Georg Friedrich Händel: Solo-Anthems. Alleluja-Amen settings - Sheet music | Carus-Verlag

Georg Friedrich Händel Solo-Anthems. Alleluja-Amen settings

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Originally the pieces were conceived for instruction; on the one hand the realization of a figured bass, and on the other hand the techniques of bel canto singing were to be imparted and practiced. On acount of their relatively short length the one-movement solo-anthems are especially suited for use in services.
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Score Carus 55.269/00, ISMN 979-0-007-09394-5 24 pages, DIN A4, paperback
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17,00 € / copy
  • George Frideric Handel put his exceptionally versatile compositional abilities to the test at an early age. After moving to London in 1712, where he was appointed Composer of Musick for His Majesty’s Chapel Royal in 1723, he wrote numerous masterpieces for the royal court as well as his major opere serie. For many years he enjoyed triumphant successes with his operas, which were sung by outstanding performers, with serenades, and later also with oratorios such as Saul and Israel in Egypt. Over the years Handel’s reputation grew far beyond the city where he worked; some of his choral works, particularly Messiah, have enjoyed a performance tradition which remains unbroken to this day, and are sung by choirs throughout the world. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

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[...] Feine Musik.

Singende Kirche, 03/09

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