Over three verses Aurore describes the approaching dawn through an intensifying piano accompaniment: shining out like fading stars, the short quarter notes in the first verse in G major give way in the second verse to a rippling sixteenth note accompaniment in the minor key. Shimmering harmonies allow the first rays of sun to shine in glistening drops of dew, and the dreams escape “like a light swarm”. The third verse returns to the key of G major, full of promise: the new day awakens with its promise of love and beauty.
This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist.
The songs have been recorded by the figure humaine chamber choir on the CD Rencontre – Begegnung (Carus 83.537).
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- Aurore
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Digital text (without sheet music) incl. printing licence, html file, singing text, german translationhtml file, singing text, german translation (Sample)Unbenanntes DokumentAus den Gärten der Nacht fliegen die Sterne in die Höhe,
goldene Bienen, von unsichtbarem Honig angezogen,
und das Morgengrau, das in der Ferne seine reine Leinwand spannt,
durchwirkt mit Silberfäden den blauen Mantel des Himmels.Aus dem Garten meines Herzens, den ein träger Traum berauscht,
fliegen meine Wünsche auf den Spuren des Morgens in die Höhe,
wie ein leichter Schwarm, den ein klagender, ewiger und ferner Gesang
an den kupfernen Horizont ruft.Sie fliegen zu deinen Füßen, aus den Wolken vertriebene Sterne,
verbannt aus dem güldenen Himmel, in dem deine Schönheit blüht,
und während sie unbekannte Wege zu dir suchen,
verschmelzen sie ihr sterbendes Licht mit dem erwachenden Tag.Armand Silvestre (1837–1901)
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Digital text (without sheet music) incl. printing licence, html file, singing text, originalhtml file, singing text, original (Sample)Unbenanntes Dokument
Des jardins de la nuit s’envolent les étoiles,
Abeilles d’or qu’attire un invisible miel,
Et l’aube, au loin tendant la candeur de ses toiles,
Trame de fils d’argent le manteau bleu du ciel.Du jardin de mon cœur qu’un rêve lent enivre
S’envolent mes désirs sur les pas du matin,
Comme un essaim léger qu’à l’horizon de cuivre,
Appelle un chant plaintif, éternel et lointain.Ils volent à tes pieds, astres chassés des nues,
Exilés du ciel d’or où fleurit ta beauté
Et, cherchant jusqu’à toi des routes inconnues,
Mêlent au jour naissant leur mourante clarté.Armand Silvestre (1837–1901)
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Composer
Gabriel Fauré
| 1845-1924French composer, 1845-1924.
He was a pupil of Camille Saint-Saëns and studied at the Paris School of Sacred Music. Fauré worked as an organist and choirmaster and gave piano lessons and recitals in Parisian salons. He was able to improvise brilliantly on the piano, which is also reflected in his compositions. He was director of the Paris Conservatoire from 1905 to 1920.
Fauré mainly wrote vocal, piano and chamber music. He is best known for his piano songs for solo voice and his Requiem, which was also performed at his own funeral service.
Personal details
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Songwriter / Librettist
Armand Silvestre
| 1837-1901
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Arranger
Denis Rouger
| 1961Denis Rouger gained his initial musical experience as the son of a Parisian family of musicians and during his studies at the Conservatoire National Supérieur de Musique de Paris, where he received first prizes in harmony, fugue and counterpoint.
He was a lecturer and choirmaster at the University of Paris-Sorbonne for 20 years and choirmaster at Notre-Dame de Paris Cathedral for 10 years. He is honorary conductor of the Parisian church La Madeleine. He also collaborates with numerous ensembles in Germany. He has been invited as a guest conductor by radio choirs, the Balthasar-Neumann-Chor, the Baden-Württemberg State Youth Choir and the Stuttgart Philharmonic Orchestra, among others. Concerts have taken him to Italy, the Netherlands, Canada, Russia, the United Arab Emirates and Switzerland (Lucerne Festival).
He gives master classes in Sweden, Bulgaria, France, Germany, as well as in Switzerland.
Denis Rouger has been Professor of Choral Conducting at the Stuttgart State University of Music and Performing Arts since 2011. The chamber choir he founded at the university in the fall of 2011 won first prize at the International Choir Competition in Mosbach (Germany) in 2014.
In addition to his work as a choirmaster, he composes and arranges French and German songs for choir. His arrangements on the CDs Kennst Du das Land ... and ... wo die Zitronen blühn (Carus) were well received by the press and radio. In collaboration with Carus-Verlag, he has edited the choir book Französische Chormusik, which received the German Music Edition Award “Best Edition” in 2019.
In 2016, Denis Rouger founded the figure humaine kammerchor (www.figurehumaine.de), with which he regularly gives concerts at renowned festivals.
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