviour.

    3. Quia respexit (Soprano) For he hath regarded the humility of his handmaid:
    for behold from henceforth

    4. Omnes generationes (Coro) all generations shall call me blessed.

    5. Quia fecit mihi magna (Tenore) Because he that is mighty hath done great things to me,
    and holy is his name.

    6. Et misericordia (Soprano) And his mercy is from generations unto generations,
    to them that fear him.

    7. Fecit potentiam (Coro) He hath shewed might in his arm
    and he hath scattered the proud in the conceit of their heart.

    ...

  • 1. Magnificat anima mea (Soli e Coro) Meine Seele erhebt den Herrn,

    2. Et exultavit (Soli e Coro) und mein Geist freuet sich Gottes, meines Heilandes.

    3. Quia respexit (Soprano) Denn er hat die Niedrigkeit seiner Magd angesehen.
    Siehe von nun an werden mich selig preisen

    4. Omnes generationes (Coro) alle Kindeskinder.

    5. Quia fecit mihi magna (Tenore) Denn er hat große Dinge an mir getan,
    der da mächtig und des Name heilig ist.

    6. Et misericordia (Soprano) Und seine Barmherzigkeit währet immer für und für
    bei denen, die ihn fürchten.

    7. Fecit potentiam (Coro) Er übet Gewalt mit seinem Arm
    und zerstreut, die hoffärtig sind in ihres Herzens Sinn.

    8. Deposuit potentes (Soli e Coro)

    ...

  • Texte du livret du CD Carus 83.417

    Christine Blanken
    Traduction (abrégée) : Sylvie Coquillat

    La vie et la création de Graupner (1683–1760) et de Keiser comportent bien des points communs. Graupner est lui aussi d’origine saxonne, il fréquente l’école Saint-Thomas à Leipzig et tente sa chance à l’opéra du « Gänsemarkt » de Hambourg où il travaille comme claveciniste à partir de 1706 et y compose des opéras. En 1709, il est appelé à Darmstadt à la fonction de maître de chapelle adjoint. A la mort du maître de chapelle Wolfgang Briegel en 1712, Graupner prend sa succession. Il reste ainsi jusqu’à sa mort à la cour d’Ernst Ludwig de Hessen-Darmstadt, où il compose e. a. pas moins de 1400 cantates sacrées. Le seul Magnificat de Graupner se situe dans un autre contexte : comme il n’était pas d’usage à Darmstadt de jouer des compositions de Magnificat « figuraliter », on suppose, à l’appui de la datation autographe de 1722, que l’œuvre fut écrite à l’occasion

    ...

  • Booklet-Text der CD Carus 83.417

    Christine Blanken

    Leben und Schaffen Graupners (1683–1760) und Keisers haben etliche Berührungspunkte. So stammte auch Graupner aus Sachsen, besuchte die Thomasschule in Leipzig und versuchte sein Glück an der Hamburger Gänsemarkt-Oper, wo er ab 1706 zunächst als Cembalist mitwirkt. Es entstehen einige eigene Opern, andere eventuell im Zusammenwirken mit Keiser. Doch anders als dieser schafft Graupner schnell den Sprung auf eine gesicherte Stellung bei Hofe. Bereits 1709 folgt er einem Ruf, zuerst als Vizekapellmeister, ab 1712 als Kapellmeister nach Darmstadt. Er bleibt bis zu seinem Tod am Hof Ernst Ludwigs von Hessen-Darmstadt, wo er nicht weniger als 1400 geistliche Kantaten hinterlässt.

    Mit dem einzigen Magnificat Graupners muss es eine besondere Bewandtnis haben. Graupner hielt sich im Dezember 1722 offenbar zufällig in Familien-Angelegenheiten in Leipzig auf. Man trug ihm eine Bewerbung

    ...

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