Heinrich Schütz: Blessed they who keep not the law of the ungodly - Sheet music | Carus-Verlag

Heinrich Schütz Blessed they who keep not the law of the ungodly

aus: Psalmen Davids SWV 28, 1619

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  • Blessed they who keep not the law of the ungodly
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    Blessed is the man that walketh not in the counsel of the ungodly, nor standeth in the way of sinners, nor sitteth in the seat of the scornful. But his delight is in the law of the Lord; and in his law doth he meditate day and night. And he shall be like a tree planted by the rivers of water, that bringeth forth his fruit in his season; his leaf also shall not wither; and whatsoever he doeth shall prosper. The ungodly are not so: but are like the chaff which the wind driveth away. Therefore the ungodly shall not stand in the judgment, nor sinners in the congregation of the righteous. For the Lord knoweth the way of the

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    Wohl dem, der nicht wandelt im Rat der Gottlosen, noch tritt auf den Weg der S?nder, noch sitzet, da die Sp?tter sitzen, sondern hat Lust zum Gesetze des Herren und redet von seinem Gesetze Tag und Nacht! Der ist wie ein Baum gepflanzet an den Wasserb?chen, der seine Frucht bringet zu seiner Zeit, und seine Bl?tter verwelken nicht, und was er machet, das ger?t wohl. Aber so sind die Gottlosen nicht, sondern wie Spreu, die der Wind zerstreuet. Darum bleiben die Gottlosen nicht im Gerichte, noch die S?nder in der Gemeinde der Gerechten. Denn der Herr kennet den Weg der Gerechten, aber der Gottlosen Weg vergehet.
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     intended for singing
    The  Psalmen Davids and the art of consolation Heinrich Sch?tz was fortunate. In the years around 1600 the number of portents of the end of the world increased. And this would also naturally affect the Dresden court, even if it sometimes seemed to be in a world of its own. Constellations of stars, curious events, cometary impacts  all these happenings were rapidly broadcast through the mass media of the Baroque  pamphlets and articles. And the more frequently there were signs giving cause for concern, the nearer the predicted end approached. In the mid-16th century, 2046 was marked

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     zum singen gemeint
    Die Psalmen Davids und die Kunst des Zuspruchs Heinrich Sch?tz hatte Gl?ck. In den Jahren um 1600 mehrten sich die Anzeichen f?r den Weltuntergang. Und der w?rde nat?rlich auch den Dresdner Hof betreffen, auch wenn dieser mitunter als eigener Kosmos erscheinen mochte. Sternenkonstellationen, kuriose Ereignisse, Kometeneinschl?ge  alle diese Geschehnisse verbreiteten sich rasant ?ber die Massenmedien des Barock: Flugbl?tter und Sonderdrucke. Und je h?ufiger die besorgniserregenden Zeichen, desto n?her r?ckte das prognostizierte Ende. Mitte des 16. Jahrhunderts war noch 2046 als Ende

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Full score Carus 20.028/00, ISMN 979-0-007-03347-7 24 pages, DIN A4, paperback
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Digital text (without sheet music) incl. printing licence, html file, singing text, original Carus 20.028/00-380-000
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  • Heinrich Schütz is regarded as the first German musician of European stature. As a choirboy from 1599 at the court of Landgrave Moritz of Hessen-Kassel, he received a thorough education. In 1608 he began a law degree in Marburg, but broke this off in 1609 in order, with the support of the Landgrave, to study composition with Giovanni Gabrieli, organist at St Mark’s in Venice. In 1613 Schütz returned to Kassel, but two years later was enticed away by Elector Johann Georg I of Saxony to the Dresden court as “Organist und Director der Musica”, where he held the position of Hofkapellmeister (court Kapellmeister) from 1617 until his death. Schütz’s great cycles of vocal works marked the high point of his reputation in Germany and northern Europe. But these represent only part of Schütz’s output; individual works are represented in printed collections with works by other composers, others only survive in manuscript, and much has been lost. The Stuttgart Schütz Edition makes available Schütz’s complete oeuvre, and all works are also published in practical Urtext editions. Personal details
  • The publisher, church musician and teacher Günter Graulich is one of the major personalities in German publishing of the post-war period. With his wife Waltraud he founded Carus-Verlag Stuttgart in 1972, which he built up from a 2-person family firm to a medium-sized business with around 60 employees. A trained church musician and Kantor for many years at the Matthäuskirche Stuttgart, he also directed the Motettenchor Stuttgart for 50 years. With his choir he made LP and CD recordings, and undertook numerous concert tours to other European countries and America. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

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