Johann Philipp Krieger: Singet fröhlich Gotte - Sheet music | Carus-Verlag

Johann Philipp Krieger Singet fröhlich Gotte

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Johann Philipp Krieger verwendet bei dieser Kantate über den Anfang des 81. Psalms die überaus seltene, aber sehr reizvolle Besetzung mit Altstimme, Trompete und Continuo (das Vorwort erwähnt allerdings die Möglichkeit, die Singstimme auch mit einem Bass zu besetzen). Die Besetzung mit Solotrompete steht dabei in einer viel geübten Weißenfelser Sondertradition (der möglicherweise auch J. S. Bachs Kante 51 entsprang). Die wirkungsvoll geführte virtuose Trompetenstimme lässt den hohen technischen Standard der Trompeter am Weißenfelser Hof erkennen und bietet zugleich dem heutigen Trompeter die Möglichkeit, alle Facetten seiner Kunst in dieser großartigen Kantate zu entfalten.
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Score Carus 10.287/00, ISMN 979-0-007-09871-1 16 pages, DIN A4, paperback
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Individual part, trumpet (violin) Carus 10.287/31 4 pages, 23 x 32 cm, without cover
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Individual part digital (download), pdf file, trumpet (violin) Carus 10.287/31-010-000, ISMN 979-0-007-37227-9 4 pages, 23 x 32 cm Provisionally available from 06/2026
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  • Johann Philipp Krieger was an important German composer of the High Baroque period.

    He showed musical talent at an early age and took piano lessons from the age of eight. At the age of 14, he went to Copenhagen to study organ and composition. He also spent two years of his training in Italy.

    In 1677, he took up the post of Cammer-Musicus und Cammer-Organist at the court in Halle and became Vizekapellmeister a year later. In 1680, he moved with the court from Halle to Weißenburg, where he worked as Kapellmeister for 45 years until his death.

    During this time, Krieger recorded his sacred repertoire as well as works by other German and Italian composers in the collection 47 Jahrgänge Weißenburger Kirchenmusiken. Krieger's approximately 2,500 cantatas make up the largest part of his oeuvre, although around 2,200 of these are now lost.

    Krieger is considered one of the leading German composers of his time. His introduction of Italian and French forms and compositional techniques into German music had a significant influence on composers such as J.S. Bach and G.F. Handel.

    Personal details
  • As a musicologist, Dr. Uwe Wolf is particularly at home in the 17th and 18th centuries. The focus of his work ranges from the time of Monteverdi and Schütz to Bach and the generation of Bach's sons and pupils through to Viennese Classicism. He has been head of the editorial department at Carus-Verlag since October 2011. Prior to this, he worked in Bach research for over 20 years. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

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