Die "Missa in C" ist eine Messe, bei der zwar reichlich Orgelsoli, aber außer dem Violone als Continuobass keine weiteren Instrumente vorgesehen sind, eine anscheinend große Rarität unter den Orgelsolomessen.
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(18)
- Kyrie
- Gloria in excelsis Deo
- Gratias agimus tibi
- Qui tollis peccata mundi
- Qui sedes
- Quoniam tu solus sanctus
- Cum Sancto Spiritu
- Credo in unum Deum
- Et incarnatus est
- Et resurrexit
- Et vitam venturi saeculi
- Sanctus
- Pleni sunt coeli
- Hosanna
- Benedictus
- Hosanna
- Agnus Dei
- Dona nobis pacem
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Contents
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Composer
Franz Xaver Schnizer
| 1740-1785
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Preface writer
Franz Lehrndorfer
| 1928-2013
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Ensemble
Tölzer Knabenchor
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Conductor
Gerhard Schmidt-Gaden
| 1937
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Soloist - soprano
Konstantin Knisz
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Soloist - alto
Stefan Rampf
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Soloist - tenor
Heinrich Weber
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Soloist - bass
Howard Arman
| 1954Versatility is a musical characteristic which defines the work of the London-born conductor and composer Howard Arman. He has distinguished himself in all aspects of classical music, from historically-informed performances of baroque music, to opera, symphony and jazz as well as large-scale orchestral “singalong” concerts, and his work as a writer and narrator of broadcasts about music. Choral music is of particular importance. From 1998 to 2013 he was Artistic Director of the MDR (Central German Radio) Choir, which appointed him Honorary Conductor in 2019. From 2016 to 2022 he was Artistic Director of the Bavarian Radio Choir, with whom he similarly produced a large number of CD, video and television productions. Howard Arman has appeared as a guest conductor throughout Europa as well as in Asia and America.
His own compositions include choral, orchestral and stage works, beside numerous arrangements for choir and orchestra, and a series of editions of music from the 17th to the 19th century. He has held professorships both at the Mozarteum, and at the Hochschule Lucerne in Switzerland.
At Carus Howard Arman has presented us with a completed version of Mozart’s Requiem.
Personal details
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Soloist - contrabass-bass
Georg Hörtnagel
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Soloist - organ
Franz Lehrndorfer
| 1928-2013
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Soloist - violoncello
Ulrike Schäfer
Reviews
SCHNITZER: Missa in C
Schnitzer: Missa in C
The recording was made in the fabulously beautiful Baroque abbey of Ottobeuren, using the same Holy Trinity organ on which Lehrndorfer played an organ sonata on the previous release. The organ part (accompanied by cello and bass) is significant in this work, so Lehrndorfer has a splendid opportunity. The notes are rather brief and the text is printed. The acoustics of the gorgeous Baroque church are superb, so the engineers have done a fine job. This is recommended to all who want to go beyond the sizable group of masterpieces that date tram the eighteenth century.
J. F. Weber
Quelle: Fanfare 2/1989
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