Georg Philipp Telemann: Siehe! es hat überwunden der Löwe - Sheet music for download | Carus-Verlag

Georg Philipp Telemann Siehe! es hat überwunden der Löwe

Cantata for St. Michael's Day TVWV 1:1328, 1722/23

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Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael’s Day Siehe! es hat überwunden der Löwe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann’s works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an “apocryphal” Bach cantata. Alfred Dürr was able to identify the work as a composition by Telemann in the 1950s.
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Full score Carus 39.136/00, ISMN 979-0-007-06797-7 40 pages, DIN A4, paperback
available
25,00 € / copy
Vocal score Carus 39.136/03, ISMN 979-0-007-07417-3 16 pages, paperback
available
6,95 € / copy
Choral score Carus 39.136/05, ISMN 979-0-007-09792-9 4 pages, DIN A4, without cover Minimum order quantity: 20 copies
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from 20 copies 2,80 € / copy
from 40 copies 2,52 € / copy
from 60 copies 2,24 € / copy
Set of parts, complete orchestral parts Carus 39.136/19, ISMN 979-0-007-14425-8 23 x 32 cm, without cover
available
95,00 € / copy
  • 1 x Full score (39.136/00)
    each: 25,00 €
    3 x Individual part, violin 1 (39.136/11)
    each: 5,90 €
    3 x Individual part, violin 2 (39.136/12)
    each: 5,90 €
    2 x Individual part, viola (39.136/13)
    each: 5,90 €
    3 x Individual part, violoncello / double bass (39.136/14)
    each: 5,90 €
    4 x Individual part, trumpet 1-3 / timpani (39.136/31)
    each: 4,40 €
Vocal score digital (download), pdf file Carus 39.136/03-010-000, ISMN 979-0-007-35077-2 16 pages
available
6,95 € / copy
Full score digital (download), pdf file Carus 39.136/00-010-000, ISMN 979-0-007-25953-2 40 pages, DIN A4
available
22,50 € / copy
Individual part digital (download), pdf file, violin 1 Carus 39.136/11-010-000, ISMN 979-0-007-41158-9 8 pages, 23 x 32 cm
available
17,70 € / copy
Individual part digital (download), pdf file, violin 2 Carus 39.136/12-010-000, ISMN 979-0-007-41159-6 8 pages, 23 x 32 cm
available
17,70 € / copy
Individual part digital (download), pdf file, viola Carus 39.136/13-010-000, ISMN 979-0-007-41160-2 8 pages, 23 x 32 cm
available
17,70 € / copy
Individual part digital (download), pdf file, violoncello / double bass Carus 39.136/14-010-000, ISMN 979-0-007-41161-9 8 pages, 23 x 32 cm
available
17,70 € / copy
Set of parts digital (download), zip file, pdf file, complete orchestral parts Carus 39.136/19-010-000, ISMN 979-0-007-41162-6 23 x 32 cm
available
95,00 € / copy
  • 3 x Individual part digital (download), pdf file, violin 1 (39.136/11-010-000)
    each: 17,70 €
    3 x Individual part digital (download), pdf file, violin 2 (39.136/12-010-000)
    each: 17,70 €
    2 x Individual part digital (download), pdf file, viola (39.136/13-010-000)
    each: 17,70 €
    3 x Individual part digital (download), pdf file, violoncello / double bass (39.136/14-010-000)
    each: 17,70 €
    4 x Individual part digital (download), pdf file, trumpet 1-3 / timpani (39.136/31-010-000)
    each: 15,00 €
Individual part digital (download), pdf file, trumpet 1-3 / timpani Carus 39.136/31-010-000, ISMN 979-0-007-41163-3 4 pages, 23 x 32 cm
available
15,00 € / copy
Additional product information
  • Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details

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