Gonzalo Grau: Water - Sheet music | Carus-Verlag

Gonzalo Grau Water

Oratorio 2010

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Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of water. It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures.

Gonzalo Grau’s compositional style is marked by a variety of influences: “For me a Gregorian chant is just as beautiful as a Cuban Santería song. Indian ornamentation and baroque articulation can both appear in the same piece,” says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme.

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  • Purchase the work as a CD or download.
  • I. La Voz del Origen
  • II. Invocación de los Ríos
  • Canción de los Rápidos Remeros
  • III. Los Caminos de la Sed
  • IV. Y Llegaron las Lluvias …
  • La Gran Crecida
  • V. Río Abajo: La Mar que es el Morir
  • La Fiesta. El Encuentro de las Aguas
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Full score Carus 28.103/00, ISMN 979-0-007-09662-5 172 pages, paperback
available
120,00 € / copy
Vocal score Carus 28.103/03, ISMN 979-0-007-09674-8 152 pages, DIN A4, paperback
available
43,00 € / copy
Study score Carus 28.103/07, ISMN 979-0-007-13583-6 172 pages, DIN A4, paperback
available
69,00 € / copy
Set of parts, complete orchestral parts, for hire, also available in digital form Carus 28.103/19, ISMN 979-0-007-20292-7 23 x 32 cm, without cover
  • 1 x Set of parts, harmony parts, for hire, flute 1, piccolo, oboe, english horn, clarinet, bassoon, contrabasson, french horn 1, french horn 2, french horn 3, french horn 4, trumpet 1, trumpet 2, trombone 1, trombone 2, bass trombone, timpani, percussion 1-3, marimba, celesta / synthesizer, computer, harp (28.103/09)
     
    1 x Individual part, violin 1, for hire (28.103/11)
     
    1 x Individual part, violin 2, for hire (28.103/12)
     
    1 x Individual part, viola, for hire (28.103/13)
     
    1 x Individual part, violoncello, for hire (28.103/14)
     
    1 x Individual part, double bass, for hire (28.103/15)
     
    1 x CD-ROM, for hire (28.103/95)
     
Full score digital (download), pdf file Carus 28.103/00-010-000, ISMN 979-0-007-34482-5 172 pages
available
101,70 € / copy
Set of parts digital (download), zip file, pdf file, complete orchestral parts, for hire Carus 28.103/19-010-000 23 x 32 cm
  • 1 x Individual part digital (download), pdf file, violin 1, for hire (28.103/11-010-000)
     
    1 x Individual part digital (download), pdf file, violin 2, for hire (28.103/12-010-000)
     
    1 x Individual part digital (download), pdf file, viola, for hire (28.103/13-010-000)
     
    1 x Individual part digital (download), pdf file, violoncello, for hire (28.103/14-010-000)
     
    1 x Individual part digital (download), pdf file, double bass, for hire (28.103/15-010-000)
     
    1 x Individual part digital (download), pdf file, flute 1, for hire (28.103/21-010-000)
     
    1 x Individual part digital (download), pdf file, piccolo, for hire (28.103/22-010-000)
     
    1 x Individual part digital (download), pdf file, oboe, for hire (28.103/23-010-000)
     
    1 x Individual part digital (download), pdf file, english horn, for hire (28.103/24-010-000)
     
    1 x Individual part digital (download), pdf file, clarinet, for hire (28.103/25-010-000)
     
    1 x Individual part digital (download), pdf file, clarinet, for hire (28.103/26-010-000)
     
    1 x Individual part digital (download), pdf file, bassoon, for hire (28.103/27-010-000)
     
    1 x Individual part digital (download), pdf file, contrabasson, for hire (28.103/28-010-000)
     
    1 x Individual part digital (download), pdf file, french horn 1, for hire (28.103/31-010-000)
     
    1 x Individual part digital (download), pdf file, french horn 2, for hire (28.103/32-010-000)
     
    1 x Individual part digital (download), pdf file, french horn 3, for hire (28.103/33-010-000)
     
    1 x Individual part digital (download), pdf file, french horn 4, for hire (28.103/34-010-000)
     
    1 x Individual part digital (download), pdf file, trumpet 1, for hire (28.103/35-010-000)
     
    1 x Individual part digital (download), pdf file, trumpet 2, for hire (28.103/36-010-000)
     
    1 x Individual part digital (download), pdf file, trombone 1, for hire (28.103/37-010-000)
     
    1 x Individual part digital (download), pdf file, trombone 2, for hire (28.103/38-010-000)
     
    1 x Individual part digital (download), pdf file, bass trombone, for hire (28.103/39-010-000)
     
    1 x Individual part digital (download), pdf file, timpani, for hire (28.103/41-010-000)
     
    1 x Individual part digital (download), pdf file, percussion 1-3, for hire (28.103/42-010-000)
     
    1 x Individual part digital (download), pdf file, marimba, for hire (28.103/43-010-000)
     
    1 x Individual part digital (download), pdf file, marimba, for hire (28.103/44-010-000)
     
    1 x Individual part digital (download), pdf file, celesta / synthesizer, for hire (28.103/45-010-000)
     
    1 x Individual part digital (download), pdf file, computer, for hire (28.103/46-010-000)
     
    1 x Individual part digital (download), pdf file, harp, for hire (28.103/48-010-000)
     
    1 x Audio album digital (download), zip file, mp3 file, Sounds, for hire, performance contract required (28.103/95-110-000)
     

Reviews

Das umfangreiche, überwiegend spanische Textbuch musste musikalisch abgearbeitet werden. Hier vollbringt Grau eine große Leistung. Er schafft ein über die Maßen tragendes, untermalendes, bestärkendes, farbiges und intensivierendes musikalisches Terrain, das beim Livepublikum bei guter Aufführung sicher sehr gut ankommt.
Gerhard Scherer, Das Orchester 12/2012

Hypertroph-klangliches Cinemascope und individuelle Binnenstrukturen finden im Sinne positiv verstandener Publikumswirksamkeit letzlich zur Balance [...].
Florian Heigenhauser, Neue Musikzeitung, Juli 2013

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