Felix Mendelssohn Bartholdy Hear my prayer
Anthem. Orchestral version & organ version 1844
- Scoring:
- Orchesterfassung: Solo S, Coro SATB, 2 Ob, 2 Clt, 2 Fg, 2 Cor, Timp, 2 Vl, Va, Vc/Cb / Orgelfassung: Solo S, Coro SATB, Org
- Search for works with similar scoring
- Language:
- German/English
- Duration:
- 9 min
The anthem Hör mein Bitten (Hear my Prayer) was regarded as one of Mendelssohn’s best-known sacred compositions, particularly in the Victorian period. In a dialogue with the solo soprano, the chorus has a proactive, rather than an accompanying, role. Short entries alternate, sometimes with the chorus delivering a harmonic sound tapestry, sometimes responding directly to the soloist’s statement. This continuous interplay requires the ability to react musically and for collective music-making, forming a unified whole.
The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:
- Original recording
- Coach: each part is accompanied by the piano, with the original recording sounding in the background
- Coach in slow mode: the tempo of the coach slows down to 70% of the original version – through this reduction passages can be learned more effectively.
Performers: Julia Hamari (soprano) – Kammerchor Stuttgart, Ensemble '76 Stuttgart – Frieder Bernius
Listen
(15)
- Hear my prayer
- Kyrie I
- Christe
- Kyrie II
- Gratias agimus tibi
- Qui tollis peccata mundi
- Quoniam tu solus Sanctus
- Credo in unum Deum
- Et incarnatus est
- Crucifixus
- Et resurrexit
- Credo in Spiritum Sanctum
- Sanctus
- Benedictus
- Agnus Dei
Practise
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Practice aids
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Practice aids voice part alto
- Hear my prayer (Choir Coach)
- Hear my prayer (Choir Coach, Slow mode)
- Kyrie I (Choir Coach)
- Christe (Choir Coach)
- Kyrie II (Choir Coach)
- Gloria in excelsis Deo (Choir Coach)
- Gratias agimus tibi (Choir Coach)
- Qui tollis peccata mundi (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach)
- Credo in unum Deum (Choir Coach)
- Et incarnatus est (Choir Coach)
- Crucifixus (Choir Coach)
- Et resurrexit (Choir Coach)
- Credo in Spiritum Sanctum (Choir Coach)
- Sanctus (Choir Coach)
- Benedictus (Choir Coach)
- Agnus Dei (Choir Coach)
- Kyrie I (Choir Coach, Slow mode)
- Christe (Choir Coach, Slow mode)
- Kyrie II (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Gratias agimus tibi (Choir Coach, Slow mode)
- Qui tollis peccata mundi (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach, Slow mode)
- Credo in unum Deum (Choir Coach, Slow mode)
- Et incarnatus est (Choir Coach, Slow mode)
- Crucifixus (Choir Coach, Slow mode)
- Et resurrexit (Choir Coach, Slow mode)
- Credo in Spiritum Sanctum (Choir Coach, Slow mode)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach, Slow mode)
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Practice aids voice part tenore
- Hear my prayer (Choir Coach)
- Hear my prayer (Choir Coach, Slow mode)
- Kyrie I (Choir Coach)
- Christe (Choir Coach)
- Kyrie II (Choir Coach)
- Gloria in excelsis Deo (Choir Coach)
- Gratias agimus tibi (Choir Coach)
- Qui tollis peccata mundi (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach)
- Credo in unum Deum (Choir Coach)
- Et incarnatus est (Choir Coach)
- Crucifixus (Choir Coach)
- Et resurrexit (Choir Coach)
- Credo in Spiritum Sanctum (Choir Coach)
- Sanctus (Choir Coach)
- Benedictus (Choir Coach)
- Agnus Dei (Choir Coach)
- Kyrie I (Choir Coach, Slow mode)
- Christe (Choir Coach, Slow mode)
- Kyrie II (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Gratias agimus tibi (Choir Coach, Slow mode)
- Qui tollis peccata mundi (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach, Slow mode)
- Credo in unum Deum (Choir Coach, Slow mode)
- Et incarnatus est (Choir Coach, Slow mode)
- Crucifixus (Choir Coach, Slow mode)
- Et resurrexit (Choir Coach, Slow mode)
- Credo in Spiritum Sanctum (Choir Coach, Slow mode)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach, Slow mode)
-
Practice aids voice part basso
- Hear my prayer (Choir Coach)
- Hear my prayer (Choir Coach, Slow mode)
- Kyrie I (Choir Coach)
- Christe (Choir Coach)
- Kyrie II (Choir Coach)
- Gloria in excelsis Deo (Choir Coach)
- Gratias agimus tibi (Choir Coach)
- Qui tollis peccata mundi (Choir Coach)
- Quoniam tu solus Sanctus (Choir Coach)
- Credo in unum Deum (Choir Coach)
- Et incarnatus est (Choir Coach)
- Crucifixus (Choir Coach)
- Et resurrexit (Choir Coach)
- Credo in Spiritum Sanctum (Choir Coach)
- Sanctus (Choir Coach)
- Benedictus (Choir Coach)
- Agnus Dei (Choir Coach)
- Kyrie I (Choir Coach, Slow mode)
- Christe (Choir Coach, Slow mode)
- Kyrie II (Choir Coach, Slow mode)
- Gloria in excelsis Deo (Choir Coach, Slow mode)
- Gratias agimus tibi (Choir Coach, Slow mode)
- Qui tollis peccata mundi (Choir Coach, Slow mode)
- Quoniam tu solus Sanctus (Choir Coach, Slow mode)
- Credo in unum Deum (Choir Coach, Slow mode)
- Et incarnatus est (Choir Coach, Slow mode)
- Crucifixus (Choir Coach, Slow mode)
- Et resurrexit (Choir Coach, Slow mode)
- Credo in Spiritum Sanctum (Choir Coach, Slow mode)
- Sanctus (Choir Coach, Slow mode)
- Benedictus (Choir Coach, Slow mode)
- Agnus Dei (Choir Coach, Slow mode)
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Practice aids voice part soprano
- Hear my prayer (Choir Coach)
- Hear my prayer (Choir Coach, Slow mode)
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Additional material
- Purchase additional material as a download product.
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Digital text (without sheet music) incl. printing licence, html file, singing text, english translationhtml file, singing text, english translation (Sample)Hear my prayer, O God, incline Thine ear!
Thyself from my petition do not hide!
Take heed to me! Hear how in prayer I mourn to Thee!
Without Thee all is dark, I have no guide.
The enemy shouteth, The godless come fast!
Iniquity, hatred upon me they cast.
The wicked oppress me, Ah, where shall I fly?
Perplex’d and bewilder’d, O God, hear my cry!My heart is sorely pain’d within my breast,
My soul with deathly terror is oppress’d,
Trembling and fearfulness upon me fall,
With horror overwhelm’d, Lord, hear me call!O for the wings of a dove!
Far away would I rove!
In the wilderness build me a nest,
And remain there for ever at rest.William Bartholomew (derived from Psalm 55)
...
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Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)Hör mein Bitten, Herr, neige dich zu mir,
auf deines Kindes Stimme habe acht!
Ich bin allein; wer wird mir Tröster und Helfer sein?
Ich irre ohne Pfad in dunkler Nacht.
Die Feinde, sie droh’n und heben ihr Haupt:
„Wo ist nun der Retter, an den ich geglaubt?“
Sie lästern dich täglich, sie stellen uns nach
und halten die Frommen in Knechtschaft und Schmach.Mich fasst des Todes Furcht bei ihrem Dräun!
Sie sind unzählige, ich bin allein;
mit meiner Kraft kann ich nicht widerstehn,
Herr, kämpfe du für mich, Gott, hör mein Fleh’n!O könnt’ ich fliegen wie Tauben dahin,
weit hinweg vor dem Feinde zu fliehn!
In die Wüste eilt’ ich dann fort,
fände Ruhe am schattigen Ort.nach Psalm 55
...
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Composer
Felix Mendelssohn Bartholdy
| 1809-1847
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Ensemble
Kammerchor Stuttgart
The Kammerchor Stuttgart is regarded as one of the best ensembles of its kind. Over its fifty-year existence, Frieder Bernius has developed the choir into an exceptional ensemble acclaimed by audiences and press alike. This has led to invitations for the choir to perform at all the important European festivals. In Germany the chamber choir performs at festivals and in concert halls in repertoire ranging from the 17th to the 21st century. Frieder Bernius and his ensemble have received numerous accolades for their contribution to new music. The Kammerchor Stuttgart has made over 80 CDs and LPs, numerous of which have been awarded international recording prizes (including the Edison award, Diapason d’or, Gramophone Choice, Classical Internet Award, International Classical Music Award, and German Record Critics’ Award prizes). The International Federation for Choral Music has invited the ensemble to sing at the 1st, 4th and 10th World Symposia on Choral Music in Vienna, Sydney and Seoul. Regular tours of North America and Asia since 1988 and a South America tour reflect the Kammerchor Stuttgart’s international reputation. Since 1984 the top ensemble has also been invited to Israel biennially. Personal details
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Conductor
Frieder Bernius
| 1947Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Personal details
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Soloist - soprano
Julia Hamari
The contralto Julia Hamari was born in Budapest. She completed her education at the Budapest Music Academy with her diploma as a singer and vocal teacher. In 1964 she won the International Ferenc Erkel Singing Competition in Budapest. She continued her studies in Stuttgart in 1966-67. In 1966 she made her Vienna debut in J.S. Bach's St. Matthew Passion under Karl Richter; in the same year she sang Brahms's Alto Rhapsody in Rome under Vittorio Gui. This was the gateway to a brilliant career in the concert hall for the young artist. She performed all over the world with great success as an oratorio and Lieder singer, appearing under important conductors like Karajan, Celibidache, Kubelik, Solti, Böhm and Boulez. In 1972 she made her US debut in Chicago. Her sovereign command of vocal technique has enabled her to sing classical arias for coloratura contralto with particular success. Personal details
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