In this early work, written in 1822 when the composer was just 13 years old, we can already recognize his characteristic style. At the same time he makes references to the same work by his lifelong role-model, J. S. Bach. In the first and last movements all the choral parts have to master challenging coloratura passages. This is where the "slow" mode in the app is ideal for practicing. In the second movement the upper voice chorus sings unaccompanied (or accompanied colla parte) and is a challenge in respect of intonation.
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Performers: Andrea L. Brown (soprano), Monica Groop (alto), Werner Güra (tenore), Michael Volle (basso) – Stuttgarter Kammerchor, Deutsche Kammerphilharmonie Bremen – Frieder Bernius
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Listen
(7)
- Magnificat
- Quia respexit
- Et misericordia
- Fecit potentiam, Aria
- Deposuit potentes
- Gloria Patri
- Sicut erat, Fuga
Additional material
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Digital text (without sheet music) incl. printing licence, html file, singing text, english translationhtml file, singing text, english translation (Sample)1. CoroAll my spirit exalts the Lord,
2. Solo S, Coro SSA
and I sing joyously to my God,
my own Saviour.For he hath regarded
3. Coro
the humility of his handmaid:
for behold from henceforth all generations
shall call me blessed.
Because he that is mighty
hath done great things to me,
and holy is his name.And his mercy is from
4. Aria (Solo B)
generations unto generations,
to them that fear him.He hath shewed might in his arm
and he hath scattered the proud
in the conceit of their heart....
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Digital text (without sheet music) incl. printing licence, html file, singing text, german translationhtml file, singing text, german translation (Sample)1. Coro
Meine Seele erhebt den Herrn,
2. Solo S, Coro SSA
und mein Geist freuet sich Gottes,
meines Heilandes.Denn er hat die Niedrigkeit
3. Coro
seiner Magd angesehen.
Siehe von nun an werden mich selig preisen
alle Kindeskinder.
Denn er hat große Dinge an mir getan,
der da mächtig
und des Name heilig ist.Und seine Barmherzigkeit
4. Aria (Solo B)
währet immer für und für
bei denen, die ihn fürchten.Er übet Gewalt mit seinem Arm
und zerstreut, die hoffärtig sind
in ihres Herzens Sinn....
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Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)1. Coro
Magnificat anima mea Dominum.
2. Solo S, Coro SSA
Et exsultavit spiritus meus
in Deo salutari meo.Quia respexit
3. Coro
humilitatem ancillae suae.
Ecce enim ex hoc beatam
me dicent omnes generationes.
Quia fecit mihi magna
qui potens est:
et sanctum nomen eius.Et misericordia eius
4. Aria (Solo B)
a progenie in progenies
timentibus eum.Fecit potentiam in brachio suo:
dispersit superbos
mente cordis sui....
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Contents
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Composer
Felix Mendelssohn Bartholdy
| 1809-1847
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Choir
Kammerchor Stuttgart
The Kammerchor Stuttgart is regarded as one of the best ensembles of its kind. Over its fifty-year existence, Frieder Bernius has developed the choir into an exceptional ensemble acclaimed by audiences and press alike. This has led to invitations for the choir to perform at all the important European festivals. In Germany the chamber choir performs at festivals and in concert halls in repertoire ranging from the 17th to the 21st century. Frieder Bernius and his ensemble have received numerous accolades for their contribution to new music. The Kammerchor Stuttgart has made over 80 CDs and LPs, numerous of which have been awarded international recording prizes (including the Edison award, Diapason d’or, Gramophone Choice, Classical Internet Award, International Classical Music Award, and German Record Critics’ Award prizes). The International Federation for Choral Music has invited the ensemble to sing at the 1st, 4th and 10th World Symposia on Choral Music in Vienna, Sydney and Seoul. Regular tours of North America and Asia since 1988 and a South America tour reflect the Kammerchor Stuttgart’s international reputation. Since 1984 the top ensemble has also been invited to Israel biennially. Personal details
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Ensemble
Deutsche Kammerphilharmonie Bremen
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Conductor
Frieder Bernius
| 1947Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Personal details
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Soloist - soprano
Andrea Lauren Brown
Whether Baroque or contemporary music, Lieder or opera, the soprano Andrea Lauren Brown is equally convincing through the brilliant lightness of her interpretations. She made her operatic debut at the age of seventeen in Libby Larsen’s A Wrinkle in Time. This was followed by studies at West Chester University, Pennsylvania, Westminster Choir College in Princeton, New Jersey and at the Mozarteum in Salzburg. Winner of numerous prizes, in Europe she has given guest performances at the Theater an der Wien, the Festspielhaus Baden-Baden, at the Schwetzingen and Ludwigsburg Festivals, Spoleto Festival and Schumann Festival in Düsseldorf. Personal details
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Soloist - alto
Monica Groop
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Soloist - tenor
Werner Güra
Werner Güra studied at the Salzburg Mozarteum. He continued his vocal training with Kurt Widmer in Basle and Margreet Honig in Amsterdam. He has appeared as a guest singer in operas in Frankfurt, Basle, Dresden, Paris and Brussels, and has sung regularly at the Staatsoper in Berlin since 1999. As a concert and oratorio singer he frequently appears with leading orchestras and renowned conductors. He has made a number of tours to Japan. Werner Güra also has a reputation as a Lied interpreter, which is reflected in concerts for international promoters and in his numerous recordings, which have won prestigious awards like the “Diapason d’Or.” Personal details
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Soloist - bass
Michael Volle
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