Georg Philipp Telemann: Veni Sancte Spiritus - Sheet music | Carus-Verlag

Georg Philipp Telemann Veni Sancte Spiritus

Geistliches Konzert TVWV 3:89

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In Georg Philipp Telemann’s work “Veni Sancte Spiritus” the emphasis is on songlike melodies and uncommon tone colouring. While the composer probably expected the entire work to be sung by soloists, in this version the outer movements are sung chorally, and may be supported instrumentally if so desired. Performance in this form does not contradict Telemann’s concept of his composition, but provides scope for emphasizing the varied elements of his sound picture.
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Full score Carus 39.038/00, ISMN 979-0-007-09241-2 16 pages, DIN A4, paperback
available
11,50 € / copy
Choral score Carus 39.038/05, ISMN 979-0-007-12879-1 8 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 4,60 € / copy
from 40 copies 4,14 € / copy
from 60 copies 3,68 € / copy
Individual part, basso continuo Carus 39.038/11, ISMN 979-0-007-21523-1 4 pages, 23 x 32 cm, without cover
available
3,00 € / copy
Individual part digital (download), pdf file, basso continuo Carus 39.038/11-010-000, ISMN 979-0-007-40955-5 4 pages, 23 x 32 cm Provisionally available from 06/2026
  • Telemann's extremely rich compositional output, the fruits of three quarters of a century's work, encompasses almost all genres of music; in his vocal works it ranges from songs with basso continuo accompaniment to chamber and church cantatas, and to opera. In his own assessment, church music played a central role in his output; he alone probably composed over 1,600 church cantatas, as well as cantata-style funeral music settings (such as Du aber, Daniel, gehe hin), psalm settings (for example, Deus judicium tuum) and oratorios. Throughout his works Telemann showed himself to be a progressive composer, open to new trends and keen to experiment whilst exploring new directions; not without reason was he called a forerunner of classicism. However, his compositions constitute only a part of his importance to music history: as a music publisher, the author of publications for teaching, the director of middle-class music societies and initiator of public concerts, he made a considerable contribution to creating the preconditions for the support of the musically-educated middle classes in the ensuing era of music. Personal details

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[...] Das klangschöne, leicht realisierbare Werk ist eine Bereicherung für Gottesdienst und Konzert.

- Musica Sacra, September/Oktober 2010 -

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