Felix Mendelssohn Bartholdy: Im Freien zu singen (Heft 4) - Sheet music | Carus-Verlag

Felix Mendelssohn Bartholdy Im Freien zu singen (Heft 4)

op. 88, 1851

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  • Neujahrslied
  • Der Glückliche
  • Hirtenlied
  • Die Waldvögelein
  • Deutschland
  • Der wandernde Musikant
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  • New Years’ Song Together with joy, accompanies sorrow
    closely through the ages,
    severe storms, mild westerlies,
    anxious worries, merry festivals
    travel side by side.

    And where many a tear falls,
    also blossoms many a rose,
    already mixed, ere we ask it,
    for thrones and for huts
    are the lots of pain and pleasure.

    Was it not so in the old year?
    Will it end in the new?
    The sun rises and sets,
    clouds part and return,
    and no wish will reverse it.

    Give therefore, he who

    ...

  • Neujahrslied Mit der Freude zieht der Schmerz
    traulich durch die Zeiten,
    schwere Stürme, milde Weste,
    bange Sorgen, frohe Feste wandeln sich zur Seiten.

    Und wo manche Träne fällt,
    blüht auch manche Rose,
    schon gemischt, noch eh wir’s bitten,
    ist für Thronen und für Hütten
    Schmerz und Lust im Lose.

    War’s nicht so im alten Jahr?
    Wird’s im neuen enden?
    Sonnen wallen auf und nieder,
    Wolken gehn und kommen wieder,
    und kein Wunsch wird’s wenden.

    Gebe denn, der über uns
    wägt mit rechter Waage,

    ...

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Score Carus 40.224/00, ISMN 979-0-007-06114-2 20 pages, DIN A4, without cover Minimum order quantity: 20 copies
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Score digital (download), pdf file Carus 40.224/00-010-000, ISMN 979-0-007-29894-4 20 pages Minimum order quantity: 20 copies
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Digital text (without sheet music) incl. printing licence, html file, singing text, original Carus 40.224/00-380-000, ISMN 979-0-007-06114-2 DIN A4
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  • Felix Mendelssohn Bartholdy (1809–1847) is regarded as one of the most important composers of the Romantic period. His compositions combine the formal clarity of the Viennese Classical period with the heightened expressiveness of the 19th century. His engagement with the music of Johann Sebastian Bach was particularly influential; he played a key role in its rediscovery through the performance of the St Matthew Passion in 1829.

    Among his best-known vocal works are his two oratorios, Paulus and Elias, as well as his chorale cantata Verleih uns Frieden gnädiglich. Furthermore, Mendelssohn worked as a conductor, pianist and music teacher, and made a significant contribution to the professionalisation of the concert scene and to the development of the Leipzig Conservatoire. His work occupies a central position in 19th-century music history and combines a sense of tradition with Romantic sound aesthetics.

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