Carl Joseph Rodewald: Stabat Mater - Sheet music | Carus-Verlag

Carl Joseph Rodewald Stabat Mater

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Why some masterpieces which were highly praisedand widely disseminated at the time they werecomposed are today regarded as lost, is not alwayscomprehensible. In the case of the Stabat MaterofCarl Joseph Rodewald, it is certainly not the musi-cal quality. If someone is looking for alternatives totoday’s established Stabat Mater settings here is aspecial musical gem.
Purchase
Full score Carus 27.299/00, ISMN 979-0-007-13028-2 84 pages, paperback
available
60,00 € / copy
Vocal score, In dieser Ausgabe / in this edition: Soli SS, Pfte o Org Carus 27.299/03, ISMN 979-0-007-09507-9 56 pages, paperback
available
21,00 € / copy
Set of parts, complete orchestral parts, for hire Carus 27.299/19, ISMN 979-0-007-13947-6 23 x 32 cm, without cover
  • 1 x Set of parts, harmony parts, for hire, flute 1 and 2, oboe 1 and 2, bassoon 1 and 2, french horn 1 and 2 (27.299/09)
     
    4 x Individual part, violin 1, for hire (27.299/11)
     
    4 x Individual part, violin 2, for hire (27.299/12)
     
    3 x Individual part, viola, for hire (27.299/13)
     
    4 x Individual part, violoncello / double bass, for hire (27.299/14)
     
    1 x Individual part, organ, for hire (27.299/49)
     
Set of parts digital (download), zip file, pdf file, complete orchestral parts, for hire Carus 27.299/19-010-000 23 x 32 cm
  • 1 x Set of parts digital (download), zip file, pdf file, harmony parts, for hire (27.299/09-010-000)
     
    4 x Individual part digital (download), pdf file, violin 1, for hire (27.299/11-010-000)
     
    4 x Individual part digital (download), pdf file, violin 2, for hire (27.299/12-010-000)
     
    3 x Individual part digital (download), pdf file, viola, for hire (27.299/13-010-000)
     
    4 x Individual part digital (download), pdf file, violoncello / double bass, for hire (27.299/14-010-000)
     
    1 x Individual part digital (download), pdf file, organ, for hire (27.299/49-010-000)
     

Reviews

Die Tonsprache Rodewalds bewegt sich stilistisch zwischen Empfindsamkeit und Frühromantik, weist in der Kompositoinstechnik aber auch Anklänge an die barocke Formensprache auf. Eine empfehlenswerte Entdeckung!
Kirchenmusik im Bistum Bamberg, Dezember 2012

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