The anthem Hör mein Bitten (Hear my Prayer) was regarded as one of Mendelssohn’s best-known sacred compositions, particularly in the Victorian period. In a dialogue with the solo soprano, the chorus has a proactive, rather than an accompanying, role. Short entries alternate, sometimes with the chorus delivering a harmonic sound tapestry, sometimes responding directly to the soloist’s statement. This continuous interplay requires the ability to react musically and for collective music-making, forming a unified whole.
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Performers: Julia Hamari (soprano) – Kammerchor Stuttgart, Ensemble '76 Stuttgart – Frieder Bernius
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Composer
Felix Mendelssohn Bartholdy
| 1809-1847Felix Mendelssohn Bartholdy (1809–1847) is regarded as one of the most important composers of the Romantic period. His compositions combine the formal clarity of the Viennese Classical period with the heightened expressiveness of the 19th century. His engagement with the music of Johann Sebastian Bach was particularly influential; he played a key role in its rediscovery through the performance of the St Matthew Passion in 1829.
Among his best-known vocal works are his two oratorios, Paulus and Elias, as well as his chorale cantata Verleih uns Frieden gnädiglich. Furthermore, Mendelssohn worked as a conductor, pianist and music teacher, and made a significant contribution to the professionalisation of the concert scene and to the development of the Leipzig Conservatoire. His work occupies a central position in 19th-century music history and combines a sense of tradition with Romantic sound aesthetics.
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